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We love music. and we love to support artists and songs we believe in. So far we’ve been lucky enough to work with Gotye, Wolfgang Gartner, Morgan Page, Tommy Trash, Moguai, Hook N Sling, D.Ramirez, Will Bailey (Low Steppa), Prok & Fitch, Alex Kenji, Nom De Strip, Filthy Rich, Hatiras, Dave Winnel, Bass Kleph, Chris Arnott, Jimi fRew, & more!

SUB LABELS
ELECTRO & NOISEY https://soundcloud.com/dirtyweekends
HIP-HOP  https://soundcloud.com/vacation-hip-hop
TRAP https://soundcloud.com/vacation-808
CHILL https://soundcloud.com/vacation-sloth

Hailing from New Orleans, LA 
Mansa  "King of Kings"
Obi "Ruler of Hearts"
takes on hip hop with an eclectic and kaleidoscopic approach. 
Known for his creation of the bass-less genre. The budding producer showcases an incredible attention to detail,: with cuts like “Liberation,” alternating his rap flow with an incredibly soulful hook; while bravely placing the production in the background, to let the vocals function as rhythm and bass. Not many artist can do this, correction not many artist can think like this and to create such a compelling sound. Mansa Obi strikes for an organic and direct sound, no tricks, just honesty and talent, as it also appears from the reflective and personal lyrics. Hands down, some of the most original and daring hip hop I have heard period; somewhere in between the old school (samples, soul influences…) and the new (tight analog beats, fat low end).
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99 TAFKAT & MR MARO The Dude EP
98 LAUST FOGED Stay
Folkness and LF & Beatchuggers
97 PAUL ORWIN Get Down
96 BJARNO & ROTHE Santiago
95 THOMAS TRAX Therapy Session / It Is A Groove
94 ALONSO GONZALEZ Mundo Magico
93 BEATCHUGGERS C'mon
92 FILIP GRöNLUND Hold Me Like You Do
91 HOTT LIKE DETROIT I Can't Believe It / Turned Back
90 HIAST Dance For Love / Soul Of Heaven
89 THOMAS TRAX Going On EP
88 KRY (IT) All I Think
87 ELDEANYO I Want You
Niles Cooper
86 TRIMTONE Bass Boy / Like Jazz
85 TAFKAT & MR MARO Rollin Up Loud / Believe
84 RENAUD GENTON Yes Yes Yaw
Javi Bosch/Joey Hales
83 KRY (IT) Lost in Your Love
82 BEATCHUGGERS FT. RAHMLEE Soulshaker
PerQX/Brokenears/Desos
81 RENAUD GENTON Off To The Warehouse/Boiler Room
80 LAUST FOGED Do Better
WZA
79 UNDER_SCORE Frame/Sunset
78 BLVCKR & MR. LEKKA Wolf
77 TAFKAT & MR MARO Firefly/Railgun
76 ORDONEZ & MONRA Breakdown
75 FRED DEKKER Houzor
HRDY & Paulo Maria
74 JULIAN MONTENEGRO Baby/Too Much
73 KORNUM & KARMA Step To The Limit
72 DANNY MARX No Matter Where
71 K-MACK Feelings/Serious
70 DJ DOVE Fuel To The Fire EP
69 ROGER DA'SILVA Make Me Feel/4 Da Rhythm
68 PETER MAC And You/Stay Away
Kornum & Karma and BC
67 LAUST FOGED FT LIYAH Gone
66 ALEX TWITCHY Check This Out/Let Me See You
65 MONRA One More Time/Here We Go
64 PAUL ORWIN The Loving
63 PLEASANT AVENUE Give It Up/Wax On Wax Off
62 BEATCHUGGGERS & KATHY BROWN Party People
Johan S, The Golden Boy, Jarred Gallo
61 KUESTENKLATSCH Everything You Want/Feel Good/All My Friends
