UK-based rock band writing PowerPop with Soaring guitars, Big voices, and Big hooks with very little pretension.. Hand-picking influences from the best of the last 5 decades and making the kind of music that we've always wanted to make.. The kind that people want to listen to.. or drive to.. or dance to.. Preoccupied with Hooks, Melodies, Harmonies, Emotion and VOLUME! Sounds like.. Maybe Springsteen crossed with the Foo Fighters..? Or maybe New wave meets 70 Stadium Rock..? Born to play Open air festivals and 3 hour marathon gigs.. Would secretly like to be responsible for putting the rock back into pop.. Or maybe the pop back into rock? haven't decided yet..No indie haircuts.. No fake London accents..No twee cover versions on tv adverts.. skinny jeans are acceptable however 'cos we're blue-collar rockers man, not college boys! haha! Thanks for listening folks.. See you in the funny pages..! 

Tyrie Hames: aka TDH was born and raised in Buffalo New York, growing up Tyrie couldn’t avoid music even if he’d wanted to. With his father figure Michael, being an accomplished musician and his biological father a well know DJ, Tyrie was surrounded by music. At an early age Tyrie was recognized for his ability to write songs but after years of lyric writing became frustrated with the riggers of acquiring and using other people’s beats.
As Tyrie puts it “it got old to me and I felt it was time to do things my self. Paying for beats was acceptable to a point, you know depending on the quality of the beat and how much I liked it. For the most part I felt it wasn’t allowing me to be as creative as I wanted”.
Tyrie begun to experiment with creating his own beats using FL Studio and Adobe Audition and samples form any era or genre of music he could get his hands on like the classic of the 70’s and 80’s to Rock, Pop and his personal favorites R&B and Soul. Soon after Tyrie decided to know all he could about music and its creation which begun a journey that would lead him to learning how to read music, then becoming immersed in the different chord progressions of the piano greats which has resulted in Tyrie developing into a true composer, “the man behind the melody” as he is referred to within the industry. Like best friend and production partner Richie Rich Tyrie has cultivated a unique sound and style which is sought after by independent artist nation wide and abroad.

Jillea has 22 tattoos, 11 piercings and black hair but the music she produces isn’t roll-in-the-glass punk rock or head-banging hard rock. The 21-year-old small town gal with the city edge only stomps on clichés and stereotypes. She creates an urban-tinged pop that has a gentleness and vulnerability with a killer emotive voice.

“It’s my favourite thing…for people to look at me and hear the acoustic version of ‘Bottles,’ which is the most beautiful piano-vocal ever and they’re like, ‘Did that come from you?’ ‘Yeah it did.’” 

Jillea — who won Slaight Music’s 2013 It’s Your Shot songwriting and artist development competition with her heart-wrenching rhythmic-ballad “Shattered” — is now in Toronto co-writing an EP with co-producer Adam Alexander (Shawn Desman, Mia Martina) and New Royale’s Liz Rodrigues (Eminem, Dr Dre, Pink) and recording it with producer Andrew “Marty” Martino of gold-selling rap-rock group Down With Webster.

“We all work so well together; I haven’t even stepped outside of that circle,” says Jillea. 

The feisty tell-off “Miss America” is what Jillea stands for, a lyric that declares she’s not a covergirl that can be changed and molded, while in the string-enforced “Goddess” she demands to be treated well. It’s something different for the girl who says she always comes in second place in love, losing out to someone else, which is the subject of “Shattered.”

“I like to show every side of me in my music,” Jillea explains. “So there is a confident side, a cockiness, just as there is to everybody and that comes through in ‘Goddess,’ but some of my songs are more emotional and vulnerable. When someone listens to my album, I want to hit every feeling that they might have.”

Jillea had only just relocated to Toronto, living out of boxes, when she began writing these songs. She grew up in Quispamsis, New Brunswick, a town of 18,000, just outside Saint John on the East Coast of Canada, with “lots of water and trees and nature,” she says. But she always felt big city, just like her mom, a successful (and tattooed) interior designer, whose own mom had put her on a bus at age 16 to a bigger city to pursue her dreams. 

Jillea knew she could sing at age 3. Her mother tells her she tearfully confessed one day, expecting to get in trouble because she had said she was in her room playing with Barbie dolls when really she was singing. “I don’t want you to be mad at me, but I can sing. I can really sing,” the little girl had said. Her uncle also recalled that at 5 she would sing nursery rhymes in perfect key. 

