FACEBOOK FAN PAGE : https://www.facebook.com/alaintvdj.it/
EN-ITA-ES
The first steps in '97 into the music world was at the ALTEREGO club in VERONA(ITALY),as a P.R,before moving to Amsterdam and to Ibiza.
In 2000,working again as a P.R. for the after party @ SPACE IBIZA by SYNCOPATE and ANGELS OF LOVE,ITALY’s well known staff in the world.
Back to Italy he started his DJ career for the two organizations in COMO Lake (ITALY),’ALWAYS HAPPY PEOPLE’ and ‘IRREGULAR’.
The first XPERIMENTAL/HOUSE-TECHNO music come's from ALTER EGO club residents dj MARCO DIONIGI,ADRIAN MORRISON,STEFANO NOFERINI and CARLO DI ROMA from ITALY and various guests that have been playing from LONDON and BERLIN.
Abroad,new musical influences:CARL COX,LAURENT GARNIER,DEEP DISH,JEFF MILLS,ERICK MORILLO and the crazyest dj sets from DANNY TENAGLIA more anvarious djs from KOMPAKT records especially MICHAEL MAYER,SUPERPITCHER and KOZE who Begin to shape he's musical knowledge.
Now in days,ALAINTV is a professional DJ and PRODUCER that count with a large experience around the world:ITALY,SWISS,SPAIN,HOLLAND,BRASIL,MEXICO,ARUBA playing next to international well knowed, like KAROTTE (BREAK NEW SOIL-COCOON),OLIVER HO as RAUDIVE (POKERFLAT-COCOON-BLUEPRINT),CHRIS FORTIER(BEDROCK-GLOBAL UNDERGROUND),SASSE(MOODMUSIC),REMO(SPACE IBIZA),FRANCESCO FARFA(AUDIOESPERANTO-SERIAL KILLER),RENE(DC 10 IBIZA),FEDERICO GRAZZINI & GUIDO SCHNEIDER (SANKEYS IBIZA),MARCO DIONIGI e ADRIAN MORRISON (ALTER EGO ITALY),TONY KOSA(ex AMNESIA IBIZA resident),GAVYN MITCHELL(MINISTRY OF SOUND LONDON),TINITUN and many others.
To quote the attendance,playing at the "MESSA",after hour number one in MILAN,or at the TWISTED,in AMSTERDAM,a music temple...a pub more than a club,where famous djs have been playing quality music,right after owesome festivals like ADE, AWAKENINGS and DANCE VALLEY.
More experiences in SWISS at the REVOLVE BOAT PARTY (LUGANO), for NEW SOUND GENERATION,and OXO or ANGEL CLUBS,PIN CODE crew @ VANILLA CLUB (BELLINZONA).
Other @ the MINISTRY OF SOUND parties in LECCO,the MADE IN ITALY nights in ARUBA @ CONFESSION CLUB,in CANCUN for AUDIOBALANZ and LUXURIA @ RUSH,BLING,ULTRALOUNGE and MIX club.
In PLAYA DEL CARMEN He was invited for celebrate FOREVER magazine and He played in the ABLETON LIVE 'CLINIC and EVENT' weekend by IRREGULAR @ COCO MAYA with JOAQUIN JIMENEZ (SAE MEXICO CITY).
ALAINTV played also for TONYeGUY,a very world famous fashion brand.
In 2015 ALAINTV moved to iBIZA and worked for ONCEUPONATIME,’DOWNTOWN’ @ GIUSEPPE CIPRIANI and ’GASOLINE REC’ events.
Thanks to this events He had called for an interview by ‘NIGHT N’ DAY’ magazine IBIZA.
In the last summer and months He worked also  with MAURIZIO BENEDETTA’s ‘JUNGLE’ crew,@ SHABBA club CANTU’ for  'LOGIKA' and for the ‘OPEN FESTIVAL’,by ‘TAKEITEASY’ crew MILAN,with guests like ELLEN ALIEN,&ME,ENZO SIRAGUSA and FABRIZIO MAURIZI.
2016 was great...ALAINTV played @ BLUE MARLIN IBIZA and in January 2017 He played for SYNCOPATE after-hours BREAKFASTCLUB in PLAYA del CARMEN during the BPM FESTIVAL.
ALAINTV's XPERIMENTAL/HOUSE-TECHNO music change depending on request. Could depend on the different clubs or if the party it's day time or night time, but b-side this the loved label that's ispired him it's KOMPAKT from KOLN(GERMANY).
ALAINTV's first LP ‘MANO DE DIOS’ is coming out.

