This eager party boy is keen to play to the people, Wall-E embraces every opportunity he gets to show off his skills and his music library to make the dancefloor jump!
 
Entering only his 3rd year of DJ'ing this young juggernaut has already been support for DJ heavyweights including DJ G-Wizard, Starfuckers, Troy T, Joey Kaz, Sancho, DJ DIM SLM, Regs, AbeRox, Franky Jay, Jagged Beatz, Mr Jayson, Dj Sultan and much more. 

DJ Wall-E first gained interest in DJing at the age of 17, one year later at the young age of 18 he gained residency at Central Coast Leagues Club, where his passion for music started to really show. In 2011 he progressed his way to Central Coast Leagues Club’s most elite night “Club Red.” He is now a regular fixture at this venue appearing almost weekly. Along with Club Red Wall-E has also gained a regular spot at The Woodport Inn Erina at the once a month Uni Party “Incentive.” 

With 2011 being an establishing year for DJ Wall-E we can only wait and see what the year 2012 holds.

www.bloodblood.bandcamp.com

A lover of old-school keyboards, it is the resulting clean oscillating rhythms and riffs with a keen ear for a hook that make Gwynne's 68m opus (Sunday/Worship) an exhilirating ride.
Standout tracks like korzybski underline that, with it's repetitive electronic pulse, always sharp, sometimes offbeat, but always hook-laden, with a trancey ambience that could be a grandchild of Kraftwerk's Autobahn.
It may appear to be crudely orchestrated, as do other tracks, but Neuro-sematic with its rapturously soothing anodic flute loop is another real high.
Challenger is the most challenging thing on offer & the most un-MiH composition on offer. It's a collision of ideas over an unsettling 13m which starts with a sweeping concert piano before meandering into a wall of synth noise, multiple changes of pace, a bizarre ambient deep bass passage, and seemingly random drum patterns. It's a throw everything and the kitchen sink job, experimental invention above form; perplexing but commendable. Aphex Twin would approve.

Keeping it fresh, keeping it broken, definitely keeping it nasty, and holding it down in “The Live Music Capital of the World”, Austin, TX, 8*B1t is very steadily gaining solid recognition in the breakbeat circuit. As a founding member of the funktastic party rockin' breaks crew Broke Nasty and equipped with a modest string of well received releases and remixes under his belt, his resume also includes a wide array of DJ sets and mixes with impeccable track lists boasting only the finest cutting edge broken beat noise that the genre has to offer. 

Since breaking into the game with his first few releases on US breakbeat labels such as Kick It and Royal One, his punchy and in-your-face production style has garnered the attention and support of some of the most respected contributors in the game. Smashing together influences taken from his love for hip-hop, dubstep, drum and bass, as well as big beat and the classic sounds of nuskool breaks, his music always brandishes a dash of pure good old balls-to-the-wall attitude which is reflected in his live DJ sets as well. With a keen ear for sound and a dedication to ever-increasing quality and perfection in his craft, expect the nifty and nasty broken beat ruckus from 8*B1t.

8B1TBREAKS@GMAIL.COM

Jeff Wall is a Bigdumbhick, actually he is THE Bigdumbhick is Jeff Wall, a giant Yeti looking, bib-overall wearing, acoustic singer/songwriter/storyteller from the Piedmont Triad Region of North Carolina. 

With a background in Bluegrass, he is well-endowed with a sardonic wit and a piston-like right hand. His music, which has been described as “humor with a groove” will have an audience in tears from laughter one minute, and then he will play something deeply personal & revealing that exposes that soft, vulnerable underbelly that we all try to keep hidden. He’s most certainly Big, but he’s not Dumb at all. The Hick part is open to interpretation.

http://.bigdumbhick.com

For fans of John Prine, Todd Snider, Louden Wainwright, Robert Earl Keen, and Jerry Jeff Walker

This account is primarily being used to share demos with my producer Doug Davis as we work together on a new record.

Delmar is the artistic expression of producer and songwriter Christian Carcamo.

BOOKINGS:
https://www.facebook.com/ChenzoAus

Chenzo is one of Sydney's Original BASS MONSTERS, Being on the forefront of the Bass scene in sydney this guy has  secured his spot among not only Sydney's elite but also extending his boundaries to new states. Having already supported every Big name in the game on there Australian tours Chenzo is defiantly one Australia is keen to hear more of...  it's a "no brainer,", Chenzo is a name your going to see for a long time to come

Artists Supported:
Skrillex, Diplo, JackU, Crookers, What So Not,  Etc! Etc!, Aryay, Loudpvck, Datsik, GTA,  Xkore, Baauer, Benga, Friction, Gemini, Inspector Dubplate, Sinden, Brenmar, Utah Jazz, Eats Everything, Tantrum Desire, Mercer, Koan Sound, Reid Speed, Danny Byrd, Borgore, Run Dmt, Getter, Big Chocolate, Dubsidia, State Of Mind, HUCCI, Sinden, Brenmar, Fred V & Grafix, Infekt, Versa, UZ, TRUTH, 
Bad Klaat, Megalodon, Bear Grillz, Habstrakt, Riot Ten, Boombox Cartel, Quix, Dirt Caps, Cookie Monsta, Black Tiger Sex Machine, Hucci, Dr Ozi, Dirtyphonics, Terravita, Squnto, Code:Pandorum, Rickysann, Graves, Kayzo, 12th Planet, 
Liquid Stranger, Griz, Delta Heavy, 4B, Dubloadz, HWLS, Protohype, Mantis, Midnight Tyrannosaurs, Djahsta, Trampa,