“He always told my mom, ‘She’s gonna be a singer.’ So it never left my head,” says Jillea. 

“But where I’m from, everyone’s first reaction to having big dreams is ‘No.’ Everything is ‘No, no, no. You can’t do that.’ “Because of the type of music that I sing  — R&B, pop alternative — it was very foreign. It was like I was an alien to everybody back home. All my friends’ parents thought I was nuts because I dropped out of university when I won the contest and moved to Toronto.”

It’s Your Shot was the first contest Jillea ever won. “Even back home doing Saint John Idol on the boardwalk on Tuesday nights, I never even won any of that shit ever. Ever,” she says.

Now, she’s validated — and big city. And hearing yes, yes, yes. 

“To me, the most charming thing about music is when you see something or hear something unexpected,” Jillea says. “I love the fact that my image and my sound don’t make sense because it makes people question what does make sense and then it tests the boundaries of what’s acceptable. 
“I don’t like being predictable. I love the unexpected. I love when people look at someone and are like, ‘Why are they that way?’ That’s when my job is done. That’s exactly what I want people to be like – ‘Who is Jillea?’ That is the point of what I do.”

DEMO POLICY
send your Demos to: seb@audiolabor-label.de
>>Please make sure your music fits to the sound of the label. Thanks.<<

AUDIOLABOR founded in 2009 by <a href="http://soundcloud.com/audiolabor" rel="nofollow" target="_blank">Seb</a> in Berlin Germany. Featuring well known berlin fashioned real techno and dubtechno.

Audiolabor is exclusively distributing via DigDis germany and directly via Bandcamp. You will found our releases on every good digital plattform around the world.

Gon aka.starsheeps

Genre _ Electronica
Belongs to _ Soulvose, Oh! Records, Breakbakery
More _ www.facebook.com/djgonstarsheeps, www.djgon.com, www.ohrecords.co.kr, www.breakbakery.com

Biography
[Residency]
Club VIA (2005-2007)
Club Spot (2007)
Bar Above (2007)
Bar Home (2007-2008)
Club Answer (2007-2011)
Lounge Enter (2009~2011)

[DJ Session]
Band Nuclejoe Scratch DJ (2005)
Orientango 3집 DJ (2006)
tbs DNB 'Music in the city_Seoul to the Soul’ DJ & MC
Ribbon Society DJ (2010~)

[Music Director]
Qua 08 S/S Collection (2008)
Diafvine 08 "Blackhist" W/S Collection (2008)
Sugapoint 1011 F/W Collection (2010)
Dimito 1112 F/W Collection (2011)

[Performed with...]
Justice, Sasha, Dimitri From Paris, Meat Katie, DJ Smash, Mansfield, Darren Partington (808 State), Ricky Stone, Olivier Desmet, Jazzy da Grande,Johnny Fiasco, Rithma, Joey Youngman, Fort Knox Five, Freestylers, Justice, Louie Vega, Mason, Bodyrox, Micky Slim,Luke Fair, X-Press 2, DJ Ravin, Pole Folder, Daren Emerson, Vandalism, Layo & Bushwacka, Danny Howells,Miguel Migs, Wally Lopez, Steve Porter, Collette, Azzida Do Bass, D'Sound, Timo Mass, Sharam Jey, James Zabiela, Fantastic Plastic Machine. Sharam, Dubfire, Fantastic Plastic Machine, Sandy Rivera,Jimmy Van M, Sander Klenberg, Christian Smith & More...

Discography
Mix Album - DJ Gon "Position" (Soulvouse)
Mix Album - DJ Gon "Groovouse" (Soulvouse)
Mix Album - DJ Gon "Position" (Soulvouse)
Mix Album - DJ Gon "Sometimes" (Breakbakery)
Mix Album - DJ Gon "Kyungbu Expressway" (Breakbakery)
Mix Album - DJ Gon "Minority" (Breakbakery)
Mix Album - DJ Gon "Youngdong Expressway" (Oh!records with Dimito)

Compile Album - Qua Musique Episodes No.1 "un jour Francair"(Soulvouse)
Compile Album - Qua Musique Episodes No.2 "un jour clair de France"(Soulvouse)
Compile Album - Qua Musique Episodes No.3 "St. Michel" (Soulvouse / Oh!Records)
Compile Album - Qua Musique Episodes No.4 "St. Michel" (Soulvouse / Oh!Records)

