Very pleasant! You don't have to wait to hit the dance floor for this, it feels like one can imagine floating on a yacht, while having a romantic interlude! >> :-)

タイトル通りのシーケンスパターンとその音色が気に入りました。

Musica bem animada, gostei dessa, eu me lembro de boates do anos 80

Inspired by a dear friend who deserved a long holiday.

Wrote a demo of this tune more than a year ago, but recently mastered the track after recording live improvised "sailing" audio -- water, wind, birds -- in February 2024. 

Hope you enjoy this 4-minute invitation to relax and daydream.

Synth guitars with echo and reverb, bass, harp, cellos, and "sailing" sounds with Latin and hip hop beats at a very chill 65 bpm.

Cover photography: 
Scenic background by Juliana Chyzhova at pexels.com
Seagulls by Engin Akyurt at pexels.com
Sailboat by Szelei Robert at pexels.com

Sailing Barcelona

I am so excited about collaborating with soprano Maribel Villarroel and arranger and pianist René Calderón. The lyrics are from the Pablo Neruda poem "Para Que Tú Me Oigas"" in the book "Twenty Love Poems and a Song of Despair". Translated by W.S Merwin. Permission has been granted by Fundación Pablo Neruda.

Para Que Tú Me Oigas (Letras de Pablo Neruda)

Para que tú me oigas mis palabras
se adelgazan a veces
como las huellas de las gaviotas en las playas.
                                                                                                                                  Y las miro lejanas mis palabras.
Más que mías son tuyas.
Van trepando en mi viejo dolor como las yedras..                                                                                                               
                                                                                                                            Ahora quiero que digan lo que quiero decirte                                                                                              para que tú me oigas cómo quiero que me oigas. 

Llanto de viejas bocas, sangre de viejas súplicas.                                                                              Ámame compañera. No me abandones. Sígueme.                                                                           Sígueme, compañera, en esa ola de angustia. 

Pero se van tiñendo con tu amor mis palabras.                                                                                       Todo lo ocupas tú, todo lo ocupas. 

So that You will hear Me (Lyrics by Pablo Neruda)                                                                                          

So that you will hear me
my words
Sometimes grow thin
As the tracks of the gulls on the beaches. 
And I watch my words from a long way off.                                                                                           They are more yours than mine.                                                                         They climb on my old suffering like ivy. 
Now I want them to say what I want to say to you                                                                                      to make you hear as I want you to hear me.

Lament of old mouths, blood of old supplications.                                                                                             Love me, companion. Don’t forsake me. Follow me.                                                                                      Follow me, companion, on this wave of anguish. 

But my words become stained with your love.                                                                                                     You occupy everything, you occupy everything. 
 
 Canciones para Pablo Neruda" is a book of musical scores for songs based on lyrics by Pablo Neruda as well as artwork from some of Chile's greatest artists: 
https://www.amazon.com/Canciones-Para-Pablo-Neruda-Spanish/dp/9564163218/ref=sr_1_1?dib=eyJ2IjoiMSJ9.JV3fZn25wlYcYE3CfKo_ue-fx5JdUXB60a-hWwk205kXDQG20j2a39ntzMqHEkx3viRYPO82bPSZDVFqrJB0Ktv2SFa70Mpx30Y-oeBwc1BQrmYTopCWzqNa1jFZPzoYDn_DvSM1le70QritFcGLlAlKEe5jlzrHxk6CEpjSbXLV52LciGsetvGRc5-X0wUWjkJn4KDpoJZ8yoSdygz8U8t6STGLP0jtrLy0XHI81qU.hUSdYX9jFdVq5TBnQWaNA-H2v_m_nFe0A6ADmg40qBg&dib_tag=se&keywords=CANCIONES+Para+Pablo+Neruda&qid=1710717676&sr=8-1

Para Que Tú Me Oigas

Sunny Day / Paploviante Open Collaboration Offer 
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering 
BPM 77
A7 Em7 Gbm Dm7
Free Download
Feel free to adding something !
If you publish it, you have to mention me in the description and title!

Sunny Day - Paploviante Open Collab Offer

Cast of Characters:

Computart – @computart – guitar, vocals/whistling, composition

Llanpsych -- @llanpsych -- Tez – mix and production 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass and mandolin

This song started as a recording of Computart playing the guitar and singing/whistling to a metronome, which you can find raw on his page. Having worked together before on a song called The Shining, the Frenchman reached across the pond again and asked me, the Yank, if I would like to add anything to this. This style of music being one of my favorites, I jumped at the chance. Of course, I got Ken involved right away because every great song needs a great drummer. I came up with a bass line, to which Ken added drums, to which I in turn redid my bass line, as is our usual process. I then added the mandolin. Then, Ken added the hand drums to put the icing on the cake. Tez was generous enough to produce and mix this for us, and we feel like he got it to sound like we were all playing in the same room together. 
  We hope you enjoy listening to this as much as we enjoyed putting it together.