ROCKSTARR BENTLEY is what would happen if Alice Cooper met Alice in Chains with a bit of Alice in Wonderland.
So, it has been said. Actually, it is a pretty accurate description, as their epic live show has the band rolling through their ferociously catchy, riff-laden tunes.
The songs themselves have a freight train kind of energetic ethos allowing the band to go from Vintage Rock to Doom or from Hip-Hop to Funk and Metal with a natural flow most groups simply do not possess. The group plays with music, specifically genres, in a way that is very unpretentious and just downright fun. A Rockstarr Bentley show will leave you feeling like YOU are the one that has come from another planet.
Rockstarr Bentley’s debut CD “Trust in Rock” was recorded over a few weeks inside their dimly lit studio, known as The Starr Ship. Their debut single “Bigger” has been making some inroads in the radio market. At last count, the stark and edgy video for the single has over twenty-five thousand hits on YouTube. Not a bad start for a group of Aliens.
Since exploding on the Florida scene via a Creative Loafing cover story profiling then unknown Rockstarr Bentley, their star continues to rise. The band soon headlined the New Year’s Eve Celebration in Downtown Sarasota before an audience of over thirty-five thousand. They have since used their talents to aid charities such as the Wounded Warrior Project and the Breast Cancer Research Foundation. The group has also been fortunate enough to rock the stage with Saliva, Anvil, Gilby Clark, Uncrowned, Blackstar Whiskey, members of Savatage, and more.

On October 30th, pop rockers The Chance released their debut full-length album, “Anything but Ordinary,” produced by Mike Bridgett (Turnover, Count Your Blessings). The Chance brings a driving pop-punk sound, interweaving acoustic and electric songs peppered with hook after hook. Following up the seven-song “No Big Deal” EP, The Chance enlisted vocalist AJ Perdomo as a guest on first single “West Coast Ghost,” making for an exciting listen for any old The Dangerous Summer fans.

Following the successful reception of The Chance’s debut EP, released October of 2011, the band spent the next few years playing shows around their hometown of Baltimore, Maryland with international touring bands such as Tonight Alive, The Downtown Fiction, For the Foxes, and Echosmith, as well as local favorites like 3PM, Something More, and Heavyweights.

Influenced by hometown heroes, All Time Low, and much of the Baltimore pop-punk scene, The Chance show off their own brand of edgy pop, wall-of-sound punk and acoustic rock. While Collin Athas delivers his words about regretful love and strums Mraz-esque guitar, Chaz Brown thrashes the electric unabashedly and Jack O’Connell smashes the drumheads with abandon. On a record as diverse as any released this year, The Chance dish up a tasty mix of radio pop sounds, classic punk, and straight-ahead rock.

The Chance will offer physical copies of “Anything but Ordinary” online and at shows, as well as digital versions via all major outlets: iTunes, Spotify, Amazon, etc.

It’s hard not to be familiar with the age-old tale of disadvantaged Black youth.  The typical is no storybook ending; violence, crime, despair.  This rings true for New Orleans, a city best known for its fine Creole cuisine, unparalleled defensive football and year-after-year record breaking murder count.  What is a novelty however, is story of Rydell Wilson a.k.a. Gambino Santana, a 24- year old rapper whose message, drive and hustle transcend struggle and poverty.  

