https://www.nts.live/shows/sounds-on-screen/episodes/apichatpong-weerasethakul-14th-january-2022

Sound On Screen - Apichatpong Weerasethakul 140122

@laenzzz

described by the queen herself as "a bit all over the map," this mix is nonetheless a beautiful, bass-filled journey

recorded LIVE at 109 Montrose on a remarkably dreary, rain-drenched afternoon

05.20.2023

CFM014 - Laenz

Written, produced, mixed, artwork by SK Andersen 
mastered by Lorenzo Targhetta

Doudoune

The BasedGod — Paper or Plastic
John Luther Adams — Tukiliit
MOIN - Lapsed
Ford & Lopatin — Channel Pressure
Gui.tar — House Full Of Time
Prizes Roses Rosa - The Warmth Leaves
Ms. John Soda — Solid Ground (Piano Version)
YUSAKU ARAI — chorus
KYO — Azzurra
Masakatsu Takagi — Videocamera
Coral Cross — When I Come Back Down
Roisin Murphy — Let Me Know
Fire-Toolz — iNTERBEiNG
Salon Music — Wanna Be Tied
ANOHNI — Rapture (Performed by ANOHNI as Fiona Blue)
Keyboard Kid — Sleepless In Seattle
Miyu Hosoi - (((|||
Aoki Takamasa ft. Tujiko Noriko - Nolicom
John Luther Adams — Canticles of the Holy Wind I. II.
Pusher (1996) - A Bad Deal
Main Attrakionz - Perfect Skies
Tonstartssbandht — Hymn Eola

OB0447 — Mori Mori

radiatin

Rest

Montalvo - Colle [TRU008]

New York, NY – Colle, the creative alias of experimental musician Maya McGrory, debuts her solo album 'Montalvo' on urtruimage.

Inspired by her childhood memories of Montalvo Rd., this compelling collection of songs offers a profound exploration of McGrory's past, and presents a narrative of multiple lives lived at once. The contrasting landscapes of her life provide a backdrop for her music, allowing her to find solace in the innocence and simplicity of childhood. Emphasising the ephemeral nature of life, she embraces a flow that reflects the worries of her past and the allure of even the harshest conditions.

Her album invites listeners into immersive emotional landscapes; characterised by expansive glacial synths and strings, while trip-hop and shoegaze-inspired beats push her music into an experimental realm of electronic indie-rock, all enhanced by her sincere and captivating vocal delivery.

What began as a return to a specific time in her life evolved into a journey back to traditional songwriting, reimagined into an experimental vision during the production of Montalvo. For Colle, the process is less about distance and more about rediscovery—reclaiming the innocence and wonder that continue to influence her today.

Album Credits -

Mixed by Shane Lavers (Chanel Beads): Silent But For Joy, Green Edge, Day You Told Me, A Real Atone, Winter Garden

Mixed by Issac Eiger (Threshold): Held By You

Mastered by Rob Venning (DJ Pitch) excl. Winter Garden

Mastered by Ben Shirken: Winter Garden

Violin Credits to Zachary Paul: Winter Garden

urtruimage; run by Sophia Mannerfelt, Robert Venning (DJ Pitch)

Plea and Luck

Boy Lucid - Organ Play

https://soundcloud.com/100-wet for https://soundcloud.com/tettixhexer

https://www.retreatradio.net/beauty-ripples

Listen 24/7 at www.retreatradio.net

Beauty Ripples #12 w/ 100%wet (14/11/24)

https://soundcloud.com/faithinself for @ekko-doomdale

www.retreatradio.net/g-string

Listen 24/7 at www.retreatradio.net

g-string #6 w/ faithinself (01/12/24)

ETERNAL THRESHOLDS BOOKLET (EN) https://eklektikaberlin.com/files/1371805/eternal-thresholds-booklet.pdf
HORIZON IX BOOKLET (EN) https://eklektikaberlin.com/files/1369223/horizon-ix-the-story.pdf
HORIZON IX BOOKLET (DE): https://eklektikaberlin.com/files/1369835/horizon-ix-the-story-de.pdf
The Architect roams the lower levels only to find familiar corridors leading somewhere else entirely. Doorways open to impossible landscapes, buildings breathe, and time inside the city no longer matches the clocks. Reality is melting into dream logic — and no one seems to notice but him.

The Architect has been wandering for days, though time has lost its grip here. In this place, streets rearrange themselves when you look away. He passes a corner bakery and, seconds later, finds it replaced by an open shore where waves hiss against cobblestones. No one seems alarmed. People walk as if nothing changes — their smiles faint, their eyes slow to blink — as if they’ve already made peace with living inside a dream.

The city feels alive, but not in the way machines live. It breathes, shifting with the rhythm of an unseen sleeper. Doorways lead to places that could not exist: a stairwell descending into clouds, an elevator that opens to a forest in autumn, a library whose shelves are lined with the names of people who haven’t been born yet.

The Architect begins marking his path with chalk on the walls, but each mark fades within moments, erased by the city itself. It’s as if the place resists permanence, as though it doesn’t want to be mapped — or remembered.

One night, under rain that tastes faintly of the sea, the Architect hears a voice from a window above: “It’s not the city that’s dreaming… it’s you.” The shutters close.

He stands in the empty street, unsure whether to move forward or to wake up — if waking up is still possible.

“Cities Made of Sleep” depicts a dreamlike, unstable world where urban landscapes shift, dissolve, and rewrite themselves, blurring the line between memory, illusion, and reality. Streets vanish, towers turn to grass, oceans appear and fade, and even names and maps cannot hold their place, suggesting a city that is alive, fluid, and indifferent to human attempts at permanence. The inhabitants, numbed to the constant transformations, accept the unreality as normal, while the narrator resists, trying to hold onto meaning in a place where nothing endures. 

The final twist — “it’s not the city that’s dreaming, it’s you” — reframes the disorientation as a projection of the self, making the city both a metaphor for the subconscious and a mirror of fragile human perception.


HORIZON 7:  CITIES MADE OF SLEEP

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Sound On Screen - Apichatpong Weerasethakul 140122

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