Single Album - Starsheeps "Luna" (Soulvouse / Oh!Records)
Remix - Ribbon Society 'Dancing (Starsheeps attack mix)' (Soulvouse / Oh!Records)
Remix - DJ Gon "225k/h (Dimito Riding mix)" (Soulvouse / Oh!Records)

Album Executive Produce - Demicat <Acceptable Range>
Album Executive Produce - Ribbon Society <Dancing>
Album Executive Produce - Starsheeps <Luna>

+ Profile
DJ Gon, a leader of a house label "Soulvouse," and a member of the DJ label Oh! Records, is a multi-player DJ who had been representing a leading underground culture magazine 'Bling' as a founder/editor for 2 years and had been working for various music webzines as well as being the no.1 DJ for various clubs in Korea.

As of 2011, DJ Gon is a main house DJ for Club Answer which is the hottest club in Seoul. In addition, he formed a project team called Starsheeps with a renowned guitarist Mayo which he produced their first single <Luna> and he continued to produce his own tracks and remixes. He's also in charge of producing, writing, arranging, and mastering for outstanding works of his label signees.

+ Profile
DJ 레이블 오!레코즈(Oh!Records)의 멤버이자 언더그라운드 하우스 레이블 솔바우스(Soulvouse)의 리더인 DJ 곤.

그는 한국의 대표 언더그라운드 문화 잡지 <블링>의 창간 멤버로 에디터로 2년 여간 활동했으며, 그 경력을 살려 다양한 음악 웹진에서 프리랜서 에디터로 활동해온 멀티 플레이어 DJ이다.

2011년 현재 DJ 곤은 서울의 대표 일렉트로닉 클럽 the Answer의 DJ로 활동하고 있으며, 그외 한국 여러 클럽에서 매주말 그의 핫한 일렉트로 사운드를 들을 수 있는 한국 섭외 1순위 디제이이다.

나아가 기타리스트 Mayo와 함께 새로운 프로젝트 팀인 STARSHEEPS를 결성하여 프로듀싱 첫번째 싱글 <Luna>를 발매하였으며, 계속해 그만의 스타일이 녹여져있는 싱글과 리믹스를 발매하고 있다. 그리고 레이블 Soulvouse의 총 디렉터로 소속 뮤지션들의 프로듀싱, 편곡, 믹싱, 마스터링 모든 분야를 맡아 진행 중에 있다. 


*Contacts
Worldwide & Local Management
Gil Seok Lee
Oh!Records
18-2 Joong ang dong, Gwacheon city, Gyonggi province South Korea
Mobile +82-10-9694-6788 / Fax +82-2-706-5559
contact@ohrecords.co.kr
http://www.ohrecords.co.kr/

Act Natural - Producer/Composer, Lyricist, DJ, Performer

"Natural" is an aspiring artist who is determined to keep good sounding music alive by managing to incorporate the essence of the Human Heart within his music. In a world where the music industry is condescendingly driven by the dictatorship of power, sex, and the dollar bill, He dedicates himself on presenting an accurate depiction of the realities in life in which soul music is based upon. Also, He likes to claim this name due to the perception of his gift or, "Knack" as: Having a "Good Ear" to identify with appealing sounds and lyrics; Hence; The name: "Natural". Whether he is Producing, Song writing, or Spinning/Cutting as a DJ, He believes in letting the heart decide what is acceptable, rather than, the standards and opinions of society... Thus, He becomes/remains a TRUE trend setter within the masses! The end result of his productivity tends to be defined as: a harmonious Journey within its own realm that empowers and/or uplifts the mind and spirit from its prior state; or, what some people call a: "Natural High". Inevitably, Music is a reflection of life... Keep it “Natural”...!

Just a guy writing music and wondering what people think. Let me know. Adjectives, similes, metaphors, and concrete musical mumbo-jumbo are all acceptable critiques. Just having fun writing music, hope you enjoy some of it.