60 WHEELS (UK) Underground/In Motion
FreedomB
59 K-MACK Native/Do It
Diego Lima
58 ALEX TWITCHY Tell U Why/The System
56 HOTT LIKE DETROIT & KATHY BROWN Get Home (Respect)
57 PAUL ORWIN Together/Jack Beat
Mescal Kids
55 VANUCCI Bounce With It
Save As
54 WHEELS Beggin'/Slow Down/Just Talking
Alex Twitchy
53 RAYWORTH Just A Sec/ Get Down Baby
Wax Worx
52 ONYVA Jam Hot/Yes Baby
Fancy Inc
51 MIKE MAC GTFU/ALRIGHT
Ordonez, Stereosoulz
50 FLETCH Space
Del-30
49 ALEX TWITCHY "Brain Crash EP"
48 PARANINO "The Promise"
Vangelis Kostoxenakis, The Basilica
47 SAM WHITMORE "You" / "When I See"
46 FRANKY WAH "Chicago EP"
45 PARANINO "Get Some" / "Do Ya Feel Alright"
Kinnerman, Beatchuggers
44 PAUL ORWIN "History Of House" / "Hold It Down"
Picca & Mars
43 JAY DE LYS "Youngster" / "Music Don't Stop"
Tolstoi & Andsan
42 ALEX INDEX "Bamboozled" / "Flip The Table" 
Ian Jay, Ralston
41 RODION PODDUBSKY "Over Noise" / "Rave 89"
CASSIMM, Konflicted Soul
40 RUNGE "Bassline"
Don Rimini, Beatchuggers & Runge, Alex Index
39 BRIANBERG & SAM SIMMON "You Played Me"
Dennis Quin, Wolf Krew, BC & BrianBerg
38 BOAT "Factor Funk / "Green Gorilla"
Cardiac, Kornum & Karma
37 MIKE MAC "You Can Never Feel" / "Talk To Me"
Kenny Ground, MRJ
36 V/A "Chuggy Grooves Vol. 3"
James Zed, Francis Anthony, Oliver Jay, RAVNI
35 LARS VAN DALEN "The Rumble"
JoJo Angel & Matteo Rosolare
34 RODION PODDUBSKY "Sonar In A Dark Room"
Skapes, Glen Coombs
33 RAVNI & Martin Hellfritzsch "8000 EP"
Deep Matter, Havana Dub, Runge
32 ON/OFF "Detroit" / "Neverending 303" 
Greco (NYC), Mike Millrain
31 V/A "Chuggy Grooves Vol. 2"
Daniel-M, DJ Fickry, BrightLight
30 FINN "Good Mood" 
Apollo 84, Alex Index
29 MARTIN HELLFRITZSCH "Say What" EP
Rich Pinder & DJOKO, BC & BrianBerg
28 KORNUM & KARMA "Sparkler"
Superlover, Runge, Alex Index
27 BEATCHUGGERS feat. ERIC CLAPTON "Forever Man (How Many Times?)"
Richard F, Fletch
26 BEATCHUGGERS "Keep On" 
A Lister, Raffa FL, BC & BrianBerg
25 JAMES LOCK "Real Bass" & "Now We Gonna Get Down" 
BC & Runge
24 MARTIN HELLFRITZSCH "Barbados EP"
23 BRIGHTLIGHT "Dig This"
Peter Brown & Jay C, BC & Hook
22 KORNUM & KARMA "Homage"
Low Steppa, BC & Runge
21 LARS VAN DALEN Migraine
20 DJ AMRITH Karnivali
BC & Hook
19 DAVID SENSE Ute Om Natta
Simon Mattson
18 - JACKED UP Back to the old school
Per Hammar
17 V/A Chuggy Grooves Vol.1 
Detone, David Sense, Broken Pelvis
16 LOJAK The Crow
Denis Horvat, BC & Hook
15 JACKED UP Where U came from
BC
14 DAVID SENSE Ho-ya
Ant Brooks, BC & Hook
13 DIRTY SECRETZ Crank the system
Sonny Wharton
12 BEATCHUGGERS feat. RAHMLEE Soulshaker
Luca Bear, ATFC, Rune RK
11 MIKE POLO Pasilda
Muzzaik
10 BEATCHUGGERS & ALEXANDER BROWN Solo
Disfunktion
9 DAVID CUJINO El Golem/Lamia
8 V/A Awaiting the summer EP
BC, Mike Polo, Out of Sight, Shazzman
7 MIKE POLO You're not alone/Gypsy woman 
FR-KM edit, Sandro Monte
6 JORGENSEN & MEL K Get lost 
Angel Anx, BC
5 MIKE POLO You're not alone
Filthy Rich
4 LINDOS & MOTH ft INAYA DAY Break free 
Ian Carey
3 CHRISTIAN SOL & PISTOLPUMA Be myself
2 BEATCHUGERS Naked
1 MIKE POLO I luv U baby

