Originally published with the title: Final coda, this song was born during the study for the live performance of the song: Fermo immagine, in the summer of 2022. It is the fourth and last of the collection: Testimoni di quel che resta, which has been the origin of all the other songs.  (If we can say so) the songs following the first are, in some ways, "processing waste" from a single harmonic cell that was born on the guitar during the winter of 2019 .. The other leitmotif of the songs is based on reflections on the concepts of death and abandonment, given that (again in the same year) I had the opportunity to deal with these issues due to a family bereavement.
Finally I managed to update the song with new small solutions found up to now compared to the previous version, I had been trying for some time since I practice playing it almost every day. 

Updated version of 10/19/2022
work in progress

il tempo dei saluti ( le esperienze finiscono qui ) © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

IV. Il tempo dei saluti ( le esperienze finiscono qui )

IV. il tempo dei saluti ( le esperienze finiscono qui )

Forhjulslir præsenteres i samarbejde med&nbsp;, hovedsponsor for Tour de France-starten i Danmark, bannerfører for sikkerheden på landevejene og podcastens hjælperytter på viften.&nbsp;  På dagens etape af Forhjulslir vender vi hver en brosten fra søndagens Paris-Roubaix. Vi gennemgår alle de vigtigste og afgørende momenter fra løbet: dansker-helvedet i nord, det stærke INEOS-kollektiv, Van Baarles klasse, tilskuerstyrtene, Wantys store forår og meget meget mere. Per Bausager har taget sin helt store malerpensel med til at analysere og diskutere søndagens Helvede i Nord.  Til sidst på etapen får du også et 20 minutter langt interview med Emma Norsgaard Bjerg (Movistar), som blev nr. 11 i kvindernes Paris-Roubaix i lørdags. Emma tager os med tilbage til sin oplevelse med de nordfranske paveer samt evaluerer sin forårskampagne, som blandt andet bød på sejr i Le Samyn.  Vi når også lige kort at snakke om dagens Fleche Wallone og se frem mod søndagens Liege-Bastogne-Liege.  Medvirkende: Per Bausager og Anders Mielke  Interview: Emma Norsgaard Bjerg

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This track is improvised with the aim to disobey or block out the rules of staying in time and following the key. The neurons were allowed to send any command to play a note and to disregard all the criteria trained so well.
All instruments were played one after the other, only knowing when but not which note was played by the instruments already recorded.

Hopefully listening to the track is rewarding, although this track is not an easy one.

This track was inspired by the Disquiet Junto Project 0551:

More on this 551st weekly Disquiet Junto project – The Bends (The Assignment: Get less strict about something you’re strict about) – at: https://disquiet.com/0551/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0551-the-bends/

Guided By Neurons (Disquiet0551)

Disquiet Junto Project 0552: The Radio in My Life
The Assignment: Record music in response to a John Cage and Morton Feldman conversation.

This was fun. I thought about intrusions. Mostly it's the loud street in front of my window and kids running in the flat above mine and people shouting at Siri, Alexa and OKgoogle in the backyard.

I checked my field recordings and there it was: the f… church bells. A bad ambient track, repeated relentlessly every sunday, never changing, a transcendent single-track playlist … 

I threw the field recoding of the bells into deCoda, and it calculated Aminor and 84bpm. I started a track from scratch with these parameters and improvised some beats and pads. The idea was to have a peaceful ambient track … that could be disturbed by acoustic intrusion of the church bells. 

The track seemed finished when I read the algorithm again and listened to the Cage-Feldman-Talk. I liked the pure oddity of the first minutes, so I added some parts of the beginning, accepting that this will draw focus to the conversation, so I didn't care that you don't understand much. 

Next sunday at seven, they will play my track …

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Track image credit: Ancient church in Lunigiana (Tuscany, Italy) by Daniele Levis Pelusi on Unsplash https://unsplash.com/photos/rJo9jh9iORU

Talk samples credit: John Cage + Morton Feldman's Coffee-Sippin' ASMR Chat in a Room Full of Cigarette Smoke on https://www.youtube.com/watch?v=chEvxoypyUo

--

More on this 552nd weekly Disquiet Junto project — The Radio in My Life (The Assignment: Record music in response to a John Cage and Morton Feldman conversation) — at: https://disquiet.com/0552/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0552-the-radio-in-my-life/

Kraken Bandcamp Junto

Intrusive Bells [disquiet0552]

Pjesma Robot Cheerleader

6Jan23

My naviarhaiku470 submission
https://www.naviarrecords.com/2023/01/04/naviarhaiku470-musics-everywhere/
:D

Music's everywhere [naviarhaiku470]

The life of a plant kept springing to mind, full of life, growing new shoots breaking then eventually changing colour and beginning a slow decay into lifelessness, returning to the earth.

I recorded a short organ loop to cassette, ran that into the CalSynth Rangoon, split into ALA cumulus and used 4x LFOs to vary amplitudes over time.

Tascam ministudio DS -> Split into CalSynth Rangoon + ALA Cumulus + one dry signal. All outputs into ALM Tangle quartet with 4x LFOs applied to the CV inputs. Some light master FX applied in Ableton.
======================================================================
More on this 580th weekly Disquiet Junto project, Evo Evol Evolve (The Assignment: Record a piece of music that develops like an organism evolves), at: https://disquiet.com/0580/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0580-evo-evol-evolve/

Death and technicolor [disquiet0580]

https://disquiet.com/2023/04/06/disquiet-junto-project-0588-swell-time/
Komposition967 Orchester

deep swelling (disquiet0588)

[disquiet0592] 1. Six - Four

Made for Naviar Records' 489th Haiku Challenge. Details at https://www.naviarrecords.com/2023/05/17/naviarhaiku489-dividing-the-autumn-sky/

Tree of two skies [naviarhaiku489]

Disquiet Junto Project 0599 was to record a piece of music with between four and seven self-contained parts that get combined in various ways as the piece progresses

This project is the final of three that are being done in collaboration with the 2023 Musikfestival Bern, which will be held in Switzerland from September 6 through 10. The topic this year is « √ » — as the organization explains: “the radical, or square root symbol and the power of its symbolism are central to the festival and these will be translated into music in multifarious ways.” All three projects will engage with the work of Éliane Radigue, who is the Composer-in-Residence for the 2023 festival.

More on this 599th weekly Disquiet Junto project, Minimal(ist) Blend at https://disquiet.com/2023/06/22/disquiet-junto-project-0599-minimalist-blend/

Minimal(ist) Blend [Disquiet0599]

Din podcast om cykling og kun cykling. I denne podcast kommer du helt tæt på cykelsporten og får et dybere og ærligere billede af, hvordan det er at være cykelrytter. Forhjulslir er til dig, der elsker cykling, elsker sporten, elsker rytterne og elsker røverhistorierne fra feltet..

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