BOOKINGS (ex US & Canada)
Navi Jankie
Navi@aceagency.com

BOOKINGS US & Canada
David Gordoni
E: david.gordoni@unitedtalent.com

MANAGEMENT
Dwayne@Smashthehouse.com

I feel like my transport should be an extension of my personality. And this is like my little window to the world... and every minute's a different show. I may not understand it. I may not even necessarily agree with it. But I'll tell you what I've accepted: just sort of glide along. You want to keep things on an even key, this is what I'm saying. You want to go with the flow. The sea refuses no river. The idea is to remain in a state of constant departure while always arriving. It saves on introductions and goodbyes. The ride does not require explanation - just occupants. That's where you guys come in. It's like you come onto this planet with a crayon box. Now you may get the 8 pack, you may get the 16 pack but it's all in what you do with the crayons - the colors - that you're given. Don't worry about coloring within the lines or coloring outside the lines - I say color outside the lines, you know what I mean? Color all over the page; don't box me in! We're in motion to the ocean. We are not land locked, I'll tell you that.

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.


Coming off the back of viral hit ‘The Glen - Levi Heron Edit’ released by Sony’s Robots & Humans label , Levi Heron is continuing to take over with his latest trance inspired anthem ‘It’s Late’ out on New Source Music.

DJ/Producer from Isle of Lewis, Scotland, Levi likes to create hard hitting, high energy dance anthems. Levi is set to support Skippinish at The OVO Hydro in Glasgow on 27th September 2025.

With charting success & a Tiktok smash hit in the bag, Levi is in high demand. With strong support from GBX, Ben Nicky and a strong gigging schedule, 2025 looks like the year of Levi Heron.

Starting 2025 with a boom, The Stornoway man has produced a total of 26 tracks last year and lots more ready to release this year including new Ceil-Tech tracks, hardstyle bangers and bouncy techno to come 


Stay tuned as Levi Heron continues to grow, explore & improve in sound & direction.

MGMT/Bookings: Luke@facemelter.co.uk

Demo/Promo: https://tstack.app/funk-tribu

A Hartshorn performance is guaranteed to get the dancefloor moving. A combination of stage presence, diversifying musical BPM's, and a classy mixing style you will only hear with the Mile High City front man. 2024 is aiming to take the Hartshorn sound to new heights.

Released on:
@electricfoxmusic
@basscon
@keepingtheravealive
@alstorm 24/7 Hardcore
@evolutionrecords

"DJing pulls me into the here and now – into a higher state of vitality. Free from problems. Free from thoughts.." 
Since the early 90s, DJ Upzet has been a devoted fan of electronic music. From the very beginning, he was drawn to Acid Techno, Rave, and Trance. In 1997, at just sixteen, he discovered his all-consuming love for Drum & Bass and and within a year, he was behind the decks. In 2001, he had begun organizing Dnb events in and around Mannheim, which, at the time, was Germany’s DnB capital city.
In 2009, Upzet made the move to Berlin, where he continued DJing and commenced promoting club event series like "Out of Mind", "Step higher", "Infected", "Lucid Dreaming", and other special party nights. Fast forward to 2015, he has been running the VOID Berlin, which he recently managed to enlarge. Thus, today, he is the owner and operator of VOID Club and VOID Hall. 
During the pandemic lockdownn, he reconnected with music production. His first track was released on Scientific Records with more to follow soon.
Today, Upzet’s signature styles are Liquid, Deep, Dark, Tech, Neuro, and Jumpup, though he’s no stranger to mixing Oldskool Jungle, Happy Breaks, or even Dark and Melodic Techno - bringing an infectious energy to every set. Above all, he crafts his mixes with one core principle: harmony.

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