Transformers122 is a contrast of the scripture of Romans 12:2 Be not conform to the world but ye transform by the renewing of your mind,that you may prove what is that good , and acceptable,and will of God. Also T122 is manage by Pastor Dan and all music is uploaded with his mangement and equipment and directions.All songs are from youth from ages 15 to 18.One single track is by Rapheal.Only you has Aleia Horne,Blaze and Rapheal.Thief and Night has Alexia and Ariel Blaze and Rapheal.All others are by Raheal and Blaze.We live in and do believe in transformation of communities,parks,beaches,shopping centers and anywhere we can grab a microphone and let it rip.We are young  but full of Holy Ghost zeal and a attitude that just believes and dare to face not only our goliath but others alsoe that may be able to hear ,jam, dance,praise and lift up a excited praise becasue of the Jesus we rap. We turn up in Jax Got Talent in 2013 in Semi finals,lifted up Christ in birthday partiesmchurches and beaches.We been listening and observing the vocals and words of gospel rappers like Lecrae,Tedashi,KB,Andy Mindieo, Gideonz Army,Kirk Franklin,Pettie D,Lil Prophet, Fro ,TJuan,Brinson,Real, Big Fil. They have all been an inspiration why we live and breath writing,singing and rapping everyday.Our desire is to glorify our Lord Jesus Christ and SSS See Souls Saved.Our desire is to minister and perform as the highest capacity of excellence.We love to meet and connect with various audience and display our talent.All music here is not for sale.Great is the Reward is the only copyrighted by Rapheal.For any evangelistic fill free to email pastordanjones@gmail.com



Self taught Guitarist, Drummer, Live Sound Reinforcement, Home Recording. Better successes with Live Sound Reinforcement, moving on to home studio in midlife. Just trying to learn all the aspects of producing musical recordings, every time I learn something, I discover 10 more things I need to learn.

All of these tracks are live run-throughs with real people who do make errors.  I don't particularly care for copy and pasting, being of a more "naturalist" type of musician, so the goal was to play better and better to eliminate the need for such extensive production work.  Major errors are simply muted and from there the goal for production was to try and mimic the big brand labels 'big sound', using only my very humble arrangement combined with any natural skill and talent, all within my personal home. 

The earliest stuff I had was cassette stereo with a band that I was lead guitarist in, "plan B", which was nothing more than a glorified garage band but somehow Newark loved us when we did play a few times. Mostly covers but we were working on a few originals and this one went somewhere when we played live and this is from the practice sessions.  After that, Ben Williams and I did some stuff when I switched to drums, while Tim Hurst recorded his stuff at my place, kinda helped me learn my gear and we did some cool stuff altogether. He plays with guests on his stuff.  The live stuff from Slur and Daze Alone and some others there are tracks where I was the sound guy for the gig and simply had my 4 track cassette recorder on the mains' outputs. So you don't get the stage sound and I tried to master them down to acceptable playback material back in the earliest days of digital stuff, I was still pretty much all analog with the exception of a DigiTech rack unit.  

The really early stuff was all Yamaha MT4x taped 4track, usually dual-stereo takes, which were then live-mastered to DAT (thank you Rich Fuester) and susequently a CD series set for permanent archival/enjoyment on a personal level.  In 2012, Ben Williams and I started a project, Warp Delusion, using the same exact 4-Track machine, then copying the tape to computer, using the Reaper(tm) multitracking platform for any further mastering tasks. After a few months, I was able to add stereo digital tracking at first, before adding a pair of M-Audio 1010LT's to a pieced together Core2Duo computer that we named "Frankenstein", still at the core of the basement studio today for a 24 simultaneous capable tracks live tracking machine. I think we only ever used 16 at once.

From there, all I used Reaper for was processing, on a different computer.  Didn't have any purchased plugins at first, only used the included (plethora) plugins with Reaper. Analog man meets digital world.  None of these tracks have any automation, level changes, mix changes.  Mix a good average and rip to final.

Warp Delusion, Phase II begins with the focus on putting all the pieces together into a genuine total package of solid writing, solid playing, and excellent post- production. Ozmosis Sound will continue as both a Live Sound Reinforcement vendor for those that need it, and Production Services for those artists who want it.  I don't beat you over the head with fees and I will always try my best for you.

A major shout out and thank you to Rich Fuester, whom is the only person near me capable of understanding any of the techie stuff, he saved me a lot of time on certain aspects. Check him out too, with Altar of Dagon the band and also at Dirge Studios.

 All of this in good fun tho, so enjoy!!

Peter Robert is following