I blend cyberpunk aesthetics with driving electronic rock.

Distorted synthesizers, dark grooves, and somber harmonies create a raw, futuristic soundscape, a soundtrack to your inner movie.

The music thrives on tension and momentum, balancing electronic precision with rock energy.

Music between neon lights and concrete.

Loud, dark, and uncompromising.

jazz,blues,funk,brasil,latin,africa....improvisation.
use a headphone or good speakers to enjoy the sound.
second soundcloud:
https://soundcloud.com/stephanesarlin

Carl Schonbeck is a songwriter/guitarist/performer with a passion for Classic Rock, Blues and Jazz. Many of his songs have been licenced for film and television. He has collaborated/performed/recorded with luminaries such as Grammy winning producer Scott Mathews, Huey Lewis & The News guitarist Stef Burns and Italian Pop star Achille Lauro.

i m  an electronic music composer and producer creating atmospheric and cinematic soundscapes that blend elements of ambient, downtempo and instrumental electronic music.
His work is characterized by warm analog synth textures, deep bass lines and evolving soundscapes, combining the immersive qualities of ambient electronic music with subtle rhythms inspired by downtempo and cinematic electronic styles.
Inspired by nature, oceans, sunsets and shifting landscapes, Antinori transforms visual imagery into atmospheric electronic music, building sonic environments that move between calm, introspective moments and hypnotic rhythmic energy.
His compositions explore the emotional depth of ambient, electronic and cinematic music, creating immersive listening experiences where melody, texture and space interact to evoke mood, movement and atmosphere.
Through his evolving catalog of instrumental electronic and ambient soundscape music, David Antinori continues to explore new sonic landscapes that connect electronic music production, cinematic ambience and atmospheric synth-driven composition.

Bleeps, bloops and pixel-powered grooves, crunchy chip beats and playful vibes.
Sounds from another era doing their magic, zero nostalgia filters, just pure fun.

A side project born from Beating Edge.

Hello, my name is José and I am a Musician/Composer/Producer born and raised in Albufeira, Algarve, Portugal. I enjoy creating music in various styles such as: EDM, Pop, Rock, Metal, Soft Jazz, etc.

Before the Spotlight: The Rise of The Creatures in 1960s Montreal.
In 1963, while Beatlemania gripped the UK and Motown was shaking up the charts, something electric was taking shape a world away—in a small Montreal apartment. Four teenagers, fueled by the raw energy of the British rock invasion and the soulful pull of American R&B, came together to form a band. With the support of our teenage manager—and his ever-patient mother who let us rehearse in their apartment—we found our footing, even if the neighbors weren’t thrilled about it.
We called ourselves The Creatures, inspired by the wave of iconic names that shaped our musical DNA: The Everley Brothers, The Beatles, The Stones, The Animals, Herman's Hermits, Dave Clark Five, Buddy Holly & The Crickets, The Ventures, The Surfaris, The Searchers, The Kinks, The Rascals, Paul Revere & The Raiders, The McCoys, The Righteous Brothers, Paul Butterfield Blues Band, James Brown, The Temptations, Marvin Gaye, Ray Charles, Joe Tex, Little Richard, and so many more. In a matter of months, we had three full sets of covers—both instrumentals and vocals—ready to roll.
It was an exhilarating time. While Petula Clark sang about going “Downtown,” we were playing four nights a week—two for rehearsals, two for gigs. Our sound was shaped by rock, funk, and R&B, and as we played together, we grew tighter, louder, and more ambitious.
Our first professional gig was at École Lajoie in Outremont, Quebec. We didn’t have the best gear, but we had something just as powerful—drive, rhythm, and chemistry. Soon, The Creatures started catching fire. With new equipment in hand and word spreading, we were playing packed shows at high schools, clubs, and major venues. One of the biggest was Dave Boxer’s legendary Bonaventure Curling Club, where 3,000 fans would turn up on a Saturday night. Boxer, a well-known DJ on CFCF Radio, was instrumental in giving Canadian bands their shot—including us.
But the peak came when we played the Montreal Forum the same stage that once welcomed The Beatles—at Dave Boxer’s "Bring Your Lunch Hopsville," alongside ten of Canada’s top acts. The show ran from 1pm to 10pm, and the Forum was filled wall-to-wall with screaming teenagers. For us, it was unforgettable.
The Montreal music scene in the ’60s was alive with sound and style—from Carnaby Street fashions to the explosion of long hair, bell-bottoms, and platform shoes. Local legends like, The JayBees, The Haunted, Les Classels, Trixie & The Inmates, Bartholomew Plus Three, The Rabble, The Mersey Makers, We Five, and All of Us, helped define an era. And in that mix stood The Creatures—young, hungry, and chasing the beat.
Though the band eventually split in the mid-60s for personal reasons, the spirit of The Creatures never faded. Today, that spirit lives on through the original music of Morr Serber, whose songwriting carries the echoes of a time when four teens from Montreal believed they could change the world—with guitars, harmonies, and a dream.
The Creatures Blog as told by: Two of the Original Members:
Walter Posner (a.k.a.: W.P. Wheels)
Morr Serber (a.k.a.: Morr) Member of SOCAN/BMI
www.soundcloud.com/morr-ser

𝓕🅐𝒍𝗹𝖎𝕟𝐠 𝙖𝒑𝒶𝚛𝓉 ⓘ𝘴 𝐣𝘶𝓼𝖙 𝑏𝔢𝑐𝚘𝓂🅘𝙣𝕘 𝗲𝔳𝓮𝖗🅃ⓗ𝖎🅽🅖
ℝ𝕪𝕒𝕟 𝕂𝕖𝕟𝕟𝕖𝕥𝕙 𝔽𝕠𝕣𝕕
𝔼𝕩𝕔𝕝𝕦𝕤𝕚𝕧𝕖: 𝕔𝕠𝕞𝕡𝕠𝕤𝕖𝕣 𝕒𝕥 𝔸𝕦𝕕𝕚𝕠𝕤𝕡𝕒𝕣𝕩
IPI/CAE 1087894598, https://linktr.ee/RyanKennethFord

May my Music bless your earbuds🫶🏼. Insta: https://instagram.com/sandijmusic?igshid=MzMyNGUyNmU2YQ==
YouTube: https://youtube.com/@sandijmusic?si=izcktVDQj0zf4SP6
Facebook: https://www.facebook.com/share/1Ktbfv8Frc/?mibextid=wwXIfr
iTunes: https://music.apple.com/us/album/dreams/1802439300?i=1802439303
💖Fan support! ✨💫https://venmo.com/u/Sandi-J-56
Thank you for your support and love ❤️

I enjoy producing upbeat tracks spanning a range of pop styles. I really hope you have fun listening to them. I write my tracks using GarageBand and hopefully I am improving my writing, arranging and production skills. I do not use AI in any of my compositions.

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