‘a divinis’
Wastes & Sequences.
2022 live performance.

Chaotic music engineering franchise.

Tools :
Marbles.
- Loquelic Iteritas Percido > Sisters > Desmodus Versio.
Ochd, Sinc Defero.
StMix, Black stereo mixer, Listen IO.
Recorded live and mastered with Logic Pro X.

Associated image : Petrus Major.

Screamalodon Tropilabia [wastes & sequences]

anacreon knights

So Glad You Found Him

breaking open

The Report

the latest composition from this series of songs, no further editing at the moment
work in progress

VI. il poema del'assenza ( Let the ghosts sing )

WIR ZWEI

A song from ANSOUND (Thomas Sander) https://soundcloud.com/ansound-655183295 and Doug Seidel

just start over

More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/

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This track was produced using four Csound instruments that provided a variety of timbres. The structural framework was built using a chaotic algorithm written in Python which generated the notes for the score.

nos unideal - disquiet0718

Finally, more than a year after the initial idea, I can share this concept about the seasons with you.
It consists of several songs merged into a single track. The initial idea came about when I released the song Winter's Ending.
All the tracks are published individually here, with the exception of the interlude Maj (an improvised draft from 2022)
and the track Last Summer, which was completed recently.
Below is the timeline for the entire song.

0:00:00.000 ->  rites of passage
0:05:51.000  ->  Le printemps (avec l'hiver au coeur)
0:10:06.032  ->  Go outside
0:16:51.500   ->  Maj
0:18:30.000  ->  Last summer
0:21:54.022  ->  Autumn
0:26:03.405 ->  preludio all'inverno
0:31:22.534  ->  Winter's ending

I did a rough mix of everything, making sure there were no volume peaks.
There will definitely be further adjustments to follow within the structure to make the mix more consistent.

In the song Last Summer, two samples from freesound.org (processed by me) were used.
Thanks to: https://freesound.org/people/Robinhood76/
                      sample: https://freesound.org/people/Robinhood76/sounds/269471/
Thanks to: https://freesound.org/people/dobroide/
                      sample: https://freesound.org/people/dobroide/sounds/74317/

Due to SoundCloud's terrible algorithm, this track will not be highly recommended... It took me a lot of hard work to create it.
I am sharing it freely with you (beauty is free, at least I believe so)...
Therefore, if you like it and if you have the opportunity,
please consider sharing it with a repost, so that it reaches your followers or anyone else
Thank you for being here.


Stagioni *read notes please

A drone-based piece made for the haiku challenge 614 of Naviar records.

The coming of autumn determined by a red dragonfly

by: Kaya Shirao

Kaya Shirao was born in 1738 in Fukagawa, Edo, now part of Tokyo.
He ran a school in Edo during Spring and Autumn, but in Summer and Winter, he would move to the countryside to teach thousands of aspiring poets from throughout the Shinano province (now Nagano Prefecture). He's considered one of the first established haikai writers to help spread cultural forms from national to regional urban centers.
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More informations about haiku challenge:
https://www.naviarrecords.com/haiku-music-challenge/

Red Dragonfly (naviarhaiku614)

Exploring sound and resonances across drone, ambient-drone, and minimalism, with occasional field recordings. Captured without digital post-production, preserving the trace of a moment, an idea, and their immediate determinations.

Red Dragonfly (naviarhaiku614)

Daniele Marx