The Music from Renan Franzen is a good example of how film scores and Music for Media should work nowadays. His visionary compositions and productions draw immediately pictures in your mind and let you dive deep into any kinds of atmospheres and emotions. Really Inspiring!
Felix Ragoss
Head of Production Music at ROBA PM

Voracious 'cinephile', with an uncanny talent for music, who can stir your musical sensibilities with passionate and compelling film scores. His hard work ethic, determination to do his very best and ability to give you 200% is noteworthy of his professionalism. A composer who is able to see and understand your vision and excels at creating something new and exciting instead of going middle of the road and old hat.
Shekhar Bassi 
Award Winning Director 
NO LOVE LOST, FAUX DEPART


Renan Franzen is an award nominated composer that has been making music for the past 16 years. Growing up in Brazil enabled him to have a wide musical background, from Brazilian Popular Music up to more aggressive rock genres. He is keen to experiment in his music, hence his diverse music background and taste. From his studio he has been collaborating with film directors and musicians worldwide.
His most recent work on film is in the short film 'No Love Lost', directed by Shekhar Bassi. The film premiered at the Adelaide Film Festival in October 2013 and has appeared in over 50 festivals around the world collecting awards and nominations such as the Van Gogh - Cinematic Vision Award at the Amsterdam Film Festival, and also bringing his first nomination at the International Samobor Film Music Festival.
In 2013 he also composed for the indie feature 'Consequence', from British director Si Wall. Also in 2013, he collaborated with musicians Ryo Okumoto and Jimmy Keegan, both from critically acclaimed progressive rock band 'Spock's Beard', on a single that was released in May/2013 under the project HESS&FRANZEN, a progressive rock/metal side project that is shared with composer with British based composer Hans Hess since 2010.
In 2014 he was commissioned by ROBA PM (Germany) to compose and produce an album for their library. This is his second collaboration with the label. The first collaboration resulted in the production music album called 'The Clock Tower' released May/2014 (Available at Itunes, Spotify, Deezer, Amazon...). The next album is due to be released in 2015. 
The Science Channel licensed his music through ScoreKeepers (USA) for the TV show 'Are we alone? Alien Encounters'.

Wile building his portfolio, Renan Franzen is looking forward to finding great people to work with, with great stories to tell and wiling to build long term collaborations.

Master Lyricist from [Winnetka] Los Angeles, Ca. born April, 3, 1989
known for his self-diagnosed schitzophrenia, comparisons to Sharks & Marine Life,
poetic-composed message-concieved MC rap delivery and style.

[via @HateTheShark]
" Music is intended to evoke emotion, I believe people who create music are Artists. So with the pupetteers being considered artists, i feel that music becomes an expression of a message or culture cultivated around the creators mood or the auroa he/she is trying to portray or share. It's alot more than composed sounds and vocals blended over percussion rhythms. And to me the words are more than lyrics, especially when you really sit down and analyze; breakdown what the Artist is trying show you. Even party themed records can be successful because of the creative freedom one has within the culture of music. So Music to me, as an Artist becomes film reel of the real-life expiriences I have personally endured, and witnessed through my connections with others, from family to friends and complete strangers; i draw inspirations from all aspects of being."

Young Mack the Shark is a California native and one of the founders of the emerging Production company/Media group " Acquired Taste Club " ; A community of Music Producers, Artists and Musicians, home-based in Pacoima, California established in the Summer of 2010.

The Shark is currently an un-signed songwriter/vocalist and self-proclaimed 'Movie Music General' marqueed for his in-tolerant attitude towards all oppositions, dynamic ability and versatility, and his intellectual sarcasm; satire meets truth in a harsh reality perspective. Sounds like alternative jazz fusion + poetic hip-hop. Young Mack describes his genre as "Movie Music". He has been composing music for 5 years now and recording/performing live for 3 calendar years. Has served as opening acts for Artists: Kendrick Lamar ( Aftermath Entertainment ) & The Game ( Aftermath Entertainment )
Records at: ACQ Taste Club Productions Pacoima, Ca./Foxx City ( @JaimeFoxx ) Calabasas, Ca.


ALSO AFFILIATED WITH (but not limited to):
A.BOVE A.VERAGE
ACQ (ACQUIRED)TASTE CLUB
$TARGANG
HURT SQUAD
THE KROOK$
4 Corners
Ca$h Mobb (Lancaster, Ca.)

Follow the 'Shark' [self-proclaimed Deacon of "Movie-Music"] on twitter.com
@HatetheShark 
or on Facebook: www.facebook.com/youngxmack


for booking info: mack@acqtasteclub.com

Raising the bar on the top-notch drive of progressive house grooves, it is without a doubt south Australia is keen to call Matteo Barr their own. With sights on the electronic musical realm in clear view, the beats that fall into a barrage of authentic vibes bring to the industry an array of solid respect for all things groove. A sound tampered with by an international taint Matteo’s impressive delivery is epitomizing the perfect vibe.

Raw and on point, the anticipation draws nicely from the studio of Matteo Barr where his ever so popular monthly podcast ‘Raise The Barr’ is doing beautifully. Ears pricked globally by fellow progressive house circles together with hot property in the blog world, his tune is grasping an individual path on its own. Featuring guest mixes from universal talent thriving in the same beat, Matteo Barr holds this oyster calling the drive for his anticipated releases.

With an ear for the forward thinking electronic music enthusiast in mind, Adelaide’s young talent is on the road to showcasing what most will anticipate as a heaving ripple from wall to wall in no time. Shadowing the attitude and musical ethic of some of the world’s renowned, Matteo Barr is clear in his direction, ensuring no speakers are left untapped and no music is left unheard. 

Promos: matteobarr@outlook.com

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