It’s easy to get lost in the music when you’re trying to escape the rough streets of downtown NO.  In the locker room, headphones on, head bobbing to the likes of Nas, Tupac and B.O.N.E., Rydell Wilson was doing just that getting lost in the music while preparing himself for another Friday night football game. But when tackles and touchdowns turned out to no longer be an option of a way out, Wilson returned to the one most familiar thing to him, hip-hop.    

Gambino Santana pushed his sound on ear-hungry crowds at various showcases and venues across New Orleans, including performances at the Essence Festival Weekend and some of the hottest urban clubs.  His unique and gritty style landed him a buzz-worthy appearance on BET in 2010.  

In 2014, GS moved to Atlanta, the music factory of the South, to seriously pursue his music career.  Opening for artists like Love & Hip-Hop Atlanta’s Rasheeda, and capturing a substantial fan base through social media, the name Gambino Santana is echoing in Atlanta streets.  Living by the mantra, “If you don’t work, you don’t eat,” GS is satisfying his appetite mashing on his upcoming debut mix tape “I Had 2.” 

In an industry drowning in bubbly superficiality and watered-down monotony, Santana boasts an original and distinctive flair, delivering a much needed breath of fresh air to hip-hop.

bsjadsl@alice.it
ENRICO "BSJ" FERRARI (Barry Saint Just) 

Nato il 15/06/1963 e artisticamente parlando nel 1976 con le prime radio private.
Dal 1980 ho lavorato nei maggiori club del centro Italia.
Nel 1988 ero uno dei 500 soci del DMC (Disco Mix Club) con il quale ho collaborato come membro di giuria in due occasioni nelle semifinali italiane. 

Nel 1994, restando sempre in casa DMC e quindi con Fabio Carniel, ho inciso il mio primo disco su etichetta: "Who's d selecta" .
Realizzato in collaborazione con Sante Pucello e la produzione di Claudio Coccoluto.

Nei primi mesi del 1995 il mio secondo disco, questa volta su etichetta: UMM Sohante feat. B.S.J. "Playhouse", prodotto anche questo da Claudio Coccoluto ed una versione curata da Dino Lenny.

Sempre nel 1995, ancora con Sante Pucello, inizio la collaborazione con Christian Hornbostel "Expanded Music" di Bologna, collaborazione che si concretizza con sei dischi.

Nel 1996 creai il progetto "TAKE THIS", studio di registrazione che si avvaleva delle più moderne tecnologie digitali.

Nell'ottobre del 1996 sfornai, per essere poi stampato nel febbraio '97 su etichetta SUNTUNE, sotto lo pseudonimo di "THE LEADERS" - Black people have rhythm.

Nell'agosto del 1997 per il Take This Studio inizia la collaborazione con la Hitland di Milano con cui realizzai su etichetta MOREHOUSE:
4Justice - Oh well  & To keep the law
Final Draft - Ground Work
The Fat Barry's Band - Move On Up, Move On Down & Lady America
su etichetta Groovin':
The Duster Again - Il Veliero (vecchio successo di Battisti-Mogol)
Control Tower - Full Contact
McCheroni - House Guitar
Noise Reduction - E.P.
su etichetta Masters of Funck:
The White Tribe - Cannibal Like
Minitramp - Supercannon

Dicembre 1997 su Sunlite, una delle tre etichette insieme a Moonlite e Suntune create da Angelo Tardio per la Time records, ho inciso:
DJ'S UNITED - TELEPHONE CALL

Gennaio 1998 su etichetta Downtown (Time rec.)
THE BLACKSHIRTS - GAMES REDNECKS PLAY

Nel Febbraio 1998, su etichetta ZERO MENO, realizzai, in collaborazione con Mallory Becer, Groove Me. 

Aprile 1998 è la volta di THE MESSANGERS featuring LISA MILLETT con FREE doppio mix su etichetta UNDISCOVERED con versioni curate anche da MARK PICCHIOTTI.

Nel maggio '98 ho remixato, per Ivan Iacobucci su etichetta Hole records:
D. Funk Era - Spring.

