Wild! Reminds me of Can👍🌈🙏🏾😊

Love all the wild jolting transitions. Reminds me of John Zorn’s Naked City

Just a joy to listen to, the musicality, grooves and switches are inspired. Great track.

Kimble on kiwa peli!

Vocal Copyright Nat Daniels 2022
Lyrics and Melodic Composition Copyright Andy Hall & Gary Brown
Produced by Andy Hall

I was thrilled when Andy and Gaz invited me along on this collaboration.  The Lyrics are beautifully written and sung by Gaz and lends itself to great story telling. It was lovely to join him and to bring my creative spirit in harmonisation to the table.  Andy wrote the beautiful melody and created the gorgeous Instrumental track (which has a hauntingly beautiful Guitar solo) and then brought it All to life with his incredible Production / Mixing skills, breathing life into the song,  and giving it a depth of sound to make it "sparkle". 

I urge you to check out these talented folks' individual page links below..
Ladies and Gents.. I give you the Conscience of Kings.   

Noobly :  https://soundcloud.com/noobly-1?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Gaz Brownie :  https://soundcloud.com/user-755327533?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Lyrics:
Our Devine intervention - Gary Brown and Andy Hall.

Standing on the bridge
Staring into the water
(I’ve kept you waiting
An hour and a quarter )
My Head tells me to leave
My hearts a little more naive
(We’ve had 27 days apart
To rekindle this flagging heart )

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V2
Finally you arrive in your own chaotic style
(So my car went and broke down
And i walk the last 3 miles)
I get the big puppy eyes
And a cute little sorry sigh
(What lies beneath in this rivers deep
Are the same things in the
secrets we keep)

Chorus
Our Devine intervention
When we had each other’s attention
To were I love being yours
And you love being mine
Our Devine intervention
Needs to work for us this time

V3
(Let’s stand back to back
Walk in a different direction)
If we just keep right on walking
Then we have lost all affection
(If we both look back and then we stop
We won’t lose what we’ve got)
Well I stopped and looked back
(I kept walking down the path)

Chorus
Our Devine intervention
When we had each other’s attention
To we’re I loved being yours
And you loved being mine
Our Devine intervention
At least we know now this time

Divine Intervention - Nat Daniels & The Conscience of Kings

幻想領域 2

Just what happens, you know https://youtu.be/5GGm7C4Iahs

Punk rock story - my original video for this song, which took me a painstaking hour to edit to the song length and upload, was an original quintessential 1970s SNL cast skit video depicting the last Star Trek  episode  while I tell the story of baby brother in outer space as Chicago (my birthplace hometown) icon John Belushi plays Cap’n Kirk. The video was banned on YouTube 😜 NBC turned me in for copyright violation even though I altered none of their video content and gave them credit  - - - NBC is a cult of anti-art corrupt corporate fascists worthy of ridicule and with news more lame than CNN and nothing worth watching since 1976

"The Last Voyage of the Starship Enterprise"
Saturday Night Live 
John Belushi parodying William Shatner as Captain James T. Kirk giving the Vulcan salute in the sketch.
Episode no.	Season 1
Episode 22
Written by	Michael O'Donoghue
Produced by	Lorne Michaels
Original air date	May 29, 1976
Running time	12 minutes
Guest appearance
Elliott Gould
List of episodes
"The Last Voyage of the Starship Enterprise" is a comedy sketch that first aired on May 29, 1976, during episode 22 of the first season of the NBC variety show, Saturday Night Live. The twelve-minute sketch was written by Michael O'Donoghue during a month-long process consulting with actor John Belushi. The sketch is a satire of the 1969 cancellation of Star Trek. The set design featured an effective replica of the bridge of the USS Enterprise. Dress rehearsal was difficult, with the writer doubting whether Belushi was able to pull off an effective parody of William Shatner's performance as Captain James Kirk. However, the result was a success, and O'Donoghue immediately congratulated Belushi after his performance and reflected that he had perfectly parodied Shatner as Kirk.
The sketch became a cult classic hit among Star Trek and science fiction fans. The 1977 book Saturday Night Live edited by Anne Beatts and John Head included a copy of a note from Star Trek creator Gene Roddenberry praising the comedic bit. The sketch was released on a 1985 Saturday Night Live compilation VHS that featured The Best of John Belushi, and re-released with the same title in DVD format in 2011. In his book Metapop author Michael Dunne called the comedic bit among the most well-known of all Saturday Night Live routines. The Chicago Sun-Times referred to it as an intelligent satire of Star Trek. The Los Angeles Times placed the parody among the program's top ten sketches of all-time. On the series' 40th anniversary, Tulsa World listed the sketch as one of the television show's most iconic.
The New Yorker film critic Anthony Lane wrote that Belushi was flawless and captured Shatner's essence while adding simultaneously his own layer of weariness to the character. The Hollywood Reporter interviewed Tom Hanks and Elliott Gould in 2015; Gould called the sketch a favorite, while Hanks placed it among the best five of all time. In ranking every single Saturday Night Live cast member by talent in 2015, Rolling Stone called the Captain Kirk parody one of Belushi's most memorable and wrote that it was evidence of the actor's youthful innocence

NBC gets the VooDoo Hex €£¥

Baby Brother Blues

Giraffes, Vomit & a Diva Whose Band Called Hundred Tails and Straight Scales Blowed Her Away [DL!]

