Versatility is my brand. I’m trynna experiment with all the genres that exist. I rap, I sing, I write songs, I mix and I’m always down to collab🤞🏾Stick around if you enjoying the vibes ❤️‍🔥💯


DM me for collabs/networking 

IG:GuccivaL3.0

Magnus... Love music... use my laptop and LMMS freeware... Cannot stop making music even though Im and oldtimer now! :-)

Contact: owen@owennorton.com

With over 50 million streams already to his name, Owen Norton is a UK based artist delivering a fresh take on dance music, combining catchy pop hooks with innovative production, that is as comfortable in the car as it is in the club. 

Beginning his career with a string of high profile remixes for artists such as Jason Derulo, Selena Gomez & The Chainsmokers, Owen's talent was on show from an extremely early age. It wasn’t long before R3HAB took notice, putting him on remix duties for ‘Hold On Tight’ which has over 10 million streams.

This support for Owen’s music has seen him take to stages around the globe, making his international debut on a 7 city headline Asia tour, returning to Europe for a set at Pacha. Norton also played Don’t Let Daddy Know UK in 2018, becoming the youngest artist to ever play their mainstage.

2021 was Norton's biggest year yet, starting with The Night (5m streams), shortly following up with Midnight Mistakes (2m streams). Keeping up the momentum, he then released Closer to You, Cover It Up & Only Ones, alongside huge covers Lost in Your Love and Sweater Weather, before rounding off the year with Unsteady, amassing over 10 million streams that year.

Wasting no time, Owen kicked off 2022 with covers of Love Tonight & Be My Lover, both of which he played live throughout 2021, becoming some of his most awaited releases. With a packed release schedule and tour dates soon to be announced, fans and critics alike are eager to see his next move.

Despite NEMTT emerging in 2020, the idea of ​​producing music is ancient.
In 2002, on a regular day at work, while talking to a friend (and listening to 80’s / 90’s dance music) I said: “Do you know how these songs are made?“
He was smarter than me and had more “knowledge” on this topic, and he said: “Take a look at this program!”
That day, many hours were exclusively spent learning how to use the program, and at that time, we did not have easy access to information as we do today. Everything was based on “try, test, check, and loop. Trying some combinations of synthesizers’ configurations, kicks, snares, hi hats and more. After six long months of using that program incessantly, I could create something remotely good-I finished my first song! In reality, it was a sketch of music, because in my opinion, it was terrible, but I had to listen to another kind of equipment. The best place was the tape player of my father’s car and, I invested some money on that.
I do not remember how I passed my “Frankenstein song” to the K7 tape (only the elders will remember). I just recalled that I had put it in together with a lot of other songs that were in that tape. Back then, it was common to record songs from the radio.
After I heard it, I was impressed. The music was much worse than I had imagined. Not because of the song, but the bassline was very loud and the kicks hit very hard; there was no balance at all. Today, I think it would be normal; after all, it was my first interaction with the program. I knew absolutely nothing about music, and so it was expected that it would be bad, but at the time, I was discouraged to spend much time on something that was not too pleasant (to my ears) and stopped trying to make a new song or fix the current one.
The magic happened a week or two later, and the worst thing is that I only understood it years later.
While going to a bar with my cousins ​​and a friend in São Paulo, using my father’s car, a K7 tape was playing. While parking, my music began playing, and I had a thought: ”If someone asks, I will say that I don't remember where I recorded it!” The car shut down, the music stopped, and when we all left the car, our friend said: ”Wow, that last song was great. That was some cool bass right? Who played that sound?” I replied instantly, “I did it! There are some things to fix, but it is my first.”
He praised it, but I did not take it very seriously and did not make any more songs.
About 18 years later, in the middle of the pandemic, while taking a shower, I remembered the friend who was sad about that music.
I am already 40 and tired from working in my profession for over 12 years, and I said to myself, “Why not try and see how the dance music scene is doing today?”
I conducted extensive research, watched many videos producing different types of programs, and discovered several companies that distributed this music and decided to test what I had learned. I thought that if this sketch was good enough, it could work.
To my surprise (good surprise this time, and in under six months), the song was really cool. 
This time, I had a lot of information that was easy to access and free, so the problems I had encountered during the creation, mixing, and mastering process were quickly resolved.
With the increasing excitement, the desire to invest in musical knowledge grew more each day, and my growing love for dance music since childhood brought me here.
I may have arrived a little late but the meaning of my nick is ”Non É Mai Troppo Tardi”, translating from Italian, It's Never Too Late.

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