Born in 79, fell in love with the 80’s, came of age in the 90’s. First CD was Ultrasonic, ‘Techno Junkies’. The paradox being, i’m now a fully fledged Techno Junky in my 40’s having surfed the electronic underground staircase through the last 3 decades. Discovered Drumcode Techno, Adam Beyer and the rest of the DC family, at a time when I needed something massive and meaningful in my life. Along with the another passion of mine, The Sopranos,  I was captivated with the DC scene and it became a lifestyle choice. Travelled near and far all over the globe going to raves and events with the standouts being Drumcode Festival Amsterdam 2019, Timewarp Mannheim 2018, Timewarp NY 2019 and Junction 2 London 2017. As much as I love DC and everything it stands for, I love all good techno whatever the genre or artist/label. 
I wrote and performed my first and only track to date ‘Fake the News’ under the alias RedChap, produced by TSO Project 9. Self-labelled the genre ‘Indo’ as I believe there are Indie and Techno vibes merging together. Would love to write and perform again if the inspiration arises but would also love somebody to potentially remix ‘Fake the News’ with a techno twist.

Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

https://open.spotify.com/album/0U229aavLlhvJ5ZPhAz8Pl?si=eXxnSz-0QiyXexRfPwnskg

We are a collective working from a shed on a hill in Fife. One day it will all become clear……#JAMS

RAB & ALBO

After an epic first edition in 2011 with the name Revolution 909, the festival grew to be a regular no-nonsense Techno party in the years that followed. The recipe always stayed the same: one stage, an intimate vibe, and quality Techno.

MARTIN BOOKS
Merchandise: 
https://martin-books.com/shop/

Plattenfirma
Kneaded Pains
M-nus (ENTER IBIZA)
Toolroom
Carti
Deeperfect



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instagram.com/garybeck_

BEK Audio/Mutual Rytm

Bookings - 

david@aboutlastnight.agency

Info : info@bekaudio.com
www.bekaudio.com
www.garybeck.net

I also record under the names Sosak & Tanera

4 Piece Indie / Electronic band. Described as a mixture of 80's Electronic / 90's Baggy / Dream Pop.

RedChap is following