Watch the video on YouTube!! https://youtu.be/FXypZ4OPXpE

Vocals, lyrics & art by https://soundcloud.com/cosmic_keanu
Produced by HOBOCOP


Lyrics:

Where have I gone
What is left unsaid
What have I left behind
every time I closed my eyes

Everything is new
by grace I met you
And I swear
I won’t let you down

Now that we’re here
Forever more
Nothing was left behind
I swear
It’s all ahead

All that came before
All that passed me by
All of it led me here
By your side

I’ll let it all go
All the doubt and fear
the pain I kept inside
it wasn’t worth the time

What I thought I wanted
What I thought I lost
None of it ever
materialized

What I thought I knew
just a passing phase
I’ll let it all go
It wasn’t worth the time

Everything is new
by grace I met you
And I swear
I won’t let you down

Now that we’re here
Forever more
Nothing was left behind
I swear
It’s all ahead

All that came before
All that passed me by
All of it led me here
By your side
Everything is new by grace I met you
And I swear
I won’t let you down

Now that we’re here
Forever more Nothing was left behind 
It’s all ahead

All that came before
All that passed me by
All of it led me here

By Your Side(Hobocop & Cosmic Keanu)VIDEO AVAILABLE🎥

shizoku

I left my guitars on the wall for this one. I was never one for tin toys when I was a kid; now they look cool. 
The one in this picture was modelled by an artist called Nobuo Yamashita. Somehow, it looks lonely, hopeful and ready to play... hence the music. The background is courtesy of NASA.

Lonely Tin Robot (Come Play)

music : Deepman https://soundcloud.com/deep-man-2-121969062
words and voices : Luciole Langevine

Lyrics and frenglish translation :

Des échardes de gel fichées au bout des doigts, tu égrènes, hésitante, ta vie ponctuée de graves intimes qui sonnent comme des glas.

Elles te poussent hors des murs sur la route déserte.
Et tu pars.

Et tu laisses en arrière le linceul ouaté quand le rythme têtu t'emporte à coups de croches sur l'asphalte luisant d'un jour à contre-temps.

Retracer le chemin du voyage à l'envers jusqu'à ouvrir la grille. 
Puis te laisser mener, lentement, par l'allée souveraine, au temple résonnant où s'accordent, nettes et brèves, les noires et les blanches au bout de tes doigts ranimés.

Le voilà, le sentier pour l'ombre et la lumière, la grâce du passage et le souffle ancien où s'évanouit le doute au cœur des origines.

Là s'élève, peau nue, la note bleue.

C'est elle qui te ramène à nous sur la frange de son aile.

Shards of gel stuck at your fingertips, you reel off, hesitantly, your life punctuated by intimate bass that rings like a death knell.

It pushes you out of the walls onto the empty road.
And you leave.

And you leave behind the padded shroud when the stubborn rhythm takes you away with eighth notes on the shiny asphalt of a day out of time.

Retrace the path of travel in reverse until you open the gate.
Then let yourself be led, slowly, through the sovereign alley, to the resonating temple where the black and white notes agree, clear and brief, at the tips of your revived fingers.

There it is, the path for shadow and light, the grace of passage and the ancient breath where doubt vanishes at the heart of origins.

There rises, bare skin, the blue note.

It is she who brings you back to us on the fringe of her wing.

Le Doute - Feat Deepman

self examination

Based on a few lines written in a delerium

Dear Doctor, Thank you for the pills that counteract the pills,
that counteract those pills that make me want to vomit on your floor.
I don't even know  just exactly what all these pills are for.

Angelina, mistress of the pricks, I love your acupuncture and your oriental tricks,
I've been longing for you since my boat went down.
If you pay me in sugar I will be your clown.

Holy Mary, Mother of the Gods, I've broken all my promises, beaten all the odds,
But my hands are cold and my mind is numb.
You promised me the world but all I got was crumbs.

Dearest Rachel, I see that you've been blessed by the songs of love and longing,
by the beauty of your flesh, I hear a distant bell, I hear a funereal song,
That sweet and easy feeling that I used to have is gone.

I'm falling backwards, trying to reach the start of the long and lonely journey to the centre of my heart,
if I seem lost sometimes, give me another dose.
I'm a thousand miles from nowhere but I think I'm getting close.

Mona Lisa, diva in the clouds, there's a tear in every marriage, a fool in every crowd,
You were invisible when I tried to break through.
Now I got that sinking feeling that I'm invisible too.

Dearest Doctor, I've heard that it's been said that for sixty quid an hour you could rearrange my head,
but do you really think that you could ever heal
these wounds that I've been nursing or the thoughts that make them real.

My Dearest Doctor. Steve Killingbeck

Gargyzaa is a one-man band located in Finland. I play all the instruments (guitars, keys, bass, didgeridoo, toy moog, found objects etc.) no proper DAWs used (only Zoom R24). I  also "sing" all the vocals plus recite all the eccentric poetry and deliver those odd pseudo theatrical dialogues etc. (all the lyrics are written by me: some in Finnish and some in English, but in patois French, nonstandard Italian, "invented" Dada jive talk and in glossolaliac gibberish as well). The rhythm tracks are made from simple loops, all the rest is manually played.
Never been a proper musician (self taught "savant" i am) and have never played in any band . 
The cover art/design is just basically a few collages I made and a couple of random photos I took.
Totally a non-profit project, a delightful way to expand my own mind and learn more. Hopefully this music will make people laugh, perplex, stimulate them or cause the listeners to freak out in a positive way or to experience odd synchronicities and even see a few distorted visions here and there.
To fully experience the bizarre soundscapes of my music it is advisable to use the headphones with rather loud volume.

Kimble on kiwa peli!

gargyzaa

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