José Mauro / Obnoxius (1970)

brazil zil

Sad bossa nova

quero ver o céu que eu nunca vi

Introdução ao Brasil - Alegrias, Opresión y Construcción.

Maceió, the capital of Brazil’s Alagoas state on its sprawling east-coast, is home to pastel coloured colonial houses, white sand beaches and a brilliant young composer, poet and multi-instrumentalist named Bruno Berle.

With a voice of pure gold and a startling sensitivity for heartfelt pop songwriting, on No Reino Dos Afetos (In the Realm of Affections), Berle firmly embraces earnestness, through starry-eyed Brazilian love songs, ambient vignettes, warm, home-cooked beats and gentle strokes of MPB genius.

“It’s an album that was built from my desire to find beauty”, Berle explains - his simple, graceful words mirroring the graceful simplicity in his music. But amongst the simplicity, the compositions, arrangements and productions on No Reino Dos Afetos tingle with nuance and detail.

On the contemporary R&B inspired lead single “Quero Dizer” - produced by Berle and longtime friend and collaborator Batata Boy - the swirling, lo-fi, kalimba and guitar-fronted beat is turned into a feel-good hit by the ingenuity of Berle’s honey-soaked vocal melody.

Powerfully intimate, “O Nome Do Meu Amor” (My Love’s Name) is a guaranteed tearjerker, with Berle’s stunning voice soaring over gently plucked acoustic guitar and the textural flutter of soft movement, as if we hear him writing the song in the moment.

Drawing upon a close-knit, collaborative scene of Maceió artists and musicians, (of which Berle and Batata Boy are vital members), Berle also recorded some of his friends songs on the album, including João Menezes’ “Até Meu Violao”, the album’s beautifully laid back sunshine soul opener, which has all the charm of early-70s João Donato.

Having cut his teeth in soft-rock group Troco em Bala, and more recently finding himself embedded in both Rio and Sao Paulo’s contemporary music scenes - collaborating with the likes of Ana Frango Eletrico, who took the photo for the album cover - No Reino Dos Afetos is as musically diverse as Bruno himself. It’s hazy indie rock (“É Preciso Ter Amor”), calming ambient and field recording (“Virginia Talk”) as well as Berle’s own take on West African High Life (“Som Nyame”).

Instantly recognisable as a truly special artist, Berle’s character fills every corner of the sound, which is unsurprising considering he played most of the instruments.

Bruno Berle - Até Meu Violão

Frank Sinatra & Antônio Carlos Jobim - Quiet Nights Of Quiet Stars (Corcovado) PH ReEdit

Lindo

Wanderlea - Lindo [DJ Bollt Mix]

✮⃝⸺ Apesar de você [Chico Buarque] ─ 𝐒ped 𝐔p

eu sou como você é_jersey_lô borges_cover

José Mauro - Obnoxius

José Mauro - Tarde de Nupcias

José Mauro - Memoria

José Mauro - Ponto de Chamada

José Mauro - As Aventuras Sentimentais de Espiroqueta Camargo

Naquela mesa ele sentava sempre
E me dizia sempre o que é viver melhor
Naquela mesa ele contava histórias
Que hoje na memória eu guardo e sei de cor
Naquela mesa ele juntava gente
E contava contente o que fez de manhã
E nos seus olhos era tanto brilho
Que mais que seu filho
Eu fiquei seu fã
Eu não sabia que doía tanto
Uma mesa num canto, uma casa e um jardim
Se eu soubesse o quanto dói a vida
Essa dor tão doída não doía assim
Agora resta uma mesa na sala
E hoje ninguém mais fala do seu bandolim
Naquela mesa 'tá faltando ele
E a saudade dele 'tá doendo em mim
Naquela mesa 'tá faltando ele
E a saudade dele tá doendo em mim
Agora resta uma mesa na sala
E hoje ninguém mais fala do seu bandolim
Naquela mesa 'tá faltando ele
E a saudade dele 'tá doendo em mim
Naquela mesa 'tá faltando ele
E a saudade dele 'tá doendo em mim

