PC MUSIC

A.G. Cook - Oohu (Kai Whiston Remix)

Metro Boomin Want Sum More Forlorn Beats

Our new track “Knees On The Ground” might benefit from an explanation. This is the most unguarded I ever intend to be when writing about Clipping.

What had happened was this: our very brief UK/Europe trip got called-off the day before we were supposed to get on a plane to London. Since we didn’t have any other plans, we met up in the studio with an idea to crank out a new track. On our list of songs to finish was one particular piece aimed directly at the club (or, at least, our twisted idea of what clubs should play). But none of us were in the mood for it. Each of us had spent the previous several days following the news of protests in Ferguson, MO. It was the only thing on our minds. We couldn’t bring ourselves to think about anything else, so we decided to direct our fear, our revulsion, our heartbreak into a new track.

The problem was that we’d defined our band — in interviews and to each other — as decidedly-not-an-activist-project. Diggs’s lyrics have been criticized for seeming apolitical, at least in comparison to what many listeners (perhaps rightly) expect to hear from an ‘experimental’ rap group. I have many times said (perhaps naïvely) that our politics lie in our structures, in our formal engagement with the rap genre. We love its conventions, its clichés, and we’re not above them. We see our participation in rap as something resembling an old punk flyer — an out-of-context collage of charged images with an fractured, contradictory, multiple point-of-view. I hope that our more dedicated listeners hear this and understand that we’re not interested in spoon-feeding them a position. At the same time, I’ve always assumed that they pretty much agree with us on most issues anyway. (We have yet to meet the misogynist, homophobic, white supremacist Clipping fan with an MBA and an NRA membership).

So what do we do when all we can think about, all we can feel, is a profound injustice — yet another young unarmed person of color is murdered by a police officer? How does a band, which overtly rejects affect and the emotions, address something that is, for its authors, a deeply felt, deeply affecting topic? Well, we don’t entirely know. But the fact is: there’s more truth in Diggs’s lyrics than we generally let on. “Inside Out” describes a drive-by shooting in Oakland, “Chain” is about three stick-ups. They are presented with a lot of detail and specificity (perhaps the result of personal experience). But at the same time, they represent archetypal scenarios within rap music. One trope we had yet to explore as Clipping was the anti-police rap — the lineage of Public Enemy, NWA and Paris, straight through The Coup, and all the way into the ‘stop snitching’ panic of the early 2000s. “Knees On The Ground” is a paradigmatic white-cop-kills-an-unarmed-black-kid-and-gets-away-with-it tale — a story that happens all the fucking time in the US. What we have learned — from our first hand experience in Oakland in 2009, and from the media coverage of Ferguson in 2014 — is that the second part of this story involves a police response better suited to a war zone than to an American city. Cops think they’re playing Call Of Duty when they’re supposed to be part of a community. If Ferguson were in Iraq, Obama would have sent in an airstrike already.

This is the least obtuse Diggs’s lyrics will ever get. We’re embarrassed by the timeliness of this track. We do not intend to capitalize on what is, undoubtedly, a terrible tragedy. But journalists make think-pieces and we make songs. Writers write what they know, and this is what we know right fucking now.

— William Hutson, Clipping.

Knees On The Ground

hologram summer show live on 6/27, brooklyn

NEW SPONGEBOB SQUAREWAVE RELEASE ON OFF ME NUT RECORDS !!
POOL PARTY !!

8 TUNES FOR 5 DENK - GET IN THE POOL !!!

Buy This Full Album

Spongebob Squarewave - Pool Party - **PREVIEW** OUT NOW ON OFF ME NUT RECORDS !!

NnnDfi88

I supported Tim Hecker at The Belgrave Music Hall in Leeds on 18/10/19. This is an exact recreation of the set I played on that night! 

Tracklist -

Tapes and Topographies - To Find Your Imperfection
 猫 シ Corp. & t e l e p a t h - Hiraeth V
Burial - State Forest
Black Merlin - Sibi
Geinoh Yamashirogumi - Requiem
Carl Gari & Abdullah Miniawy - Haj حاج
Viktor Orri Árnason and Yair Elazar Glotman - Life
Nikita Chaikin - The Cell
Daniel Ruane - Palace [Dub]
PJS - Stream
Edgar Froese - Aqua
Yialmic Frequencies - Auric Massage 
Raime - Passed Over Trail
Silvia Kastel - Concrete Void
AGF - Qi'Ra
The Haxan Cloak - Consumed
Penelope Trappes - Carry Me
Jonny Nash - Flower 
D.K. / S.K. - Bricks in White
Gilb'R - Jah, Il Sait
Amotik - Chatis
Burial - Archangel (Ziyiz Rework) [Dub]
Leon Vynehall - Envelopes (Chapter VI)
Djrum - Thank You [Tease]

Tim Hecker Support Set

made on the Skrrt Stream 
http://live.yungskrrt.com

Charli XCX - forever // Yung Skrrt Remix

ty charli for releasin stems for this album.

an unofficial remix of seven years from how i'm feeling now

free dl @ buy link and here: https://hypeddit.com/track/q5akh4

~socials~
twitter: http://www.twitter.com/formerhero_
facebook: http://www.facebook.com/formerheromusic
soundcloud: http://www.soundcloud.com/formerhero
insta: https://www.instagram.com/formerheromike
patreon: https://www.patreon.com/coldpine

charli xcx - seven years (former hero remix)

Angel Edits <3

Free DL

‎‎‎‎‎‎‎

This profile exists as a collection of sorts, it contains some of my previous works from the past years that I have decided to compile together. A lot of the project files for this material has been lost to the annals of history. You'll have to overlook some of the haphazard mixing that i employ at times, as i know it can be a little inconsistent.

I also realise that I can be quite cryptic at times with what all of this means - so, my advice: don't look at the descriptions of the individual tracks - instead check out the Albums and Playlists - I put info about what purpose they serve in the description of each.

Metro Boomin Want Sum More Forlorn Beats

Echoastral