Ma il primo amore non si scorda mai, e così nel Giugno 1998 di nuovo con Fabio Carniel, questa volta su etichetta WW (Wicked & Wild) con la bellissima voce di Victoria Tee (la biondissima vocalist di Italia Uno) incisi Miss Fidelity, con lo pseudonimo di Music Works stesso nome d'arte usato per remixare Two Tons O' Fun - Do You Wanna Boogie, Hunh? brano tra l'altro selezionato da LITTLE LOUIE VEGA ed inserito nella compilation Mad Styles and Crazy Visions, quadruplo album in vinile e disponibile anche su triplo cd dell'etichetta inglese, BBE (Barely Breaking Even).

Agosto 1998 ancora rmx questa volta per Expanded music, My Desire by Tomy Or Zox.

Dicembre 1998 THE SAMPLE BANK - THE DOT COM E.P. su etichetta RISE TIME RECORDS, CAN'T STOP B.S.J. MIX e NEED YOUR LOVIN' il brano che apre il lato A.

Aprile 1999, di nuovo insieme a SANTE "SANTOS" PUCELLO: 
DANCE CONSTRUCTION, E.P. su etichetta MARSHMALLOW, D.Y.W. dance with me? - Party people exe - DaDA .

Gennaio 2000......il decollo con BLACK LEGEND - YOU SEE THE TROUBLE WITH ME vecchio successo di BARRY WHITE "rilavorato" e ricantato da ELROY POWELL. 
Con le vendite di questo disco, ho ricevuto DISCO D’ORO e DISCO DI PLATINO.

Giugno 2000 remix di JUNGLE BOOGIE dei WICKED PHUNKER progetto di ROBBIE RIVERA.

Marzo 2001, breve parentesi come A&R dell'UMM con le produzioni: BSJ & Fun-k Everybody everywhere, Elephant & Shepherd, E.P. di tre tracce dal titolo THAT'S A TRIP #1 che tra l'altro vide la partecipazione del tastierista GIANNI ABBRUZZESE, " THE PROF" nome che forse vi dice poco, ma se vi dicessi BELO HORIZONTI - THE HEARTIST??? Proprio così, alle tastiere, in quel progetto di CLAUDIO COCCOLUTO c'era proprio lui.
Ancora, BARRY SAINT JUST - ELECTRO Y.A.M. altro che patata dolce....fu una patata bollente!!!
Luglio 2001
Remix x Rhythmcentric - "New school fusion"

Nel 2002 di nuovo in casa RISE con due uscite: 
House-X & the sex-o-exe - " Rumba & Bumba " e
Digital Desktop - " Mariblack " quest'ultimo sul nuovo marchio BURN sempre di proprietà della TIME Rec.

Sempre nello stesso anno, per la Mantra, insieme a Santos, creammo il progetto Argan Oil  e “From Ciociaria with Dub”, ed incisi sotto lo pseudonimo di Undo/Redo – The bee and its flower e The voyager e sempre con questo marchio di servizio ho remixato Desert rain. 
Sempre su Mantra BSJ - The music’s in the stronger, BSJ vs Jeff Spooner Hey Dj e su Mantra Breaks ci “inventammo” Break Legend……..con cui ho stampato 2 e.p. Dirty Plug e The Italian job.

All’inizio del 2005 tornai a stampare con la Rise, Dancing King Snefro con il marchio BARRY GARCIA.  
A Settembre 2005 ho realizzato un ambizioso progetto, la nascita di una label tutta mia e con la distribuzione in esclusiva mondiale di Karma s.r.l. dal nome ADMISSION e con la prima release realizzata il 1° ottobre 2005 di Fools Sugar. Ad un anno esatto  di distanza, ottobre 2006 la seconda nuova label discografica di mia proprietà, ovvero QOKI records. 

