Elysians music is powerful, driving and extremely confident.
They blend their passion for straight up metal and progressive rock in a way unheard of in the current national and international heavy music scene.

In recent years the Australian metal scene has exploded wildly onto the worldwide stage with bands such as Karnivool, Psycroptic and Circles all turning international heads; the latest band to want a piece of the pie is Melbourne based melodic deathsters Elysian, who are set to release their aggressively punchy debut album, Wires of Creation, worldwide on March 26. The release storms its way through eleven tracks of hook laden, flowing dark melodies, technical solo interludes and snarlingly evil vocal work.

Guitarist Gabe Hutchinson comments: “Our main goal was to create a dynamic experience from start to finish whilst maintaining heavy songs. Overall it's a really heavy melodic death album but at times soars into things like an instrumental Pink Floyd-esque song with an electronic feel or a intricate percussive section. As a band, we grew up listening to music that incorporated acoustic ballads with blazing shred songs all in the one album, and it wasn't called progressive; it was called a good album. Some bands aim to have their songs sound disjointed by dramatically switching between genres; that’s not what we have done, the whole album flows, it attacks and it releases, its aggressive but gives you time to breath and take it in.”

Español:
Adolfo Sevilla (GREZZLEE) 
Comienza este proyecto en 2009 trayendo un estilo Poderoso
con influencias de artistas como: Hipnotix, Waio, Ritmo, Loud, Entre Otros.
ah Presentado su Live Act y Dj Set por diferentes estados de la Republica como, Manzanillo,Colima,D.F.Qro entre otros
Obteniendo una Muy Grata Respuesta.
Constantemente Viene Recargando Motores e Incluyendo Nuevos y Mejores Ritmos,Percusiones Ancestrales y sonidos Acidos
esperando llegar al Subconciente de Cada Uno de Ustedes, Para entregarles este Mensaje de Libertad, Paz y Armonia
Este 2014 Comienza con el pie derecho, y Logra Integrarse a un Novedoso Sello Serbio, TENDANCEMUSIC
El Cual Lanzara Proximamente el Primer EP de TheLoudSystem Junto Con Algunos Otros Interesantes Exponentes Internacionales del ProgressiveTrance


Info & Boooking WorldWide:
the_loud_system@live.com
https://www.facebook.com/TendanceMusicRecords?fref=ts
https://www.facebook.com/grezzleelive 
https://www.facebook.com/pages/The-Loud-System/291166540949724?fref=ts

Facebook Page  https://www.facebook.com/pages/The-Loud-System/291166540949724?ref=ts&fref=ts

Eng::

Adolfo Sevilla (GREZZLEE) 
Start this project in 2009 bringing a powerful style
with influences from artists such as Hipnotix,Waio, Ritmo, Loud, among others.
This year 2012 presented their live act and DJ Set by different states of the Mexican Republic as, Manzanillo, Colima,D.F. Qro.  among others 
Getting a very pleasing response.
This 2013 Reloading and Including 
New  Rhythm's. Ancestral Persussion's and Acid Sounds
hoping to reach the subconscious of each of you, to deliver this message of freedom, peace and harmony


Info & Boooking:
the_loud_system@live.com
https://www.facebook.com/grezzleelive 
https://www.facebook.com/pages/The-Loud-System/291166540949724?fref=ts

Facebook Page https://www.facebook.com/pages/The-Loud-System/291166540949724?ref=ts&fref=ts

Since 1996 the Music Avenue Group of Labels has released nearly 500 albums on our various labels: Blues Boulevard, Rokarola and Royale Palme, in a variety of musical styles performed by a number of eclectic artists such as; the avant-garde funkster George Clinton, Reggae superstars Third World, Classic Rock acts like Cactus, Country Rockers Poco, Soul giants James Brown and Solomon Burke and Blues-Rock pioneers Canned Heat. 

