Rahrah Gabor is a rapper & songwriter who’s summed up in a word. Unruly. She’s also an amalgam of all
the things that makes unruly rappers great: critical presence, pointed and layered lyrics, hood savvy, a
unique sense of style and an incorrigible self-possession that bucks at nay-sayers.
Gabor harkens to the golden age of hip-hop channeling Lil Kim and Jadakiss though she
isn't a revivalist. Rahrah’s work explores her youth and her day-to-day life living in America.


After self-releasing two EPs, Rahrah went on to catch the eyes and ears of outlets like
Afropunk, photographer Ryan McGinley whose latest books and exhibitions have featured her and 
artists like Buke and Gase who she’s supported at Mercury Lounge. She also played Slay
TV’s inaugural SlayFest at Brooklyn Academy of Music , the MOCADA and the DICE Festival in Berlin. 

If you ask her, she’ll admit to having first dove into hip-hop to prove a point. But Rahrah would like to become the kind of challenge an 
increasingly challenged industry

Rahn G. (also known as 1990 BPM) is a Hip-Hop Artist, songwriter, multi-genre producer and MPC performer from Inglewood, CA  of the greater Los Angeles area. Catching the interest of music at 16 years old, the musician is in route to take his talents to the big leagues. Before his journey as a solo artist Rahn G. entered the music world with his friends while attending Inglewood High School. The group consisted of two rappers and a producer. Over the years their productivity level decreased, along with other conflicting issues, which stopped the group from making music on a consistent basis. Uncertain about the other member's desire to to pursue a career in music, at that point Rahn G. decided to focus on a life as a solo artist, without a unruly separation.

After realizing that it takes more than the ability to write rhymes to survive in this industry, he added the ability to produce music in 2012. While at Long Beach City College, Rahn G. participated in the the school's radio station KLBC AM 1610 Truly Underground Radio, alongside classmate and mentor Jeremiah Rosborough. In the same year he completed a segment of college receiving credentials In Commercial Music Songwriting. In 2016 , Rahn G. achieved more credentials Commercial Music Management and Social Media Marketing credentials.

Back in late 2013 , spending months of learning to produce music adding to his skill set , he formed Ball Hog Music Productions. In 2013 Rahn G. made a tremendous effort towards getting his name out in the streets. In February 2013 he dropped DOUBLE DOUBLE, his first self produced and performed project. On top of that, he also pulled in two indie music awards. Nominated in three categories in the 2013 818 Music Awards, walking away winning Best Underground Artist. Again nominated in three categories in the 2013 Urban Kings Awards, he walked away winning Best Single for NO CUPS from his DOUBLE DOUBLE project. 2016 He featured was featured on BET's website for the Hip Hop Award's "Woke Challenge".

Since 2013 , Rahn G. has traveled and performed in various cities in the United States outside of his home base of Inglewood and Los Angeles. Reaching the masses and acquiring fame are no longer goals for the dual threat rapper and producer. During this time period of the trendy, microwaved stars and new bias politics of the music industry , his focus is only aimed at fine tuning personal skills because of his joy and love for the actual art of creating music.

At the heart of Fairbanks & the Lonesome Light are Erik Flores and Amelia Rose Logan, writing songs dressed in two-part harmony with the kind of spark that could light your day…or your cigarette. The band is a backyard duo who grew into a sweeping five-piece outfit with musical temperaments veering between Indie Rock and Classic Americana. Guitars, Mandolin, Drums, Bass and Pedal Steel create the space where their stories play out.
 After years of running separately in the same music circles, the duo landed in Los Angeles by way of Austin,TX and found roots for their Indie Americana ideas in the artistic community of Echo Park, where their self titled debut was recorded. Stirring with movement and rough around the edges, Echo Park played a big part in shaping the band's ideas and sound. Since the release of their debut the band has traveled, enjoyed US and EURO Americana charting airplay, written and recorded their next release and are now calling Austin, TX their home base.
Their follow up release, "Nothing to Escape", due out in August 2017, is another collection of personally revealing  stories pulling back the curtain on everything from the struggles of addiction to the beauties of becoming a parent. Recorded with the help of producer Raymond Richards (Local Natives, Honey Honey, Avid Dancer) and performed by an outstanding band, the new songs are sung with the kind of authenticity that demands repeat listens. 
With restless reflection, sweet harmony and a solid foundation of Roots/Americana music, Erik and Amelia draw from the same traditions that Jeff Tweedy, The Band, Ryan Adams, Neil Young, Gillian Welch and others cut from that cloth seem to lean toward.
Fairbanks & the Lonesome Light will be celebrating the release of their new album with regional tours, shows in New York, Los Angeles and other select national dates.

