Check volume please. This was before I was able to work on my EQ skills. HEADPHONES PLEASE.

CRAY SUPERCOMPUTER

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

House & Techno lovers since the 90s, just to share good vibes 😉

Welcome to my page.

I appreciate all the comments, likes and repost that you leave me in my compositions.

I make music for fun and to get away. I have multiple styles, although my biggest influence is in electronic music.

I am self taught and learned with Music Studio 2 on a first generation ipad 11 years ago. I have never composed before. Perform more than 80 songs a year for the first 6-7 years to learn about the program and develop creativity to compose. I have listened to different types of music throughout my life and maybe that has helped me.

I still compose only with an ipad (last generation), but I no longer work only with native MS2 instruments since I have expanded my instrument library with programs such as Audiokit, Digital D1, kv331, Sunrizer, etc ...

My music can be downloaded, but not used for commercial purposes (my authorization is required).

During the last two years I have encouraged myself to collaborate with professional or self-taught musicians like me. Are these:

Annie Smart

Dan DT

Loue ghazi

Lukowig

Mirjam Keijnemans

Nathalie B20

Subzero

Osc Project

Vicent

Winkanwoo

Wypernet

Thanks to them for their generous timeshare and patience.

You can contact me by sending me a message through SC.

Thanks for visiting.

Compo...🎶Music Produc...🎧


Painter and Art Design...🎨🖌

Since 1997, I have been blessed to compose my own music and work as a radio producer and dj ..... 

Thank you so much for your support...🙏... for listening, watching, and reposting my music ❤️ :)


Check Out : ⬇️


Voltaroxx is the sound of forgotten futures, midnight circuits, and dust-covered dreams rendered in rhythm and noise. Born from the flicker of CRT screens and raised on a steady infusion of cyberpunk cinema, glitchy game consoles, and VHS fuzz, he builds music that’s less about genre and more about atmosphere—audio collages from the back alleys of the imagination.

Growing up, Voltaroxx was glued to the glow of Blade Runner, Akira, Ghost in the Shell, and obscure sci-fi anime taped over Saturday morning cartoons. The worlds were bleak but beautiful, eerie but electric. At the same time, he was living inside the soundchips of machines like the ZX Spectrum, NES, and Mega Drive—systems that hummed, beeped, and crackled with strange life. Those early sounds never left; they just evolved.

His music doesn’t follow rules or trends. One moment it's dusty lo-fi techno, the next it’s eerie ambient, then suddenly it's chaotic 160 BPM jungle with warped pads and broken memories. Tracks like VizzerLine show just how deep the time capsule goes—an atmospheric 90s jungle homage that blends ghosted-out pads with rolling breaks and a dreamlike energy..

Voltaroxx doesn’t believe in “sticking to one style.” He follows moods, fragments, old files, and the static of ideas half-remembered from forgotten arcade cabinets or the background hum of a tube TV. Some days it’s electro with a sci-fi edge. Other days, it’s decayed ambient or synth-heavy jams with melodies that loop like a corrupted memory card.

He never really thought anyone would listen. These tracks were, and still are, made mostly for himself—just an outlet, a way to exorcise digital ghosts. So when people started listening, following, commenting—it was surreal. It still is. Every play, every follow means a lot. No PR machine. No hype. Just raw sound from a bedroom somewhere, echoing into the void and somehow landing in your headphones.

Thank you for tuning in. Really.
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Hello, SoundCloud crew. I create all my music from the ground up. ZERO A.I. (Except for the tracks Jamaica and Castlevania versions, which, I altered the original notes from pre made template.)  I am an experimentalist with tones of synthwave and ambient thrown in to the mix. I hope you can enjoy some of my tracks.  

I use FL Studio most of the time.
GEAR BEHIND THE SOUNDS.
FL STUDIOS
FLKEY49
NOVATION LAUNCHPAD PRO
ROLAND RD-88
ALESIS V49
SCARLETT SOLO
GRETSCH ELECTROMATIC GIT.
FENDER MUSTANG III

▪️▫️◼️◻️⬛️⬜️⬛️◻️◾️▫️▪️

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
MUSIC FOR FILMS & TELEVISION
Original music from real synths.
© All rights reserved

PLEASE NO PROMOTERS . I DO MY OWN !

"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou

AI music and voice production infects human creativity and inspiration.

As a kid starting play keyboards for fun. Then I played live piano in piano bars and restaurants. During 90s also compose and recording my first audio tracks. After a 20 years break I came back with more love for music creation especialy for electronic sound.

Composer, performer and producer, my influences are eclectic, among them: Talking Heads, Depeche Mode, Red Hot Chili Peppers, Prince, Aphex Twin, Beirut, RadioHead, Daft Punk, Vampire Week-End, Tony Allen, Joy Division, Kamixlo, Baby Metal, DJ Hell, Cypress Hill, AC/DC, The Raconteurs, SantiGold, Tom Morello, Mozart, J.S. Bach, The Kills, Fugazi, Helmet, Hendrix, Mad Season, QOTSA, Charlie Parker, Coltrane, Miles Davis, Cesaria Evora, Stromae... and so many others.

Raw sounds are what I like most, and I prefer focusing on the vibration produced by the interweaving of complementary melodies rather than adding spectacular effects.
I have been a guitarist and singer in several rock bands. Meeting the audience in concert with my friends was exhilarating, but I had long wanted to lead a personal project.
All composition ideas in this project came to me while walking, a discipline that I am passionate about. City, Forest, Mountain, everything that can be walked makes me want to put one foot in front of the other.
I am pleased to present this project that could be classified in the Electro-Pop category, although some metal, ambient, Jazz or Funk colors frequently come to it, with measure but enthusiasm. I leave you to judge the consistency of the whole and the category in which you would like to put it.
Welcome to my world of walking musician, hoping to discover some interesting landscapes along the way.

I will sing at some point but this is the next step. I'll focus on creating music for now.

Good listening.

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

CRAY SUPERCOMPUTER

CRANIUM-&-FEMURS