Plaisir (The Eclectic Collective with Computart)

I strained my wrist playing guitar while practicing a new piece I hope to post in a month or two. For us guitarists, holding a large stretch (in this case a 5 fret stretch on the third fret) for periods of time can cause problems! (Guitar players nodding their heads right now 😊). Anyhoo, I can’t play my guitar at the moment, so I decided to freshen up a short piece I had on SC from a few years ago. It’s very simple, a musical meditation, towards peace; the dove of peace carries this message, through many cultures and religions. Peace is needed now, more than ever. Hope you may spend 2 minutes with me to meditate. 
PS. Wasn't able to master this with clarity, so headphones/earphones best.

Peace Dove

François TAMBY: guitars, drums, bass, arrangements and production
Aline TAMBY : all voices

   A song that rocked my late teens; I've always loved the lyrics, the "Kenloachian" video, Jimmy Somerville's voice and the melody, but much less the synthetic arrangements and 80s production. It's a world far removed from our own, so we've freely reinterpreted the song in our own way...

 Une chanson qui a bercé ma fin d'adolescence ; j'ai toujours aimé les paroles, le clip "Kenloachien", la voix de Jimmy Somerville et la mélodie, mais beaucoup moins les arrangements synthétiques et la production des années 80. C'est un monde très éloigné du nôtre,  nous avons donc librement réinterprété la chanson à notre façon...

CIACCO-Cover-Smalltown Boy-Bronski Beat

we listen to our music and stare at the silver screen
that’s where we got all our wisdom
but we haven’t learned a lesson yet,
no we haven’t learned a lesson yet oh no, oh no

records and concerts and flowers and dope
love-ins and blue jeans and politics and hope
meditation yoga and non pollutant soap, oh yeah
it all loses meaning when you’re crazy and broke
it all loses meaning when your crazy and broke oh no

it’s just the time now to sing the rhyme now,
it’s just the time now to sing the rhyme now,
oh yes i swear now that i’m aware now
oh yes i swear now i say a prayer now

we listen to our music glued to the colored sets
we pretend that we don’t care at all
but we haven’t learned a lesson yet,
no we haven’t learned a lesson yet oh no, oh no

communes and stereos and women’s rights,
it all loses meaning in the new moonlight
dance in the clubs to the lazer lights oh yeah
it's all or nothing, which one is right
its all or nothing, which one is right oh no

it’s just the time now to sing the rhyme now,
it’s just the time now to sing the rhyme now,
oh yes i swear now that i’m aware now
oh yes i swear now i say a prayer
..........
written & sung by eddie angel
produced and recorded by kid otari
drums by greek god yannis alfiers
keyboards by guillaume
guitars & additional vocals by naldo

Recorded on Otari MX5050 8-channel 1/2" tape at the Laundry Room, Oakland California

Silver Screen 3.3-4 44k EQ'd

Silver Screen

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

When I listened to this music work by Vocalatti&Mark Dorricott, I thought what a wonderful voice it was. And I was amazed by the piano playing. The bass and drums were cool. Yes, it was very natural for me to think that I could overlay my guitar playing on it. 

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

This recording does not include my solo guitar parts. My role is primarily to highlight the wonderful vocals and piano playing, but another reason is that I want my friends who are learning guitar to take this opportunity to experience the reality of blues playing. I would like them to try the following.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together. If I am happy enough to reach a stage where I think everyone has enjoyed it, I will be able to move into more specific ways of playing the guitar with you in my own way.

 The D7 and G7 positions I recommend are in the link below.

=============================
Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://www.amazon.co.jp/photos/all/gallery/9cuMGAE4TuaICOFAYg3CdA
G7 (low position)
https://www.amazon.co.jp/photos/all/gallery/Dm47oG-qSja5Dov31IoeXQ
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://www.amazon.co.jp/photos/all/gallery/xNA9zgylQpuRHNqLh-21-A
G7 (ｍiddle position)
https://www.amazon.co.jp/photos/all/gallery/oz7209a_SgSsUNUl75lvMg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

Sensual ballad with a pop chorus.
Music by Damga & HyLGZ22

A Mes Pieds

I BRING THE NOISE / IPG1 & Paploviante 
IPG1: Vocals 
https://soundcloud.com/ipg1/i-bring-the-noise-vocals-86-bpm
Paploviante: Music, E Bass, Mix, Mastering and Picture

I Bring The Noise - IPG1 & Paploviante

Frozen Time

I also have a music video on my YouTube channel, so please subscribe to my channel.
https://www.youtube.com/channel/UC9FZdewdq5wl106izMlyY3g

Frozen Time

Hiroyuki Sanada

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