There is a Japanese term: Mono no aware. It means basically, the sad beauty of seeing time pass - the aching awareness of impermanence. These are the days that we will return to one day in the future only in memories. How do we capture them? How could we possibly be able to fully appreciate them in the present? This project is our attempt to put time under glass.

The Midnight is a marriage between a songwriter from the Deep South and a producer from Denmark who both live in Los Angeles. This is our love song to our city and a testament to the weight these years can hold.

If you want to get a sense of how deeply respected Kalan is among his peers, just look at the shortlist of his collaborators, a who’s who of modern West Coast hip-hop and R&B: Ohgeesy, Blxst, G Perico, Mozzy, Dom Kennedy, BlueBucks Clan, 1TakeJay, and Westside Boogie. As Pitchfork once said: “when you’re talking about L.A.’s new wave of shit-talking, designer- obsessed rappers, Kalan.FrFr should be included....”

On the Los Angeles asphalt, he’s a mythological figure who has somehow avoided corny myth-making. We can list his hits starting from when “Right Wit It” became a mandatory drop at every house party from San Diego to Seattle or mention the “Hot N’ Ready Freestyle,” where Kalan proved that he could spit as hard as any rapper in your Top 5. We can talk about his scene-stealing performance on Destiny Rogers’ “West Like,” where Kalan comes off like a young Roger Troutman. We can cite his melodic reveries on the Puma Mixtape. But when new album drops, the overarching vision will become crystal clear. The story of how he got here isn’t as important as where he’s going.

Dreamy/Romantic synthwave made with a combination of vintage and modern gear. 

For all inquiries please mail me at: timecop1983@gmail.com

Get my music at: http://timecop1983.bandcamp.com

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Most of my music is also available on iTunes, Spotify, Amazon and other digital platforms. Play it on repeat! 




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