Cloth are twins Rachael and Paul Swinton from Glasgow, Scotland.

self-proclaimed god of procrastination and everything galactic, how do you do?
don't mind me sitting over here with my earbuds in, pen writing and band-aids all over my arms, a dual-coloured slushie in my hands.
it's none of your business about what i'm doing, or who i am, and how the pale scar on my left eye got there.
maybe you'll never know why there are so many patches on my sweater, why bags are forming under my eyes, or how i got so good at folding paper airplanes.
my pronouns remain unbeknownst to you, while you stare in confusion as to what made me so introverted. anxiety? paranoia? or just plain fear? it'll never be confirmed, what you ponder in your head.
moving, i am, on a well-painted skateboard. van gogh's starry night facing towards the battered sidewalks as i roll along.
my shoes, where are they? why does stained cloth replace them? 
who gave me the long scarf, striped pale and dark blue? why is it about twice as tall as i am, wrapped multiple times around the neck, billowing in the wind?
my jeans, who got them so dirty and torn? have they ever been patched?
the locks of short blue and blond hair that curl on my head, who dyed them? was it me? a friend? a guardian or stranger? 
the matches that rest in my back pocket, they've smelted my skin and clothing from failed times in trouble where burning was the only escape.
you don't know where i'm from.
another galaxy, you assume.
i couldn't be human.
ah, but my friend...
you can't always put faith in what you see.

Elizabeth Sullivan has a passion for music.  It is eclectic and electric. Her sound is both renaissance rising and nascent new age, and her voice is both tremulous and sweetly tonal. The New York based singer/songwriter pens moving, ethereal numbers that seem lost in time, songs culled from a lifetime marked by emotional hardship and spiritual exploration. “Like a flower upon your chest,” Sullivan’s softly evocative words land quietly but summon much. Comparisons to Tori Amos are frequent and wont, but Sullivan is writing her own fairytale and cutting an emotive style from her own cloth. 

Since the age of six, Elizabeth Sullivan has turned to music—first the piano, later guitar, always singing—as “a way to escape into another world.” Singing for Sullivan was from the beginning something “instinctual, like breathing.” Youthful choir experiences and subsequent voice lessons led her eventually to the Ithaca School of Music to study vocal performance. After 2 ½ years in school, however, a tragic revelation that would come to mark the most significant moment in the young songwriter’s life, forced her to leave her schooling behind and to immerse herself deeper into music.

These are songs that are romantic, in the traditional sense. Mysterious, airy, ethereal, remote—belonging in some undeniable way to a bygone era of chivalry and catharsis. Elizabeth Sullivan writes songs as confessionals. The result is an encounter with intimacy, a poetic liaison whose purpose of healing cannot be ignored. 

Following her mother’s passing, the songwriter rediscovered the musical escape she had so cherished as a child. She wrote intensely and finally began sharing her music with the world. The resultant offerings filled the spaces of small New York City clubs, transporting audiences as Sullivan herself was transported daily by her songwriting. What followed for the songwriter was a wealth of life experience—“traveling, searching, growing, writing.” Always writing. After landing back in NYC, Sullivan found her passion for using her music to heal and inspire children.  Currently finishing her Master’s degree in Music Education at Hunter College, Sullivan hopes to empower young musicians and song writers to cultivate their gifts to better understand themselves and the world around them.  

Elizabeth Sullivan’s music is a testament to all of this and more. Her music has the strange tendency to betray both vulnerability and confidence, melancholy and triumph. We might expect the former from a young voice drawing on so somber a life experience. It is a tribute to her poetic buoyancy and sheer songwriting skills that Sullivan invokes the latter as well.

—Doug Wagner

Kill Matilda just can’t sit still even when the odds are against them. From a tumor in a carotid artery to an Ectopic pregnancy, when a band is on an ass-kicking mission to Punk, Zombie and Rock n’ Roll, who can really blame them to ever stop?