𝘾𝙃𝙄𝙇𝙇 𝙈𝙐𝙎𝙄𝘾

Life’s best surprises often come from unlikely places. Twista knows this better than most. 
The pioneering platinum rapper put Chicago on the rap map and made the double-time rap style a rap staple. Despite selling millions of albums and popularizing a delivery incorporated by everyone from Jay-Z to Eminem, the Windy City rapper remains largedly unheralded by the uninformed. That’s why he’s named his new album The Dark Horse.
“Knowing my personality, that I’m laid-back and low-key and there’s not a lot of rah-rah, I’m usually the one that people least expect to stand out,” he says. “I’m not just talking about being on a track. I’m talking about when I’m in a room with the big dogs. I’m usually the last person expected to do something. My name also gets left off the Top MCs list, so I took on the mentality of where feel like I’m looked at as a dark horse in the industry. I like to just come out unexpectedly and shine on them.” 
Twista does just that on The Dark Horse selections “For Me And You” and “Scale The Wall.” Produced by longtime sonic partner The Legendary Traxster (Do Or Die, Mariah Carey), these two songs add new installments to the pair’s classic collaborations. “I think those two songs in particular are going to make people feel like, ‘Damn, this boy ain’t lost a step. This sounds just like ‘Adrenaline Rush’ or ‘Death Before Dishonor’ Twista,’” Twista explains. “The people that want to hear that dark, bass-hitting Twista sound with me snapping, I’m definitely going to satisfy them.” 
The same can be said for the Tech N9ne collaboration “Psycho.” Although the pair has worked together over the years, this song showcases a new, dramatic dimension to their material. “It’s done in the way that I envisioned a song that Tech N9ne and I would do,” Twista says. “Sometimes we’ve done songs where I haven’t really hit that style that I want to hit with him. There’s a certain type of vibe that I wanted to hit. By me being the one that picked the beat and being able to tell him how I want to go in on it, it’s exactly how I wanted a Tech N9ne and Twista song to sound. We’re going in so hard and in such a way that people can see that we’re pretty much the top ones doing it.”
Twista shifts gears on “Throwin My Money.” The future strip club anthem features Twista freaking fast and slow flows and sharing the mic with fellow Chi-Town musical titan R. Kelly. “It’s got that Twista swing to it,” Twista says. “When I let R. Kelly hear the song, he thought it was a monster once he heard the hook and the vibe of the song. When I heard the finished product, I was like, ‘We’ve got to throw this out there.’ Songwise and vibewise, I felt like it’s a good song and people will rock to it.” 
Then there’s “Next To You” with crooner Jeremih. The soulful selection features Twista adopting a suave approach and delivering his raps in a distinctive way. “It doesn’t feel like a normal song,” he says. “It has a tripped out cadence to it to where I’m doing the Twista style, but it’s not in the average way where everybody can bite it like they usually do.”
Elsewhere, pays homage to rap elder statesmen Run-DMC with the stylish “a.d.i.d.a.s.” He got the idea for the song when he and his friends were vibing and listening to beats. “It put me in a Run-DMC mindstate,” Twista says. “That’s what made me be like, ‘Let me go ahead and do this.’” 
From the first time Twista rapped, people wanted to hear him do this. He broke through in the early 1990s as Tung Twista, earning acclaim as the fastest rapper in the world, even holding the Guinness World Record title for the distinction.
But it would take a while for people to catch up to Twista’s trailblazing rap abilities. When he reemerged in 1996 with Do Or Die on the landmark “Po Pimp” single, the rechristened Twista amazed fans and critics alike with his remarkably smooth rapid-fire raps. Twista then became a rap king with the release of Adrenaline Rush, his 1997 album. The collection’s mind-bending vocal performances, terrific storytelling and supreme lyricism placed Twista among rap’s premier artists. 
“I think I helped offer in a new vibe, a new style to what we already had in hip-hop and rap music,” he explains. “Even though you had a few people dabbling in it, the level that I took the double time style to helped contribute to there being another style that you could do your music.”
Twista became even more popular in 2003 and 2004 when he teamed with fellow Chicagoan Kanye West and Jamie Foxx for the smash single “Slow Jamz.” Twista’s 2004 album, Kamikaze, earned him his first platinum plaque. Since then, Twista has remained one of rap’s premier practitioners and in-demand collaborators. He’s appeared on albums from Mariah Carey, Pitbull and Jay-Z, among others, and released a string of acclaimed albums and mixtapes.
Beyond music, he’s spread his wings as a pitchman. One of his newest ventures is his partnership with Tease Vodka.
But for Twista, it all comes down to the music. It’s the reason he’s remained one of rap’s top talents for two decades. “It’s the love of the music,” he says. “I do other things and I have other business ventures that I do, but my love is really with the music. I keep doing it and staying in it because I love music. I still get excited every time I hear a beat or think of a different flow.”
Now with The Dark Horse, Twista brings new life into his music by recreating his classic style and building upon it, too. “I try not to break what I know is already cool or what people want from me,” he says. “People want to just hear that fierce Twista stuff that they know and love. The main thing I’m doing with this album is staying true to what people know that I do.”