The Blues Boulevard label was founded at the start of the new Millennium with the purpose of harbouring a growing number of Blues artists signed to Music Avenue. The label has released albums by Blues-Rock pioneers such as Alexis Korner, John Mayall and Elvin Bishop, as well as reissues of recordings by Blues legends such as Albert, B.B. and Freddie King, John Lee Hooker, Muddy Waters, Otis Spann, Pinetop Perkins, James Cotton, Little Walter, Buddy Guy & Junior Wells, and the late great pioneer of Blues, R&B and Rock, the infamous but underrated Ike Turner. Today label’s roster also contains a number of fine artists representing the future of Blues music, such as Lucky Peterson, David Migden & The Twisted Roots, Paddy Milner (Jack Bruce Band), Doghouse Sam & His Magnatones (runner-up in the 2015 International Blues Challenge competition in Brussels, Belgium), and Howlin’ Bill (winner of the 2011 International Blues Challenge competition in Berlin, Germany) in addition to some Blues-influenced guitar-driven Rock acts such as Rob Tognoni, Blues Karloff, Fred & The Healers, Brad Wilson, and Innes Sibun (previously with Robert Plant), as well as Tyrone Vaughan, son of Jimmie Vaughan, nephew of Stevie Ray Vaughan, who released his debut album “Downtime” on Blues Blvd, and who recently joined Royal Southern Brotherhood. In 2014 Blues Boulevard Records inked a 3-album deal with Corey Harris, the guitarist/ songwriter, who is leading a contemporary revival of Country Blues.  Harris is a truly unique voice in music, on his way to becoming the alchemist of black music, recombining its constituent elements into new substances by recording old songs of the Blues tradition while also creating an original vision of this music by adding influences from Reggae, Soul, Rock and West African music.  The latest addition to the label is Troy Redfern, a master slide guitarist backed by one of the most exciting bands to have emerged in Great Britain in recent times.

In September 2014 Ben Granfelt, who played with Wishbone Ash from 2001 – 2004, issued “Handmade” via our Rokarola imprint. Granfelt has played guitar for 40 years of which 30 as a professional musician, playing on 32 albums, 12 of them bearing his own name. 2014 was also the year that the guitar virtuoso celebrated his 20th anniversary as the Ben Granfelt Band and to mark the occasion he will release a 3-disc (2 CD + DVD) of live performances entitled “The 20tH Anniversary Tour.”

Founded by Alfie Falckenbach in 1982; today the now legendary Mausoleum Records label is part of the Music Avenue Group. More than three decades later, the pioneering imprint continues to be a leading purveyor of heavy metal music. During the course of its existence Mausoleum Records has harboured classic metal bands such as Anvil, Faithful Breath, Great White, Killer, L.A. Guns, Molly Hatchet, Nazareth, Omen, Ostrogoth, and Warlock (Doro). Konexion Records, a subsidiary label, predominantly issued punk music by artist such as the Sex Pistols, Sid Vicious, the Exploited, and the UK Subs. Still going strong after more than three decades; today the artist roster of Mausoleum Records consists of established heavy metal acts in addition to exciting new artists, both from Europe and on the cutting edge of the genre, such as Shatter Messiah, Awaken, King’s Call, Taunted, Now And Then (Ex-Pretty Maids), Kirk, Existance, Lord Volture, Grenouer, NitroVolt, Megasonic, Max Pie, The Ghost Next Door, Graveshadow, and E-Force, fronted by Eric Forrest, previously vocalist and bass-player with Voivod.



HARRY NICHOLAS HOPE:
Frontman Of The Bashville; 
Musician-Composer; Designer;
Dancer-Choreographer; Lyricist.
harrynickyhope@gmail.com

This guy has loved music, rhythm, harmony since the day he was born. At the age of 6, Harry has studied the art of dance in show-ballet "Grace" for 14 years. In 2004, music became a major pastime for Harry and his first acoustic guitar was the right instrument for its performance. He recorded his debut music track "U R My Cherry Pie" as a composer and performer after a year. It is worrth nothing that Harry played in the rock band "Homeland" as a bass guitarist from 2006 to 2008, then left it and continued independent creative work. Some time later Harry decided to start his own band. Currently, he develops the musical project that was conceived as the Indie-Folk group. The debut album "Without Words" of the "Bashville" band is the first result of the creative association.

There’s a story Dallas Davidson likes to tell about his move to Nashville. Within a few months of arriving in Music City from his hometown of Albany, Georgia, someone smashed the window of his truck and attempted to steal his CD player. The thief was unsuccessful, but did manage to render Dallas’s stereo useless—robbing the budding songwriter of a way to hear his very first hit, “Honky Tonk Badonkadonk,” on country radio.