“I have a guitar, I have a microphone. One week out of my hospital bed, I will meet you onstage.” Dusty Exner (vocalist/guitarist) – A Rocky Start, A Re-commitment – http://trailerparkdusty.wordpress.com/2014/01/23/a-rocky-start-a-recommitment/

Touring and moving around their native country relentlessly, Kill Matilda has called B.C., Quebec and Ontario home over the last few years, making it exceptionally clear that they mean business. As their journey continues, the band is gearing up once again to hit the road in promotion of their new release ‘#punk#zombie#rocknroll’, a six song EP/ re-release that features tracks from their 2011 full-length album ‘I Want Revenge’ with an acoustic rendition of ‘Geisha With A Switchblade’. Also in the plans for later this year, the band will be releasing their yet to be titled follow up EP produced by producer extraordinaire Garth Richardson.

“The amazing attention of Garth Richardson! Although this man has produced so many amazing albums and we’re not the only band getting some attention and love, he took the extra steps to personally engineer our new album, which is something he has not done in like, 10 years or something. That makes me feel very, very special.” says KM vocalist/guitarist Dusty Exner.

Charged again with the task of clearing the nation of a spreading zombie epidemic after a life or death encounter one fateful night, Kill Matilda is rising to the challenge of zombie management. Specially trained to combat these unruly creatures, Kill Matilda is armed with two incomparable, indestructible, advantageous tools: With their bone-crushing music and front woman Dusty Exner’s famous cookies.

Showcasing the energy, power and adrenaline-soaked insanity Kill Matilda is famous for, anyone who chooses to tempt fate and not pick up ‘#punk#zombie#rocknroll’ and ‘I Want Revenge’, or anyone who opts to not support KM’s zombiecide mission on the band’s upcoming US tour, you’ve been warned – Kill Matilda is coming for you next.

Moving up from a yacht of less than 30m to 40m, 50m or more, increase the complexity of the yacht orders of magnitude. The owner of a large yacht likely will find he or she no longer has the time, the will, or the administrative resources to navigate a jungle of yard contracts, legal hurdles, insurance options, regulations, crew management, charter management, logistics or the myriad other details associated with building, repairing or ownership.
A yacht owner going it alone may find what once was a pleasant escape from the stress and pressures of the workaday world is now a surly beast in constant need of attention.
As yachts increase in tonnage, so do the demands on the owner. A management company takes the day-to-day burden and responsibility of running the yacht away from the owner, says a member of the Burgess Yachts management team. More importantly, [managers] are there to respond to urgent situations and emergencies around the clock, and to provide advice to the owner and crew in all areas.

Running a yacht is a full-time job
Boats are inherently needy machines. Quality time on the water rarely comes without at least a modicum of thought for their care and feeding.
Owning a superyacht can take on characteristics of running an international business. For some, a competent corporate accountant and a talented captain may be able to manage the program, but for many, at least some level of professional shore-based yacht management can be a welcome relief.

Administration of a yacht, managing its safety, paying suppliers, managing crew and charter agents is a full-time job,
Yacht management comes in many shapes and sizes depending on an owner's individual requirement. Owners may decide to hire a small firm or individual expert to handle one element. such as regulatory compliance, and another for charter management.
'Administration of a yacht, managing its safety, paying suppliers, managing crew and charter agents is a full-time job

Here are some tips on how to keep up the maintenance on your yacht
When a luxury yacht is new, the gleaming surfaces and smooth handling can dazzle anyone as it glides through the water. Luxury yachts are built to last, so you should be able to get the exact same level of joy from your yacht after years of use as you did the first day you took it out on the water. In addition to getting excellent care for the internal components, here are some methods you can use to ensure great maintenance throughout the years.

Clean the Exterior to Avoid Bad Odors
With sea spray and other liquids, long-term exposure can give a yacht a less than ideal smell, so a good cleaning regimen is a great way to keep your yacht smelling great while also protecting it. Boat Life recommends choosing a combination of a good cleanser, a great cloth for buffing and drying, and boat wax to keep the hull clean, odor-free and protected.



Cover Your Yacht to Protect From Birds
No one likes walking out on their beautiful yacht only to scare away a seagull or two who were just hanging out on the bow. Many choose to cover their yachts with a custom-fit cloth and canvas covers that mean the deck and hull remain gleaming underneath. These covers can also mitigate fading due to prolonged sun exposure.

Tryphaina Antonius is following