Nel 2007 ho realizzato quello che era “il mio sogno nel cassetto” fondare una radio, un’emittente radiofonica tutta mia e con sede all’interno della mia casa. MY RADIO. Attualmente il progetto sta per essere sdoganato su internet all’indirizzo www.myradioweb.it 

Nel 2011 ho realizzato assieme a due amici (Alessio Mastroianni e Federico Pisani) “FRATELLI COMUNI”, libro fotografico sul 150° anniversario dell’Unità d’Italia.

Mi sembra tutto…..e adesso toglietemi questa luce davanti gli occhi….SONO INNOCENTE!!!

                                   Enrico "BSJ" Ferrari


DISCOGRAFIA


W.O.M. Krypta - Bass-o-Tronic			1994 		        Who's d selecta

Sohante feat. B.S.J. - Playhouse 			1995 			UMM 

Santos - The Piano					1995			Mantra

Smoke Machine - Disco Sound				1995			Mantra

Santos - Music 						1996			Mantra

Santos - Night Party					1996			Mantra

The Leaders - Black people have rhythm   	1996			Suntune

Smoke Machine - Chicago '76				1997			Mantra
		
Bonzho - Cybermonk 					1997			Steel Wheel

Dj's United - Telephone Call				1997			Sunlite

4Justice - Oh well  & To keep the law		1997			Morehouse

Final Draft - Ground Work				1997			Morehouse

The Fat Barry's Band - Move On Down E.P.	1998			Morehouse

The Duster Again - Il Veliero				1998			Groovin'

Control Tower - Full Contact				1998			Groovin'

McCheroni - House Guitar				1998			Groovin'

Noise Reduction - E.P.					1998			Groovin'

