Leader Of The Nu York Era(N¥£)... My Music Is A Drug... Get Addicted To L.S.D. Lyrics + Substance × Delivery It = Greatness... If You Wanna Kno Where Brooklyn @ Hit Me Up...Simple...If Your Art Isn't Creative... You Aint Get'n No ₩'$... Don't Let Me Raise The Bar... I'm 6'4...

http://www.TheNuYork.com

Free Soda comprises Eamon Doyle and Peter Lauterborn, who began collaborating on music in Lauterborn’s makeshift bedroom studio in the fall of 2001, while both were juniors at a high school in San Francisco. "Before sophomore year," says Doyle, "neither of us had played an instrument more complex than the triangle. But it had been my boyhood dream to become a gawky, unrefined guitarist, and Peter had always wanted to be a bumbling, amateurish keyboard player. It was a match made in clueless heaven."

In 2004, after three years of finding their musical feet, the guys gave themselves a name, one chosen for its intimation of universal appeal: Who doesn't like free soda? Armed with a well-oiled drum machine and what the Welsh rock group Stereophonics called "just enough education to perform," they were ready to call themselves a band.

<i>Thirteen-Pack,</i> released in December 2007, represents the best of the duo's eclectic pop songcraft and DIY production. Lead track "Pants Are Pants" kicks off with a snarling garage-rock riff and a deadpan recollection of the horrors of middle-school mores, and in the rest of its 2:14 running time packs in frenetic keyboards, backward percussion, a stick-to-your-brain singsong chorus, and strategically placed lyrical allusions to King Missile and the Smashing Pumpkins.

Says Doyle of the song: "I wanted to write about my ongoing frustration with the myriad unwritten social rules that become apparent in sixth grade or so—about the unpleasant realization that if you're wearing the wrong pants or using the wrong vernacular or hanging out with the wrong people, you will be crucified—and having the common sense to see through all that superficiality and just say, 'Fuck it, pants are pants.' We apply the same pragmatism to our music. I can't imagine a more appropriate opener."

Next up is "Fireplace," a stark acoustic lament about the fear of skeletons in one's closet being discovered. "That particular brand of paranoia is all but universal," says Doyle. "It's ambiguous what the speaker in the song is so desperate to cover up, because whether it's a felony or just the bad poetry he wrote in high school, the panic is the same."

The disparateness of the love songs on <i>Thirteen-Pack</i> demonstrates Free Soda's disinclination to tread the same sonic or thematic ground twice. "Pomegranate" is a spirited anthem about the "sweet and complex" human equivalent of the titular fruit; "One and a Half Men" is a slow-burning romantic-betrayal tale with an explosive coda; and "Love and Math" is a droll nerd-rap punfest. "Even within the confines of the most conventional song subject," notes Lauterborn, "we can't help but mix it up. Repeating ourselves is just as boring as repeating someone else."

Two complementary songs compose the center of the album. The provocatively titled "I'm Not on Drugs" is neither pro- nor antidrug, but rather "about the altered state of chronic frustration," says Doyle. "During my second and third semesters of college, I was essentially a contemporary embodiment of the narrator of Green Day's 'Longview,' but with digital music instead of TV and root beer instead of weed. So I wrote this really introspective mini-epic to say, 'Hey, I can screw up my life on my own. I'm not into mind-altering substances, but I've become such a slacker, I might as well be.'"

Where "Drugs" is jagged, rambling, and angsty, "Nowhere, CA," its musical and autobiographical postscript, is smooth, efficient, and self-assured. "It's your classic 'I'm getting out of this town before it kills me' song," says Doyle. "The lyrics don't mention California, but I gave it that title because so many people who have never been to California romanticize it as some kind of carefree, neverending beach party, when in reality it has as many soul-deadening bump-on-a-log towns as any other state."

Then there's "Stung by a Bee," a demented folk ditty that combines Jack Johnsonesque strum-thwack guitar with dashes of banjo, egg shaker, and subtle gallows humor. "It's about a guy who's too stoic to really stand up for himself," says Doyle. "Any similarity to me is purely coincidental and unintentional."

In between stretches of recording and mixing, Lauterborn discovered Morgan Neiman, a local indie-pop artist who records under the name Ducky. Impressed by her songwriting and vocal skills, he invited her to complete a long-abandoned Free Soda track. The result is "Dear Boy," in which Ducky sings of a tremulous relationship over a rich soundscape of synth strings and jangly guitars. "Ducky brought amazing energy and enthusiasm to the project," says Lauterborn. "And boy, can she ever belt it out."

"Eleanor Please," an ominous piano ballad about a detrimental imbalance of power, also benefited from a guest appearance: that of Jack Piskorski, who joined the duo on lead guitar for their inaugural live performance and was subsequently invited to shred all over the song's protracted coda. "For someone who's so modest about his abilities, Jack has a great instinct for how to make a song five times better," says Lauterborn. "His contribution to 'Eleanor' was no exception."

The inclusion of a relentlessly snotty number called "Your New Album Sucks" at the end of Free Soda's debut album prompts the question: How can a couple of guys stringing songs together in a bedroom studio afford to be so preemptively cocky? But Doyle insists that the message isn't as straightforward as the title might lead listeners to assume: "In the bridge, I sing: 'I don't want you to grow or reinvent or explore / You're out of print, so take the hint / And just do what you did before.' Many devotees of popular music develop that sense of entitlement to immediate gratification. The song argues both sides of the issue, one explicitly, one implicitly. That said, it's a lot of fun to play, and hopefully a lot of fun to hear."