Low Cut Monday is a cyber merge of talents for two musically obsessed individuals with the byproduct being a battle for supremacy between rock and pop! Hailing from Canada’s East Coast, Low Cut Monday write catchy hook laden songs that quickly get stuck in your head. They have just released their debut album "Everybody Knows Somebody Who's A Nobody"

BIO:
"I did it my way", famous words by legendary singer Frank Sinatra, and apparently also the driving force behind Dutch DJ/producer Vato Gonzalez' success story to date. Widely recognized as the originator of the Ã¢ÂÂDirty HouseÃ¢ÂÂ genre/movement in his home country and internationally renowned for his Ã¢ÂÂBadman RiddimÃ¢ÂÂ anthem, the 28-year-old music enthusiast has already won thousands of fans with his immensely energetic stage presence, rather rebellious attitude and by generally doing things his way. So who is this kid, who appears to be the poster boy for DIY artists, building his empire with his own two hands and a rather insane furry ear flap hat? What drives a lad to wake up, look at the music industry with disregard for the way things have been going for years, raise one eyebrow and say: Ã¢ÂÂTo hell with it!Ã¢ÂÂBorn and raised in Spijkenisse, a small town generally hidden from sight by the thick smog of RotterdamÃ¢ÂÂs industrial zone, Vato Gonzalez spent most of his teenage days hanging around the block, messing up his eardrums by listening to UK garage, hip hop and dance hall. He used his college years to discover whether or not he wanted to be the next Mark Zuckerberg or become a world famous graphic designer like Paul Rand. In the end, he decided on Ã¢ÂÂnone of the aboveÃ¢ÂÂ, but not before he put his acquired knowledge to good use with slightly evil intentions. Tapping into the universityÃ¢ÂÂs student database, he started promoting his own party, which quickly turned into one of the most popular student nights out. These days, he is still a part-time software engineer and designs all the artwork for his own events, in between gigs and studio time.Earning his stripes in clubland by gigging relentlessly for almost a decade, Vato Gonzalez gets his big break in 2007, when he decides to unleash the first Ã¢ÂÂDirty HouseÃ¢ÂÂ mixtape to the public. The fast-paced mixed first mixtape proves to be an instant hit with the crowd and spreads like wildfire all over the internet, resulting in more than 150.000 downloads. When asked what Ã¢ÂÂDirty HouseÃ¢ÂÂ actually is, Vato Gonzalez states: Ã¢ÂÂWhether your kid brother or the biggest super producer in the World has produced the record, I could care less. Genres do not apply, whether itÃ¢ÂÂs tech-house, progressive, Brasil Funk, Baltimore club or electro, as long as the tune has that essential energy to rock my socks! Goodbye to the boring overproduced and politically overhyped records of the past! Hello to the thumping, rocking, down low and dirty records of the future, which give punters their moneyÃ¢ÂÂs worth when they go out clubbing.Ã¢ÂÂ Quickly after the launch of the first mixtape, he starts with Ã¢ÂÂDirty HouseÃ¢ÂÂ events and as the brand/genre grows, he keeps selling out clubs with his Ã¢ÂÂDirty HouseÃ¢ÂÂ concept, starts hosting Ã¢ÂÂDirty HouseÃ¢ÂÂ areas at massive events and as a result, he becomes one of the main festival attractions in Holland himself. Around this time, he also hooks up with his sidekick & partner in crime, MC Tjen, with whom he soon becomes one of the most lethal DJ/MC combos in Holland, tearing the roof of many clubs with their unparalleled energy and nonstop hype during their performances. Fed up