The White Tribe - Cannibal Like			1998			Master of Funck

Minitramp - Supercannon 				1998			Master of Funck

The Blackshirts - Games Rednecks Play		1998			Downtown

Mallory Becer - Groove Me				1999			Zero Meno 

The Messangers featuring Lisa Millett - FREE 	1999			Undiscovered

D. Funk Era - Spring remix				1999			Hole records

Music Works - Miss Fidelity				1999			Wicked&Wild

Two Tons O' Fun - Do You Wanna remix		1999			Barely Breaking Even
	
Tomy Or Zox - My Desire remix 			1999			Expanded

The Sample Bank - The Dot Com E.P		1999			Rise

Dance Construction E.P.					1999			Marshmallow

Black Legend - You See The Trouble With Me	2000			Rise

Wicked Phunker - Jungle Boogie remix		2000			Rise

BSJ & Fun-k - Everybody everywhere 		2001			UMM

Elephant & Shepherd – That’s a Trip E.P.		2001			UMM

Barry Saint Just - Electro y.a.m. 			2001			UMM

Rhythmcentric - New school fusion remix		2001			UMM

House-X & the sex-o-exe - Rumba & Bumba	2001			Rise

Digital Desktop – Mariblack				2001			Burn

Disco Ball Mirror – Discomonia				2001			Burn

Argan Oil – You are not a best friend		2002			Mantra Vibes

From Ciociaria with Dub – Course 1			2002			Mantra Vibes

From Ciociaria with Dub – Course 2			2002			Mantra Vibes

Undo/Redo - The bee and its flower			2003			Mantra Vibes

From Ciociaria with Dub – Course 3			2003			Mantra Vibes

Athletico Spaghetti -  She’s Freaky			2003			We-Start records
 
X - Factor - Desert rain remix				2003			Mantra Vibes

BSJ - The music’s in the stronger			2004			Mantra Vibes

The Erection – Nu song					2004			Mantra Vibes

Break Legend - Dirty Plug E.P.				2004			Mantra Breaks

Break Legend - The Italian job				2004			MantraBreaks

BSJ vs Jeff Spooner Hey Dj 				2005			Mantra Vibes

Barry Garcia - Dancing King Snefro			2005			Rise

Fools Sugar - Sweet And Sour E.P.			2005  		Admission

Fools Sugar - Bhingo					2005  		Admission

Cklab Dengle - Raw like cocaine straight from Bolivia	2006	 	Admission

B.B. Born – Tribal					       2006			Ariel

Enrico BSJ Ferrari & Mixmaster – Jami		2006			Radikal

Fools Sugar & Dub Duo – Com-Pu-Ter-Ize		2006 			Admission

No Brain No Gain – No Brain No Gain E.P.		2006			Admission

Enrico BSJ Ferrari – Fromage				2006 			Modern Activism

Enrico BSJ Ferrari – BSJ vs VOL. 1			2006			Admission

Enrico BSJ Ferrari – Af-fare musica			2006			Qoki

Enrico BSJ Ferrari –  Summer Tambourine		2007			Digital Jaxx

B ASS J & LADY DJ	 -  e.p. 01  	 2013     Pumpmusic

BSJ LADY DJ & MIMMO ERRICO - Groove machine	 2013	 R.D.A.

This*Count  – Good lunch!  2014 TRAKTORIA

BSJ & FUN-K – Movin’  2014 TRAKTORIA

BSJ & FUN-K – Black Culture  2014 TRAKTORIA

Sphinx Code – Don’t ask  2014  FLUYD

Unik Verse – Inside  2014  FLUYD

Darknoise – Nothing to chance  2014  FLUYD

O.E.L. – Limits  2014  FLUYD

Two Locked – Anvil  2014  FLUYD

Khyber - Poor People 2014  FLUYD

BSJ – Sex Beaumont 2014 TRAKTORIA

BSJ - Kosmophon 2014 TRAKTORIA

BSJ - MUCQ 2014 TRAKTORIA

BSJ - Apple city 2014 TRAKTORIA

BSJ - Easy like Sunday morning 2014 TRAKTORIA

BSJ - Frequency plot 2014 TRAKTORIA

BSJ - Freddy's groove 2014 TRAKTORIA



THIQ NICK also known as Nicolas Rodgers is a DJ, singer/songwriter, musician from Phoenix, Az. He began playing clubs across the state at the age of 14 and venturing into different styles of music with different bands such as N.S.F., Rushmore, Straight From The Depths, Steve Irwin, The Comeback and most recently La La Lust. Thiq Nick brings a unique style of his own when it comes to dropping music on the one's and two's. It is a unique blend of hard Electro mixed with funky house tunes and always a touch of hip hop with something heavy in the mix. Although he has only been on the EDM scene for a short time he has gained popular attention from scottsdale to the heart of downtown phoenix and has been creating a buzz through a weekly event that he and partner Mikey Pro run and have residency at called XO! (at chopper johns in phx, az.) You can always count on having an entertaining evening at one of Thiq Nicks shows and if you plan on catching one of those shows this page is a good preview of what you should be expecting. You can catch THIQ NICK every wednesday as a Resident DJ at Chopper Johns in phx az and Almost every weekend at Ghost lounge at the san carlos hotel in downtown phx. Stay posted for more shows and tunes!

Booking: NickRodgersMusic@gmail.com

There are three things you can count on from Nic... Beats, Bass, and A Smile.

Establishing himself as a Los Angeles crowd pleaser Nic Fiorina's style combines an eclectic mix of tech funk and house. 
With influences that span the outer reaches of music, his sound continues to grow and evolve. 

He has carried residencies at some of LA's most influential institutions such as Avalon, Hollywood Canteen, "Electric" at Circus, EM Sundays and ResetLA. All the while taking invitations and guest spots at Avalon Hollywood, Frenzy, Vanguard, The Standard Hotel Downtown, ResetLA, Sweet Sundays, Libertine, Wulfpack and countless other LA parties. 

Nic is the former co-host of an internet radio show along side Bryan Hustle, entitled "The Basement" on <a href="http://Beatfreaksradio.com" rel="nofollow" target="_blank">Beatfreaksradio.com</a>a Los Angeles institution for over 5 years.

These days Nic's passion has been drawn to the world of production.  

