i jus be rappin bout God , follow him 🙏🏾

Slapdash Guzzler started Dj'ing at the age of 14, (1988)
he later went on to producing his own music in 2004.
He has also been running Tailwhip Records since 2012.
His influences come from many different Styles and Artists.
(Amon Tobin, The Flashbulb, Aphex Twin, Beastie Boys, Fatboy Slim, Owen The Saint, Mr Quiet, Brown Peterson ...)
He creates his music free from the restrictions of the latest musical fashion and he is not locked on to one musical genre.
He prefers the atmosphere of studios to concerts, he also prefers the darkness to the light !!!

Call Me - Baseshaker Records (LP) 2010
The Voice In My Head - Alltek Records (EP) 2010
I Miss You - Tailwhip Records (EP) 2012
Mad World - Tailwhip Records 2012
I Need A Change Remix Part One - Tailwhip Records (RMX) 2012
T-Rex - Tailwhip Records (EP) 2012
Global Electro House Sessions Vol. 2 - LW Recordings (Compil) 2012
Future Dubstep Classics Vol. 5 - LW Recordings (Compil) 2012
Breaks & Beats Essentials Vol. 2 - LW Recordings (Compil) 2012
MELOPE - Tailwhip Records (RMX) 2012
Breaks & Beats Essentials Vol. 4 - LW Recordings (Compil) 2013
Family Records Compilation One - Tailwhip Records (Compil) 2013
Wait A Minute - Tailwhip Records (EP) 2013
Haunted - Green Nights Records 2014
Synthetic Island - Tailwhip Records (EP) 2014
This Morning - Green Nights Records 2014
Solenopsis Invicta - Green Nights Records 2014
Youth [Feat Rubee Rayne] (Free Download - Promo) 2014
Samatha - Tailwhip Records 2015
Benny B - Où est passé le temps? (Instru Feat Zak Mix-on-Air) Tailwhip Records 2015
White Knight - Tailwhip Records 2015
Essential Sounds Tech (1st R) - GNR (Compil) 2015
Essential Sounds DUBSTEP (1st R) - GNR (Compil) 2015
Apollo 11 - Green Nights Records 2015
Electro House Sessions Vol. 9 - LW Recordings (Compil) 2015
Alter Ego - Tailwhip Records (EP) 2015
The Way of Samurai - Quinta Records 2016
Don't Look Back - Tailwhip Records (EP) 2016
Sakura - Green Nights Records (EP) 2017
Electro House, Vol. 14 - LW Recordings (Compil) 2017
Secret Agent - Green Nights Records 2017
Autumn Compilation  - Green Nights Records (Compil) 2018
Soul of the Same - Destiny - Green Nights Records (O.S.T) 2019
Chilled Beats, Vol. 14 LW Recordings (Compil) 2020

Let it never be said that a hard rocking band couldn't kick your ass at Monopoly.



Beyond capitalism in board game form and army's represented by wooden cubes, we like a good rock show. We believe that bands should set up fast, play the hell out of whatever they have and then run...RUN off stage so the next band can do the same.



	Proponents of Milwaukee’s emerging noise-rock scene seem to overlook King’s Horses, perhaps because the principals involved spend so much time in other, higher-profile projects. Bassist Jack Packard is a filmmaker whose work has been a big hit on <a href="http://www.FunnyOrDie.com/almosttwins">FunnyOrDie.com</a>, and singer-guitarist Matt Slater keeps busy with local shoegaze band White, Wrench, Conservatory. But fans of the noisier stuff don’t want to miss out on King’s Horses’ squalling guitars and loud-quiet-loud dynamics, which recall mid-’90s indie-rock titans like Polvo and Archers of Loaf. - DJ Hostettler - The Onion*



Started singing badly age 16 yrs, was always being told to "be quiet" or find another less annoying hobby, a hobby that wouldn't make people cringe!!
Unfortunately, the people around me had to keep hearing me miss note after note ETC.
But  the passion I had for wanting to become an International performer was not going to let me give up!
And because of That Intoxicating passion and my never ending curiosity, I am blessed to be able to teach and inspire other to "Never Give Up"! 
Hey.....fellow soundcloudarians........I'd love you to follow me on this journey, then you can be the judge.........Do you think "Never Giving Up" worked for me??? lol

“Freaks, you can call me Mom,” Nicky Click boldly proclaims on her newest album. Given her lengthy career, she’s got the creds to back it up. Born in New Hampshire, she began making music in 2003 and was once described by SF Weekly as a “one-woman feminist electro band.” Influenced equally by riot grrl and pop divas, she released her first album, You’re Already A Member, right as the DIY-electro and queercore boom of the mid-aughts was gaining steam.

Nicky built a fanbase the old-fashioned way, through constant international touring and festival appearances alongside Peaches, The Gossip, Lady Sovereign, Gravy Train!!!, Scream Club, and Kin4Life. Each Nicky Click show is a personal and political queer feminist statement wrapped up in a dance party. She makes many of her own wigs and outrageous stage costumes, and she’s performed and headlined at pride festivals, dives, hotels, bars, and film festivals; catching airplay on radio stations and gracing the pages of art and literary magazines. She manages to seamlessly blend spectacle with introspection, so it’s no surprise that when she released her second album in 2008, the video for the title track, “I’m On My Cell Phone,” became one of Logo’s most-played. 

