DECEMBER 2022 PART I

Who's Laughin Now

Quitting Season

Brian Eno

Feel It Comin

Feel It Comin (Single Version)

Get Up Sequences Part Two

Whammy-O

GOTTA GET HOME

I Dance Alone

Honey

Violent Night (A Christmas Tale)

Night Fell

Vandal

'Nice Town', out now on Ninja Tune: Metronomy.lnk.to/nice-townSo

Small World

J'en ai assez vu - Metronomy x Sebastien Tellier

Lucky Just To Be Here

You Know What I Need

Long Live The Strange

Rebels Without Applause

In the Bleak Midwinter

Carry You Home

Sensitive Child

Sensitive Child (Soulwax Remix)

Broken

Broken (Jacques Lu Cont Mix)

www.instagram.com/trentemoeller/
www.facebook.com/inmyroom.page
www.instagram.com/inmyroom_label/
www.twitter.com/inmyroom_label
www.youtube.com/InMyRoomRecordings
www.trentemoller.com/index.php/in-my-room

The collection of songs on Trentemøller’s sixth studio album, Memoria, traverses some ground fans will find familiar, but also digs deeper into themes of transience, and various forms of continuance. His latest single, “No More Kissing In The Rain” gives the impression that it’s easier to find comfort in the darkness when it feels like particles of light are only moments away from assembling, perhaps divulging a bright secret. 

“No More Kissing In The Rain” announces itself with an overture to a synth opera shot on supersaturated film. Warm waves of sweeping, lush pads soon land to make space for vocalist Lisbet Fritze’s tone-setting proclamation:
“My dear, I am running out of time.” 
Concurrently, her heartfelt vocals are pushed and pulled by an almost playfully mephistophelean synth line. Each glistening guitar glissando bloom projects the feeling that a series of curtains are being drawn back, revealing the next act. The chorus arrives like an unexpected sun flare, overexposing halide crystals, and smearing the emulsion.
“Is this the end of everything?”
It feels like the end of a relationship, but is the relationship between two people, or the corporeal being and its earthbound existence?

“You know I know we’re growing colder.” 
The final orchestral tag of this pocket symphony signals its closure. There’s no hint of trepidation, only a sense of comfort, albeit a vague one. 
Was the sun flare actually the light at the end of the tunnel?

DECEMBER 2022 PART I

edu