José Mauro / Obnoxius (1970)

Brasil

Brazilian 60s & 70s

~•~

alternative/indie/alles.

Brazilian Jazz Funk 70s

Gilles Peterson Worldwide // BBC 6 Music Archives (2012 - now) - 8

CLUBe⚪️🐔⚫️MuGanGaS🔺Na🔵🦊⚪️EsQUiNa

Lowrell loves... - 3

Murder Man

José Mauro - Obnoxius

José Mauro - Tarde de Nupcias

José Mauro - Memoria

José Mauro - Ponto de Chamada

José Mauro - As Aventuras Sentimentais de Espiroqueta Camargo

http://www.mrbongo.com/product/musica-de-futebol-cd-1111

http://www.mrbongo.com/product/musica-de-futebol-lp-1331

Vividly captures the romance and passion that we expect from Brazilians... immensely enjoyable - Norman Cook aka Fatboy Slim

The history of Brazilian football and the development of the country's musical styles are entwined. The sport is often described as a dance, and with good reason. Domingos da Guia, Brazil's outstanding defender of the 1930s and 1940s, once said 'My elder brother used to tell me: aren't you good at dancing? I was and this helped my football. I swung my hips a lot. That short dribble I invented? I was imitating the miudinho, that type of samba.'

Brazil also invented carnivalesque ways of supporting. In the 1940s Brazilians became the first fans to wear fancy dress at games and football matches are now unthinkable without a soundtrack of Batucada beats. The rhythm, happiness and ingenuity that marks Brazilian football makes it the perfect subject matter for music. Football has inspired almost all the great 20th century popular Brazilian artists including Chico Buarque, Gilberto Gil, Caetano Veloso, Elis Regina and Jorge Ben.


Trio Mocoto - Não Adianta

http://www.mrbongo.com/product/the-best-of-mr-bongo-cd-1150

Incredible Bongo Band - Apache

Água & Vinho

Janela de Ouro (A Traição das Esmeraldas)

Caminhos Do Coração

O Que É O Que É?

Sol De Primavera

Norwegian Wood

Sonhos E Memórias - 1941 / 1972

Vida Antiga

Loose & Juicy

Ain't No Sunshine

Quarteto Em Cy

Tudo Que Voce Podia Ser

Satin Doll

New York Times (Remastered 2002)

Modo Livre

Essa Maré

The Legacy of Funk

Sun Goddess

Rich Girls

Cuban Landscape - The Music Of Leo Brouwer

Brouwer: Cuban Landscape With Rain

'S Bossa Nova 1

A Rã

Express Yourself

Africadeus - N.Angelo - Novelli

Seleçao de folclore

Aboios

Africadeus

No norte do polo sol

No sul do polo norte

Continually pushing the boundaries of jazz, funk, electronic music and disco, as expressed through their signature samba swing, the Brazilian mavericks have recreated the energy of those spellbinding seventies’ sessions which would launch them into international recognition and confirm their status as one of Brazil’s most successful bands. Since the passing of keyboard maestro Jose Roberto Bertrami in 2012, remaining members Ivan Conti and Alex Malheiros have worked tirelessly to keep the spirit of Azymuth alive, and to continue the legacy of Bertrami’s genius. But Fênix also marks a new era as the Azymuth trio is complete once again, by special guest keyboardist Kiko Continentino. A hugely talented pianist, composer and arranger, Kiko has worked with the likes of Milton Nascimento, Gilberto Gil and Djavan, and the fresh energy and inspiration he has brought to the group is undeniable. The album also features Brazilian percussion legend Robertinho Silva, one of Brazil’s most important and influential players.
From the disco-carnival title track to sunny jazz-funk head-nodder Orange Clouds, through to the deep-space samba Corumbá, Azymuth have drawn upon five decades of consummate craftsmanship - which coupled with their endless desire for experimentation and improvisation - has resulted in a 10-track journey encapsulating the full spectrum of Azymuth’s brilliantly coloured expressionist fusion. With all the cosmic energy and masterful musicianship you’d expect from the three-man orchestra, Azymuth rise from the ashes!
Recorded in Rio De Janeiro in May 2016 with producers Daniel Maunick and Joe Davis the official release date is set for December 2016, on super-heavyweight vinyl, CD and digitally.