Naquela Mesa - Nelson Gonçalves (cover)

Programa Ensaio (1974) com Cartola e Leci Brandão

Acontece (Programa Ensaio 1974)

Available from Mr Bongo http://www.mrbongo.com/products/novos-baianos-acabou-chorare

Voted No. 1 in the ‘Top 100 Brazilian Albums Ever’ in Rolling Stone Magazine, Brazil

 'Acabou Chorare' is the second album from 'Novos Baianos’, or ‘New Bahians’, who formed in Bahia, Brazil in the 1960’s. They are considered to be one of the most important and revolutionary groups in Brazilian music.

 'Acabou Chorare’ - translated as ‘Stop Crying’ - was originally released in 1972 by Som Livre after the success of their first LP 'É Ferro na Boneca’ in 1970. It is considered to be one of the most important and influential albums of all time, charting at number one in a Rolling Stone Brazil's 'Top 100 Brazilian Albums Ever’ chart. 'Preta, Pretinha’ placed 20th in the same publications list of the greatest Brazilian songs of all time. Upon release, 'Acabou Chorare' stayed near the top on the album charts for more than thirty weeks, and received huge radio support across the country. It also became very popular in Europe shortly afterwards.

The unique sound of this record is a result of the fusion of samba, MPB, rock ‘n’ roll and bossa nova, and strong influences from Joao Gilberto, who frequently played with the group, and bossa nova legend Gilberto Gil.

 The album was written by Moraes Moreira, Luiz Galvão, Jorginho Gomes, Assis Valente, Pepeu Gomes and Paulinho Boca de Cantor. After recording, the group moved to a communal house outside Rio, where Galvão apparently shot video footage of the group on his Super-8 video recorder, some of which is featured in this documentary https://www.youtube.com/watch?v=m6J0bg9MdMo. Baby Consuelo was a member of the group – she went on to have a very successful solo career.

In 1969, Gilberto Gil and Caetano Veloso invited Pepeu to accompany them in their farewell show before their exile, the emotional 'Barra 69' concert.

Novos Baianos - Mistério Do Planeta

Adoniran Barbosa   Saudosa Maloca

Tim Maia Azul Da Cor Do Mar

Raio X do Brasil

Introdução

Sem Você Não A

Curiosidade

https://www.youtube.com/watch?v=qewflcjcnyY&feature=youtu.be

NOVO CANAL : https://soundcloud.com/artemultidimensional

A versão foi produzida em três dimensões (3D), e mais lenta, para uma maior percepção sonora (CALMO PARA CONSUMO).

Para melhor percepção, use fones.

Arte produzida por: Ricardinho do Méier https://soundcloud.com/ricardinhodomeier  @ricardinhodomeier @rdmeierj

www.instagram.com/artetridimensional/

twitter.com/ArteTriDimensao

Toda Segunda, Quarta, Sexta e Domingo, novas percepções no canal. SIGA!

Canal (sem fins lucrativos) com intenção de trazer novas percepções, e consumir a ARTE de infinitas formas.

Envie para nós sua idéia de percepção!!!

E-mail: artetridimensão@gmail.com

Cartola - O Mundo é Um Moinho 3D (CALMO PARA CONSUMO) [[ USE FONES ]]

Coleção Fina

Nelly

The Best

Manha De Carnaval

Yesterdays

Amor Sem Adeus (Love Without Goodbye

Preludio

Written by - Jorge Ben Jor
Arranged and performed by - Gabriel Buchmann
Produced, mixed and mastered by - Gabriel Buchmann
L'Institution Studios, São Paulo, 2020

Photo - Gabriel Buchmann

Errare Humanum Est - Jorge Ben (cover)

Chico Science - Maracatu Atômico (Crives Remix)

José Mauro - Tarde de Nupcias

lupchel