As music and sound progress... so will Nic.

Sendo  a  zona  leste  de  São  Paulo  local  de  origem  de  uma  cena garageira que nunca perdeu fôlego, Os Estilhaços não poderiam ter se formado em  outro  cenário.  Diretamente  influenciados  pela  psicodelia dos  anos  60  e bebendo na fonte de grupos de garage punk da época (The Seeds, Count Five, Electric  Prunes,  Music  Machine),  a  banda  mostra  composições  próprias e covers,  já  tendo  tocado  em  lugares  como  Spades  Café,  Trackers  (famoso reduto alternativo no centro da capital paulistana), Astronete e festivais como o Grito  Rock,  que  acontece  anualmente,  em  mais  de  duzentas  cidades,  emdiversos países. 

Caio Sérgio (ex-Haxixins [vocal/guitarra]) e Felipe Caponne [guitarra] se  uniram  aos  amigos  de  longa  data  Paulo  Nobre  e  Alexandre  Xéu  (ex-Panoramas [baixo/bateria respectivamente]) e convidaram Cristina Alves [órgão]  para  completar  o  time.  Atualmente  estão  consolidando  o  repertório  e gravaram  algumas  faixas  que  só  poderiam  alcançar  a  desejada  sonoridade sessentista com o equipamento analógico e o toque do amigo e produtor Jonas Morbach  (The  Blackneedles/Berlin  Estúdio). Após  algum  tempo  de  estrada  e com  a  saída  de  Felipe,  seguem  como  quarteto,  sem  perder  sua essência sonora. 

O  som  d'Os  Estilhaços  demonstra  fielmente a  obscuridade  da  cena garage. Nas apresentações ao vivo, o público acaba se sentindo nos próprios anos  60,  em  meio  àquela  atmosfera  primitiva  em  que  cada  instrumento contribui com a viagem coletiva, sempre repleta  de muito fuzz das guitarras, a levada  marcada  da  bateria  e  do  baixo,  completando  com  o  órgão  que  flui derretido por cada uma das músicas. Vale abrir mão da consciência por alguns momentos e se deixar levar pela viagem ácida d'Os Estilhaços. 

***

As Sao Paulo's east side is home of a garage scene that never lost breath, Os Estilhaços could not have been formed in another scenario. Directly influenced  by  '60s  psychedelia  and  drinking  at  the  fountain  of  garage  punk groups  of  that  era  (The  Seeds,  Count  Five,  Electric  Prunes,  Music  Machine), the  band  shows  its  own  compositions  and  covers,  having  already  played  in places as CIAM, Spades Café, Trackers (a famous alternative stronghold in São Paulo downtown) and festivals as Grito Rock, event held annually in over two hundred cities in several countries. 

Caio  Sergio  (ex-Haxixins  [vocals  /  guitar])  and  Felipe  Caponne [guitar]  joined  their  longtime  friends  Paulo  Nobre  and  Alexander  Xéu  (ex-Panoramas  [bass  /  drums  respectively])  and  invited  Cristina  Alves  [organ]  to complete  the  team.  They  are  currently  consolidating  the  repertoire  and  they have  recorded  some  tracks  that  could  only  achieve  the  desired  sixties  sound with  analog  equipment  and  touch  of  the  friend  and  producer Jonas  Morbach (The  Blackneedles  /  Berlin  Studio).  With  some  time  on  the  road  and  after Felipe's  leaving,  the  band  continues  as  a  quartet,  without  losing  its  sound essence. 

The sonority of Os Estilhaços faithfully demonstrates the obscurity of garage  scene.  In  live  performances,  the  audience  feel  themselves  in  the  60's, inside  that  primitive  atmosphere  in  which  each  instrument  contributes  to  the collective trip, always filled with plenty of fuzz guitars, the strong rhythm of the drums and the bass, supplementing with organ that flows melted in each song. Worth giving up consciousness for a few moments and get carried away by the acid trip of Os Estilhaços.

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