Nicky Click has continued to push herself as an artist, allowing her sound to evolve and often experimenting with different genres, including alt-folk. Her sixth album, titled Reductive Nostalgia, explores the intangible but universal feeling of losing something to time, but not knowing quite what that something is or whether you ever really had it in the first place. The album dips into more reflective territory than Nicky’s previous efforts, and was produced almost entirely by Portland, Oregon’s Mickey Pollizatto, resulting in a truly cohesive sound and tone. Nicky and Mickey began working on this album together in the spring of 2020. Having toured together and collaborated on an album in the past, they already had a deep spiritual and musical connection. On Reductive Nostalgia, the two collaborated remotely to craft a collection of songs that speaks deeply to a time when the world is on the verge of so much change and the temptation to romanticize the past is high.

On “Robot,” which was co-written by Nicky’s thirteen-year-old niece, Emma, Nicky and guest producer Jeremy Gloff layer Nicky’s pop-sweet vocals over a squelchy, dynamic beat. On “Gone Fishing,” Nicky sings about finding love during a time of sobriety, and takes those themes further on “I Just Can’t Touch Anything,” which explores pandemic-specific anxieties about the danger and necessity of connection. Deftly deploying themes of anxiety again on “Life Cycle,” Nicky takes on the topic of mental health with deeply relatable lines like, “the higher you go / the further you come down” and “not on the same page / but it all was a lie anyway.” And on the #MeToo-inspired “Ghosts In the Attic,” Nicky addresses being a survivor with razor-sharp insight, singing “once I learned it / I wanted to return it” over a twitchy beat.

The album as a whole was an experiment in creating and recording during a pandemic. For the first time in her career, Nicky recorded the entire album herself, sometimes in the isolation of quarantine. But Reductive Nostalgia is proof that when one thing is lost, something else is gained. “The pandemic caused so much anxiety for me,” Nicky explains. “But that anxiety led to the deepening of certain relationships, and made me want to create, to do everything to the fullest extent possible, but also look back on the past and appreciate everything that’s happened. I think I’ve learned to feel more content.” She sums this sentiment up perfectly on the album’s title track, bringing us full-circle with the lines, “I want more / I wanna eat the apple to the core / yeah, I really want ya / thinking ’bout you back in the day.”

Throughout Reductive Nostalgia, Nicky’s lyrics are simultaneously playful and poignant, gazing back at the past.

Turn up the volume, and perk up your ears for Shoot The Crow, the new album by O.M.S.  They’ve been down that dusty road, and are now back clean and fresh with fourteen songs on their new album.  You will be pleasantly surprised by these varied musical arrangements. 

Whether you’re cranking it up in your car, or dancing along in your living room, this diverse selection of tunes will take you on a fun trip to another world.  Three chords and the truth can be stranger than science fiction.  This is when overdrive meets space with crisp dual guitar licks, thumping bass, dynamic driving rhythm, and heart and soul vocals.  
 
Do not miss seeing these guys live.  To see O.M.S in concert is an intense roller coaster ride.  Sometimes loud and passionate, sometimes quiet, and intimate.  Whether unplugged acoustic, or with the whole band in overdrive mode...  this enthusiastic band rocks the tightrope between authentic, timeless music, and melodic power pop.

Country: Switzerland

Band Members 

Marc "O.D." Rudin – lead vocals, bass and rhythn guitar
Tom "Buba" Rudin – lead guitar, vocal harmonies
Role Meyer - guitars, vocal harmonies
Johnny Gujer - drums, vocal harmonies  

contact: www.omsmusic.ch info@omsmusic.ch 
mobile: ++41 79 208 68 42 


Upcoming shows
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http://gunnarlettow.wordpress.com/2014/09/08/bad-falling-bostel-release-tour/
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Hamburg-based prepared bass and electronics player Gunnar Lettow and Korhan Erel met in Istanbul in 2011 to play a concert at Gram with tenor saxophonist Robert Reigle, Korhan’s bandmate from Islak Köpek. The two decided to pursue this collaboration further when they saw that Gunnar’s electro-acoustic sounds and Korhan’s electronically treated field recordings and found sounds creates an fascinating, abstract sound world.

Gunnar and Korhan have been playing short tours in Germany every November since 2011. They have performed at Ausland (Berlin), Quiet Cue (Berlin), Miss Hecker (Berlin), Oberdeck (Hannover), Freitagsmusik (Hamburg) and Hörbar (Hamburg) as well as in Klub Katarakt Festival (Hamburg) in 2014. Besides their duo appearances, they have also collaborated with Chris Heenan, Liz Allbee, Audrey Chen, Gülşah Erol, Christoph Funabashi, Robert Reigle, and Andreas Brüning. 

The first album Bad falling bostel has been  released on Creative Sources Rec.

Bryson Laila is following