Original track
https://soundcloud.com/tobogganing/somewhere-not-here?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Somewhere not here (Electronic mix)

Free download this track and the full "Phenomena"(2022)[EP] from 3 alternative links:
- https://humanfobia-official.bandcamp.com/album/phenomena-ep-2022
- https://archive.org/details/humanfobia-phenomena
- https://hearthis.at/humanfobia/set/2022-phenomena-ep/
▲  sound mixer: Sábila Orbe.  //  ▲ dialogues taken from the original movie: Phenomena.-

Phenomena

†▲ Into The Pit Of Skulls †▲

You can watch the visualizer for this song here: https://youtu.be/NJIKZmb7rKg

Lyrics:

There's a black dog,
He's sitting down for me.
And, when the telephone goes off,

He's sitting by the phone, 
He tells me to come near.
And I'm scared,
Alone.

You can't tell me what I feel, I'm
Sitting.
They say I'm brave, but,
I know better than that.

Church pews,
Glass shards,
I'm folding inside.
What are
the odds
that you survived?

Church pews,
Glass shards,
I'm folding inside. (I know better than that.)
What are
the odds
that you survived? (I know better than that.)

I can feel you on the otherside,
Switch my place so you may come alive.
I can feel you on the otherside.



black dog

Original Track:
https://soundcloud.com/qubik/fields

Qubik - Fields (Senglar Campo Version)

Corner Office

Spotify: https://open.spotify.com/album/7ho2n9qo0emH81dewCt4Ll?si=sLbi2OMlSIKVsPO1ap7eWg&context=spotify%3Aalbum%3A7ho2n9qo0emH81dewCt4Ll

YouTube: https://youtube.com/@decoyheart?si=olJmE8CRCH6OIm9g

Lyrics:

I'm outta time
Get that hard line out of my head
A dead parrot
I couldn't repeat it if I tried 
Stuck in a hole
Of someone else's body
I grapple with the years gone by
Could you rip me out of my mind?

We're going in circles
Circles, circles, circles, circles
Come feed the bees
Out of your hand
Don't let a stinger land
Somewhere you can't heal

Ooh, child
Ooh, child

Ooh, child
Ooh, child


bee charmer

gymnopédie no.1 - Éric Satie

Solitaire

[[free dl]]

loops 13

Marco Lucchi, based in Modena, Italy, and Henrik Meierkord, based in Stockholm, Sweden, have a lengthy collaboration to their reciprocal credit, and they accomplish it far and near alike. A testament to the interplay of their work together is that a listener might be hard-pressed to discern which of their recordings are the result of long-distance file-trading, and which occurred when the two managed to be in the same place at the same time.

Several aspects of their respective music-making serve them well as creative partners. First of all, both tend toward the ambient, given as they are generally to a slow pace and to a sensibility that manages to be at once radiant and intimate. Secondly, while both are multi-instrumentalists, there is a complementary nature to their specialties, Lucchi being more of a keyboardist, Meierkord more of a string player. Thirdly, and perhaps most importantly, they are both immersed in techniques drawn from electronic music.

In particular, both men are experienced with live multitrack recording, in which they process and layer their own performances in real time. Meierkord is fond of layering sinuous tones to create scenarios of unique dimensions. It becomes uncertain — even unimportant — to the listener what preceded what, so intricate is his deployment of interplay. Lucchi likewise finds parallels between classical orchestration and the opportunity for drones lent by modern synthesizers; in a small room he can create a vast space. There is often an oceanic depth to such efforts, part composed and part improvisatory, in which playing is a tool toward composition, rather than the other way around.

Throughout their new record, there is an underlying melancholy, a nostalgic beauty, and a reflective consideration — a virtue that is foundational to their ongoing collaboration. The result is particularly rich in plaintive scene setting, as on the glacially paced “La bestia umana,” which emerges from a neighborly field recording of a dog barking, and “Kosmisk Strålning II,” which maintains a dream-like quietude, more shadow than light. One “Like tears in rain”, what sounds like a synthesizer is, in fact, a piano, a recording of which has been stretched beyond the point of it being readily identifiable.

On first listen, their leaning toward unimpeachable steadiness can seem uniform, but listen more closely and you’ll recognize how explicitly they emote on a track like “The Third Stage,” due not just to the reaching melodic surges (which, in turn, match the sampled recordings of bird calls) but to the slight discordances that suggest trouble and tension. In a different manner, there is “A warm and golden October,” which balances breaking-dawn hush with piercing overtones. That track features a motif at the end, played on a celesta; those bell-like tones edge the piece out of dreaminess without entirely breaking the spell.

The greatest outlier — dog barking notwithstanding — may be on “Oändlig,” not just for its fierce pulse, but because of its more immediately electronic vibe. “Oändlig” is an exceptional piece, bringing to mind the minimalism of Terry Riley and the rave classics of Underworld.

Marc Weidenbaum 


Produced and mixed by Marco Lucchi and Henrik Meierkord
Marco Lucchi: mellotron, piano, celesta and synthesizers
Henrik Meierkord: cello, viola, zither, piano, organ and FX
Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev (Dionisaf) with AI
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Lieder Ohne Worte

Marco Lucchi & Henrik Meierkord - Like Tears In Rain

Summer's finally here :)

https://youtu.be/GIxwJdJoa2E

If This Isn't Love

⋆˙⟡♡₊˚⊹. ᴛʜᴇ ᴅʀᴇᴀᴍ ᴇɴᴅꜱ .⊹˚₊♡⟡˙⋆
˙‧₊✩₊‧˙⋆｡°✩ ⋆⁺｡˚⋆˙‧₊✩₊‧˙⋆˚｡⁺⋆ ✩°｡⋆˙‧₊✩₊‧˙

[They/He]

[All track/album art is drawn by me.]

black dog

decoyheart

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