Greek music at its best, there are many great greek musicians, that would love this honest peace of Music. With love, Eden Project

from the strummed intro, to the bass entering in the middle, to the percussive elements adding energy after the lightness of 1:50,  you have crafted a musical story that takes us through the Greek olive orchard with the Bouzouki creating the cultural motif...loved the reverb at the end :)

So so true & original ❤️. Many times I ve been to greece south of kreta. memories coming up ☀️

Delightful string concoction that was thoroughly enjoyed KM! Durge

Para Lia - Kassandra
from the album ‘Gone With The Flow’
paralia.bandcamp.com/album/gone-with-the-flow

Visit the 3D virtual art exhibition with the great work of Louis Renzoni and the music of Para Lia here:
https://www.sophisticatedape.com/gone-with-the-flow-exhibition/

words and music by René Methner
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork based on Louis Renzonis 'Light From A Candle' 

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band

The background for the inspiration of course is Homer and the tales on the Trojan war. But Kassandra does not tell a story – it’s a kind of a painting with an ancient scenery or maybe just a sketch: Kassandra in front of the burning city. And it could be a modern painting. We are in a distance of more than 3.000 years to the plot of the ancient tales – and still mankind has Kassandras and tears in front of burning cities.

Working on Kassandra i had in mind from the beginning that Cindy will take the main voc in this song. So i wrote the harmonies and the song structure with that in mind and i love how she sings the song. Kassandra also includes a few notes played with a Greek Baglamas and helps the song to get a special note. This string instrument is the small sister of a Bouzouki. 

lyrics:
on sungod days in the morning dew
the tears of kings are just a few
meaningless rain drops

we keep that fire burning
until the tide is turning
and the ships are grounded

in the golden light of the afternoon
she is dancing like the queen of doom
she blinks into the sunlight

we keep that fire burning
until the tide is turning
we watch the flames rise higher
we keep that fire burning
until the tide is turning
we watch the flames rise higher
into the sky
into the sky

Gone With The Flow

Bandcamp

Kassandra

Musikalische Weltreise

Olivenernte in Griechenland

All percussion is from soundsourcefundamentals.com Sample Pack 001: Rainstick, Shakers & Bells

Call Of The Wild

Jeremy J. Saks - Call Of The Wild

Life goes on day by day and that's the best thing that can be) My new little track is about that) Enjoy listening) Music Composed/Produced by Guitarbeard © 2021

Buy https://guitarbeard.bandcamp.com/track/day-in-day-out

Day In Day Out

J'AVAIS TOUT VU...

Real life

Something nice

Something Nice

Irina Minakova - songwriter
Evgeniya Samoylova - vocal 
Boris Korotaev -  guitar

"Time of owls"  feat. Evgeniya Samoylova (vocal)

Voz: Leo Andina @leonardo-andina
Bajo : Rodolfo Planes @rplanes
Guitarras, Coro y Producción : Pichy Sotomayor

Ciudad Prohibida

Ya no hay mas nada que ver,
no tengo nada que hacer,
voy flotando con  la brisa.
Yo necesito saber
como me vas a   encender.

Angel del amanecer,
ven a buscarme otra vez
para sanar las heridas.
Para ponerme de pie
y atravesar la ciudad 
prohibida.

Veo tantas cruces de madera,
veo tantas almas con la misma sed.
Los bemoles en sus madrigueras,
tejen sus mentiras por la red.

No vivo para temer 
yo sirvo para crecer
lejos de tanta codicia.
lo que yo llevo en mi haber
son mis sueños en papel.

Musa del amanecer,
ven a ayudarme otra vez
para colmarnos de vida.
Para ponerme de pie     
y atravesar la ciudad 
prohibida.

Veo tantas cruces de madera,
veo tantas almas con la misma sed.
Los bemoles en sus madrigueras
traman sus mentiras por la red.

Letra y Música: Pichy Sotomayor

Ciudad Prohibida ( Andina / Planes / Sotomayor )

Pierre Bordetti productions (c) 06/2021.

Composed, arranged, performed, and produced by:
Pierre Bordetti

Instant Soul

I wrote this song after an in-depth conversation with my mother who spent years searching for her mother.  It's in 7/8; perhaps reflecting the irregularity of relationships.

Bouzouki, harp, bass and drum programming, mixed and premastered by Dónal Lunny
Mastered by Ivan O'Shea
Editing/Vocals/BV/guitar/photo of my mum by SuZanne

(Because you asked Jeff.  When my Ma met her mother she commented on the colour of her eyes and said, "They're brilliant blue..." and it's the way she said it and looked that stuck in my mind)

Brilliant Blue
Her eyes are brilliant blue, mine are brown
I take after my father, they say he was a farmer
My mother's at the window as I say goodbye
I've only just met her, she is 84 0r 85

Refrain: Brilliant blue eyes, greet my brown
I've waited all my life, for this

2lb 4oz wrapped in cotton wool, placed in a cardboard shoebox
given to nuns in Bloom Street
Manchester in 1940, I was one of many a child and mother
sent from Catholic Ireland

Refrain      Lahlahlahs

Sixty-two years since we met, mother
I just wanted to see you one time, if you want me too
Your eyes are brilliant blue, mine are brown
as I leave the white-haired woman
It was dead of winter I was found

Lahlahlahs   Refrain

Brillinat Blue Master         

Brilliant Blue featuring Dónal Lunny

Video now available https://youtu.be/-dS0xUjoBcw
Music has not come easily to me lately and so when I did eventually get round to writing something, Coronavirus - or C19 - rather inevitably played a large part in its creation.  This instrumental features the very talented Alba on guitar, who was an absolute joy to work with.  Please check out his version of our collaboration at https://soundcloud.com/user-775580590. I hope you are all safe and well - and enjoy what we have created here.

Olivenernte in Griechenland

Karin-Maria Brunner

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