“I couldn’t afford to get my stereo fixed. I moved up here with my little truck and $700 in my pocket,” he recalls. “But one day I was riding in someone else’s car and the song came on. I finally heard it for the first time.”

These days, Dallas likely can’t go anywhere without hearing his songs on the radio. And there are many: He’s had more than 100 of his compositions recorded. With 14 No. 1 singles to his credit—Brad Paisley and Keith Urban’s “Start a Band,” Josh Turner’s “All Over Me,” and Blake Shelton’s “All About Tonight,” among them—he has become one of Music Row’s most in-demand songwriters. Artists clamor to interpret his material, fellow writers vie for a session, and music-industry institutions regularly recognize his merit.

He is the 2012 ACM Songwriter of the Year; a 2012 ACM nominee for Song of the Year (for Lady Antebellum’s “Just a Kiss”); the 2011 and 2012 BMI Country Awards’ Songwriter of the Year; Billboard’s Hot Country Music Songwriter of 2010; and is currently Vice Chairman of Georgia Music Foundation.

He is also a recipient of three CMA Triple Play Awards, one in 2010 and two in 2011. The coveted honor recognizes the rare feat of achieving three No. 1s in a year’s time.

Over two years, Dallas had nine.

“We’ve had some success,” Dallas says humbly. “I just try to keep things simple and often write with only two chords. Some people think that’s easy to do, but it’s actually harder to do. Because you have to differentiate the melody of the verse and chorus over the same two chords.”

But when all the pieces fall into place, the finished product kicks with all the force of a mule. “You just know when you have a hit,” Dallas says, citing “Gimmie That Girl” as an example. “When we wrote that, we knew we had something special.”

Dallas was right—Joe Nichols ended up taking the song all the way to the top…just like several other artists have done with Dallas’s crisp combination of lyrics and melody. Justin Moore did it with “If Heaven Wasn’t So Far Away.” Billy Currington did it with “That’s How Country Boys Roll.” Blake Shelton did it with “All About Tonight.” And Lady Antebellum did it with both “We Owned the Night” and “Just a Kiss.”

It’s those second-to-last two out of his 14 No.1s that Dallas is particularly fond of. Because while the avid outdoorsman may excel in country songwriting (he and Akins even released their own CD of hunting and fishing songs, Bone Collector: The Brotherhood Album), he’s proven he also has the skills necessary to pen a perfect crossover gem. Case in point: “Just a Kiss” hit No. 1 on Billboard’s Adult Contemporary chart and broke into the Top 10 on the Hot 100.

“I get pigeon-holed as a hillbilly writer, but that is so far from the truth,” Dallas laughs. “Yes, I wrote songs like ‘Honky Tonky Badonkadonk’ and ‘Country Girl (Shake It for Me),’ but I’m not defined by that type of good-time music. Lady A came along and recognized that. They recognized my potential and I’m proud of that.”

He also feels a special pride for the success he’s had with fellow Georgia boys Akins and Ben Hayslip. Known collectively as the Peach Pickers, the powerhouse trio has had its songs recorded by artists from Jack Ingram (“Barefoot and Crazy”) to Brooks & Dunn (“Put a Girl in It”). “Rhett, Ben and I all have the same work ethic,” Dallas says of their shared chemistry. “We know that something good will happen every time we write.”

Which is also true when Dallas collaborates with Luke Bryan. Longtime friends from the same small town, the pair is responsible for three of Bryan’s No. 1s: “Rain Is a Good Thing,” “Country Girl (Shake It for Me)” and “I Don’t Want This Night to End.”

It was Bryan, in fact, who encouraged Dallas to leave their home state for Tennessee.

“Luke is the one who steered me to Nashville and said give it a try. He’s a big part of the reason I’m here,” he says. “And now we’ve had three big hits together. It’s crazy to think that two guys from South Georgia can come up here and have that kind of success.”

Still, despite all of Dallas’s accolades, he’s always happy when others have their piece of the pie. He lights up when talking about the hits of other musicians, even if he didn’t write them. As he readily acknowledges, one can’t exist without the other. “I’m always pulling for the artists. We can’t make a living if they don’t record our songs and sell records,” says Dallas.