Antonia is a classically trained Soprano from West Yorkshire. She began her studies at Birmingham Conservatoire, where she specialised in Opera and Vocal Studies under the tuition of Soprano, Rita Cullis. She then undertook extensive vocal training with Neil Baker, Baritone and vocal tutor at Trinity Laban Conservatoire.

Antonia is a versatile soprano, performing opera, chamber music and musical theatre. In 2017 she will be one of the artists to be on featured alongside Mēla Guitar Quartet and Eden Stell Guitar Duo on a new recording of Stephen Dodgson's Chamber Music which will be released by Naxos in August. She will also sing the role of Dorabella in 'Cosi fan tutte' with Flat Pack Music and perform the role of Cosette in a 'Les Miserables' Highlights Concert in Venice. 
 
Antonia's operatic roles include: The Governess (The Turn of the Screw), Zerlina (Don Giovanni), Lisette (La Rondine), 1st Boy (The Magic Flute), Miles (The Turn of The Screw), Amahl (Amahl and the Night Visitors), Maria (West Side Story), Jenny Hildebrand (Street Scene), Mabel (The Pirates of Penzance) and Pepik (The Cunning Little Vixen).
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I started with FL Studio in late 2017 and got addicted with music production immediately.
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A melody here, a bass-line there. Adding chords and drums. I found myself trying out new things almost daily.
​
Late January 2018 i got myself hooked on Sound Design and now most of the sounds i use in my new beats i make myself.

Synths i use Harmor, Serum, Nexus, Substance and Sakura.

Enjoy the ride!

http://www.adameve.com/ Use Coupon Code MOAN350 at checkout and get 50% Off on almost any single item, free shipping from your entire purchase, 3 bonus DVDs and a mystery gift. 

My First Jack Rabbit Vibrator is designed for first time rabbit lover. It is easy to use and shaft measures 6 ½” insertable while the pleasure pearl rotate and swirls for intense stimulation. It is waterproof that you can use in the tub, shower or anywhere that is wet and has a new screw-in battery pack keep your batteries dry.

the fact or condition of being addicted to a particular substance or activity.

Federico pannarale aka Federico sahne
is an Italy based Dj and Producer active in 
the north of italy's techno-scene in a town near Milan. 
Techno addicted from many years he decided to become 
a 'key-part' of his town techno-panorama buying a couple of 
cdjs and a mixer. 
He started to play in a lot of clubs including the most important 
parties in his area: Fluid Club & Juice Club (Bergamo) and Cocorico' 
(Riccione) just to name a few. 
Since 2008 with his friend Dan blume he started a new project 
called Psychocowboys that in the second half of 2011 has been changed, 
as well as their dj sets to give them a common entity to mark it as, 
indeed, a movement.
Federico Sahne and Dan Blume "today" are resident dj's at Bolgia(BG), the most important club in the north of Italy.

Label:

-Shout Records
-Reaktivate
-Black Pearl Music
-Afrotek Records
-Take More Music Recordings
-Natch Records
-Rawhard audio records

*Out Soon On UTCH


Release:

http://www.beatport.com/release/social-studies/984958

Support and played Armando Martins, Chris Liebing, D-Side, D. Carbone, DJ Shiva, DL-E (Heaven to Hell), Dr Hoffmann, Electrorites, GabeeN, Hystericmaniak, John Mitchell, Kereni, Manuel Di Martino, Mattias Fridell, Measure Divide, Myler, N.d, Ness, Quantic Spectroscopy, Ryuji Takeuchi, Speedy J, Subfractal, Subsekt, T-Plus, Chris Collins, Dan Blume, Main St, Marcos Gil, MuteMan, Ross Alexander, Urbano! 

http://www.beatport.com/release/the-man-with-two-faces/1003976

Early supports from: 
Dave Clarke, Bactee & Tito, Andreas Florin, D.o.o.m, Dan Blume, Dave Elyzium, Electrolities, Flex, i1 Ambivalent, Luke Creed, Mat the Zone, Oxum, Peder, Positive Merge, Ross Alexander, Saimon, Steve Pain, Sync Therapy, Unam Zetineb, Woo York and many more....

http://www.beatport.com/release/first-time/1019286

Supported by: Chris Liebing, Paco Osuna, Renato Cohen, Tom Pooks, Jeff 23, Flex, Krenzlin, Morgan Tomas, David Cristoph, Gabeen, Sync Therapy, Mid Wooder, Mike Wall, Unu

http://www.beatport.com/release/7-00-pm-ep/1027909

Played and Supported by: Arnaud Le Texier,Anderson Noise,Dj Datch,Laric,Unam Zetineb,The Clairvoyants,Exium,Bleed,Raw waxes,Tomohiko Sagae,Hd Substance,Analog People,Evasion Room Records,Miriam Macrì,Phone,Sebastian Bayne,Mattias Fridell,VILIX,Adriana Lopez,Daniel Mehes,Samot,Richie Hawtin,Kwartz,Dasha Rush and many more...

http://www.beatport.com/release/stereoscopic-vision-ep/1022938

Supported by: Unam Zetineb, SMNoize, Vincenn,Gabeen,Electrorites,Frankyeffe,
Q'le,Patrick DSP,Stefano Infusino and many more...

For more information or booking contact me: 

federico_sahne@hotmail.com

Visit my fan's page on Facebook

www.facebook.com/FedericoSahne

Federico Sahne Beatport's page

http://www.beatport.com/artist/federico-sahne/265785

Skype

federico_sahne

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