with the state of the industry at large, he also decides to set up his own booking agency, Ã¢ÂÂ010 BookingsÃ¢ÂÂ, Ã¢ÂÂDirty HouseÃ¢ÂÂ record label and Ã¢ÂÂDirty HouseÃ¢ÂÂ publishing arm, to become completely independent. As demand keeps growing for Ã¢ÂÂDirty HouseÃ¢ÂÂ, he rolls out four additional mixtapes within the next 3 years, amassing well over half a million downloads together. In retrospect, Vato Gonzalez comments: Ã¢ÂÂThere was no masterplan behind launching the Ã¢ÂÂDirty HouseÃ¢ÂÂ brand. We just felt people were looking for something hot and exciting and were tired of hearing the same old, dull records in clubs. With the mixtapes & events we brought the hype back and gave the crowd a voice! We just ran with it and it took off in a big way, way beyond our expectations.Ã¢ÂÂ Currently averaging over 350 shows per year, his schedule takes him all over Europe (Netherlands, Belgium, Germany, UK, France, Italy, Spain, Turkey, Greece, and Hungary) and heÃ¢ÂÂs ready to add a few more continents in the near future.Fast forward to 2010: Ã¢ÂÂBadman RiddimÃ¢ÂÂ, a tune Vato Gonzalez produced three years earlier, starts buzzing in the UK. While gradually notching up over 2 million YouTube views, the song finds its way to some key UK tastemaker DJs through amazing DIY promotion vehicles like Yousendit, Mediafire & Zippyshare, which are hated by the anti-piracy lobby, yet loved by DIY artists such as Ã¢ÂÂDirty HouseÃ¢ÂÂ bastard Vato Gonzalez. Soon after, Ã¢ÂÂBadman RiddimÃ¢ÂÂ pops up in specialist shows on BBC Radio 1 and gets snatched up by the mighty Levels Recordings/Ministry of Sound, who turn the Godzilla inspired tune into the actual monster that slowly, but surely creeps up to people. As a result, Ã¢ÂÂBadman RiddimÃ¢ÂÂ quickly becomes one of the biggest instrumental club tracks of 2010, winning over the likes of Annie Mac, Zane Lowe, Annie Nightingale, Pete Tong, MistaJam and Toddla T at BBC Radio 1, while also being championed in the clubs by a very wide selection of DJs, including the likes of Crookers, Chuckie, Skream, Tiesto, Grandmaster Flash, Congorock, Roger Sanchez, DJ Fresh, Erick Morillo, Benga, Avicii, Zinc, and Jaguar Skills, to name but a few. As the record keeps gaining momentum, UK urban heavyweights Foreign Beggars jump on board and add their trademark rhymes, which combined with Vato GonzalezÃ¢ÂÂ killer hook and phat bassline, quickly becomes one of the biggest summer anthems of 2011.WhatÃ¢ÂÂs up next, you might wonder? Early 2011, Vato Gonzalez launches his brand new event concept and record label Ã¢ÂÂCrowd ControlÃ¢ÂÂ, which he also plans to tour the world with and use as an imprint to release some of his own releases and music by like-minded artists. Ã¢ÂÂCrowd ControlÃ¢ÂÂ can be considered the big room and more tech-house, progressive brother of Ã¢ÂÂDirty HouseÃ¢ÂÂ, showcasing how VatoÃ¢ÂÂs sound has matured the last few years. But, he is not about to leave his Ã¢ÂÂDirty HouseÃ¢ÂÂ roots behind though; in true Vato fashion he states: Ã¢ÂÂI don't do Ã¢ÂÂand/orÃ¢ÂÂ, I do Ã¢ÂÂand/andÃ¢ÂÂ. Just like one does not only favor one type of food, I don't favor just one kind of music.Ã¢ÂÂ Much like the past ten years, most would consider his philosophy quite impossible, if not sheer madness; but if he had listened to everyone saying he couldnÃ¢ÂÂt, then you wouldn't be reading this biography at present.With forthcoming releases and remixes on labels such as Southern Fried, Sony Music, Universal, Ministry of Sound and some heavy collaborations in the pipeline, the future is looking bright for this Ã¢ÂÂDirty HouseÃ¢ÂÂ bastard!