Yet he’s also in the corner of his fellow songwriters. “I like to support them, too,” he says. “There are guys and girls working their tails off up and down Music Row, and they are making the artists’ careers. Without their songs, there’s no album, concert or even T-shirt. It all starts there.”

For Dallas, that creative process is just a regular part of his day. He’s always brainstorming, always listening, always observing.

“I watch the world to learn what people outside of this crazy business do. And they’re not much different from me. Before I came to Nashville, I sold land and dabbled in farming,” he says. “When I get back to my writing room, I try to write about those things in life that we’ve all experienced.”

Step one: a catchy melody.

“You’ve got to have a groove. You’ve got to have a feeling. Then everything else falls into place,” Dallas says, a nod to that intangible It that drives each and every one of his writing sessions. “When I write, I want to write something that people can latch onto and sing along with. I’m trying to get a person to roll down the window of their car.”

He pauses and cracks a smile, remembering his old pickup and its busted window.

“Or,” he adds, “their truck.”

Town of Saints are the Dutch/Finnish indie folk’n soul extravaganza, always on the road and probably coming to your town pretty soon. What makes this band special is a mix of harmonious, heartfelt songs and a whirlwind of energy you just can’t stand still to. Since the start of the band, Town of Saints have only been going forward, constantly travelling with an open heart and an open mind.

The  sheer love for music is clearly the most important thing for this lot, but whenever there’s a chance, they will surely appreciate a good piece of pie.

Hi! I'm Tori. //employment of being a potato chip// 
Voicer of Toki Imo and Yume Yuuki
A ploobie UTAU user at your service~ Occasionally does covers but consists of heavy breathing and internal and external screaming I love making new friends (・ω・)but I tend to be awkward (⊙﹏⊙✿)(like for ex: i start off a conversation bout how I like pie and how I can't bake) but feel free to message me! Have a cookie and a nice day~

“If you have not seen Acid Pie play live before, you are definitely missing out” - KA Radio’s Lochlann Green enthusiastically reports. From the first ground-shaking beats on Chuy Avila’s drums to the final chords of their set, it’s hard to deny the excitement that this four-piece band produce live. While the songwriting team of Rolph Zehntner and Adrian Romero pay close attention to their harmonies and melodies, even crafting occasional ballads such as “Rainy Days” or the acoustic “Hard Folk”, it is the thrills you are here for: loud, bright guitars, Edgar Santiesteban’s thumping bass and those killer drums - all compacted in songs almost always under three minutes. Even the sentimental “Don’t Forget About Me” - with its catchy call-and-response chorus - has a frenetic quality that crosses the bridge between good old fashioned rock & roll and uncompromising punk rock. 

The twin cities of El Paso, Texas and Juarez in Mexico - one of the largest borders in the world - is seldom associated with rock music. But those acquainted with the region may know its rich underground scene, one which has exploded in the last few years with many new and exciting acts covering a wide spectrum of popular music. It is there that Acid Pie concocted their own brand of rock & roll. 

Rolph, Edgar, Adrian and Jesus gradually came together during the first few years of development, but it wasn’t until late 2012 when their debut EP was quickly recorded live at RockStar Studios, capturing the garage feel and intensity of the band in 6 tracks - just over 15 minutes. Titled “It Make Me Feel Like… Wooh!”, quoting Michael Jackson’s “Don’t Stop ‘Til You Get Enough”, it is a tribute to the very scene where the group originated. It earned them a surprise nomination for Best Garage/Punk Album at the 2013 Indie-O Music Awards; Mexico’s biggest national recognition for independent musicians. 

Almost immediately the band returned to work with producer Hector Rodriguez, expanding their subject matter for their first long-play. The self-titled album released in 2014 draws its inspiration not just from the underground, but a bigger part of life in the border-town that serves as its backdrop: “Bang! Bang! Why’d you want to start a fight when we’re all trying just to make a living? All the people coming in and out, can you hear them now? Listen, listen!”. This new offering has also earned them praise including the number 1 spot at Rios Online Radio’s countdown of the Best of 2014 and two Decibel Awards, for Best Garage Rock Album and Viewers’ Favorite Garage Rock Band. Just a few months later, 2015 comes as an exciting year as the band continues to promote their LP and build a wider following (now as part of the Electric Social Records roster) while also working on new material which will take the form of a new album; exploring new sonic avenues and reflecting on their experiences in the US, where they are now based.

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