Villa Mariana (Pela Madrugada)

Le Combat Continue - Les Samples

Johnny ''Hammond'' Smith - Big Sur Suite

Cuban Soul: 18 Kilates

Onda

Channeling a love affair with classic '90s hip-hop, an affinity for otherworldly themes and an ear for raw funk, Barclay Crenshaw uses his given birth name to bare his soul and deliver a slowed-down, emotive collection of collaborations and instrumentals. This self-titled debut album is a left-field departure from his better-known alias, Claude VonStroke, but the quality is undeniably the same. The themes of ancient alien abductions and exploration of time and space are discovered and brought to life over ten tracks that sound like a mixture of gold rope chains and new age enlightenment. Modern organic beats mixed with gorgeous melodic moments and underlying grittiness create an experience that is eclectic, expressive and expansive. Coded art furthers the sense of mystery and the unknown, harking back to the past while gazing into the future. 

Guests include a wide array of artists, from bass maestro Mr. Carmack to the U.K.’s inspired Lady Chann, Flatbush emcees The Underachievers, and even a Cool Kids reunion from Chuck Inglish & Sir Michael Rocks.

Spotify

U Are In My System (feat. The Cool Kids)

Wait for Me

Motherless Child

Os Originais do Samba, Vol. 2

Eu Gosto Demais da Menina

É Preciso Cantar

Falador Passa Mal

A Canção e a Voz de Marília Medalha Na Poesia de Vinicius de Moraes

Meu Tempo

Zana/ Tudo de Novo - EP

Zana

É Nóis na Fita!, Vol. 4

Deixa pra Lá

Buy album: https://LateNightTales.lnk.to/aloudersilence
"Subtly stunning jazz-soul" The 405 https://www.thefourohfive.com/music/article/leifur-james-presents-a-subtly-stunning-jazz-soul-ode-to-his-past-in-mumma-don-t-tell-405-premiere-153

Leifur James will release his debut album 'A Louder Silence' through Late Night Tales’ artist label Night Time Stories. The album is both spacious and thought-provoking, energetic yet restrained, brimming with nuanced electronic instrumentals, dubby synths, and jazz breaks — creating an array of rich textures, complemented occasionally by James’ own soulful vocals. 

Tracklisting:
01. Alpine 
02. Time 
03. Suns Of Gold 
04. Argonaut 
05. Mumma Don’t Tell 
06. Uncle Blue 
07. Night And Day 
08. Salaninam 
09. Red Sea 
10. Osho

https://www.facebook.com/leifurjames 
https://twitter.com/leifurjames 
https://soundcloud.com/leifurjames
http://www.nighttimestories.co.uk 
http://www.latenighttales.co.uk

Buy album

Leifur James - Mumma Don't Tell

Sensações

Canturia

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.  

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. 	When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.

Kicking off with the swirling samba-jazz-dance masterpiece ‘Agora Ou Nunca Mais’, the album hosts several groove-heavy Brazilian cult-classics including ‘Roda Mundo’ and ‘Eu Sou Mais Eu’. Deeper moments come in the form of the alluring future soul synth sounds on ‘Bairro Negro’ and ‘Sou’, and Mazzotti’s tender, hallucinatory version of ‘Feel Like Making Love’ (made famous by Roberta Flack) perfectly reflecting the idiosyncratic genius Mazzotti achieved with Bertrami’s visionary arrangements, and Romildo’s impeccable production approach. 

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl, Ninguem Vai Me Segurar (1974) will be available on vinyl LP, CD and digitally from 13th September.

José Mauro - Obnoxius

lupchel