America quickly became like a second home for Sweden’s The Royal Concept. In fact, their stateside arrival has been quite a long time in the making for vocalist David Larson. ”When I was a kid, I used to say, ‘The first time I go to America will be because of music!’,” he smiles. “Low and behold, that’s exactly how and why it happened.”

In 2012, that anxiously-awaited dream came true shortly after the quartet—Larson, Filip Bekic [guitar], Magnus Robert [bass], and Frans Povel [drums]—topped HypeMachine with not one but two songs, “D-D-Dance” and “Gimme Twice”. A myriad of labels clamored to sign them over the course of the next month, but LAVA proved the perfect fit. The band proceeded to hit U.S. soil for the first time alongside everybody from Imagine Dragons and Alex Clare to Atlas Genius, further generating buzz and developing a fervent following.

When they returned to Sweden in early 2013, they garnered all sorts of new inspirations and experiences to cull from as they worked on what would eventually become their 2013 offering the Royal EP [LAVA/Republic Records]. By happenstance, a track entitled “World On Fire” leaked and quickly became a fan favorite. Merging sizzling synths, dynamic guitars, and a devilishly danceable hook, the song further fueled their own fire.

In 2013, the band released the single "On Our Way", and announced the title of their debut album, Goldrushed, which was released in Sweden on September 11, 2013. In addition the band also released an exclusive song on Spotify, "27 Forever". The band also did several covers of songs such as "Cecilia" by Linnea Hendrickson and also "Simply Irresistible" by Robert Palmer for E!'s Live From the Red Carpet. On April 2014, the band announced the release date (May 7, 2014) of their debut album "Goldrushed" in Japan, which features five bonus tracks (Damn, Naked & Dumb, Gimme Twice, Knocked Up, and Someday). "On Our Way" is one of the songs featured in EA Sports's football game FIFA 14. It was also covered by the cast of Glee in the Season 5 episode "The End of Twerk" and was also used several episodes of MTV series Big Tips Texas and Generation Cryo.

Gillian Jillian is following