Last Chance - EP

/// Paploviante --- Painless - feat. 2nick8 ///

/// Lillithe --- Enough Love feat. SilverBella & Paploviante ///

Vïbëş föř Ļįfė Volume 2

TOUGH FLOWERS OR LONG SPADES

Ft.JUNZO - Candlelights - Vocalatti & Mark Dorricott , Keith Albert Band --- Come Home

JUNZO --- Stairway to Heaven - Led Zeppelin cove , Keith Albert Band --- Come Home

// Paploviante --- Untapped - IPG1 and Paploviante //

// Lillithe --- UNTAPPED feat. IPG1 //

Syntaleta 🇺🇦 - Close To The Rainbow , Keith Albert Band --- Come Home

We’re so small

STANDARD TUNING // CAPO 3rd // C Am E7

Falsetto sunset
The day ain’t done yet
Things have been so hard
Can’t look you in eye
But still I try
I’m broken on the inside
Yeah, we’re all scarred

Out on the horizon
Lie all the lies that
You tell yourself each day
Whatever gets you through 
Another week or two
Say what you’ve got to say
Before it’s too late

A drop in the bucket
A dime a dozen
We’re so small 

I had dreams once
When I was young
Now I’m a stepping stone
For the paths of others
When you discover
That you’re all alone
There’s no point in pretending anymore

What do you think about at night
Before you sleep? 
Have you ever looked at the big screen?
The glowing enterprise
That we’re feeding with our lives
Just a tooth, in the gears,
In the wheel of the machine
 
A drop in the bucket
A dime a dozen
We’re so small

Just a tooth, in the gears, In the wheel of the machine

We're So Small

ESCAPISM

One of my works recorded in my "previous" life before the war. Sometimes we feel tiny and lonely in the Universal. Lately I feel tiny and helpless facing the horrors of the war in my country... 
This track is remastered by Houman (https://soundcloud.com/houmans)

Tiny

Another composition recorded before the war. I hope one day I will return to my home studio. Any support from you is much appreciated on these extremely hard times for our country, our family. 
I could have recorded much new music for the last 9 months... unless russians came to our yard to "save" us with their tanks, missiles, bombs and war planes at 4 a.m. on Feb 24th. And yes, they saved us from our house, from our normal life, from our dreams and plans. They saved my elderly parents from their home and peaceful life in retiring, saved my daughter from happy childhood, from school, from her friends and vacation by the sea. We'll never forget and never forgive it! I'm sure that russia will get what it deserves - each rocket they launch on Ukraine will turn to another 10 years of disaster for their cowardly people.
 Special thanks to Houman (@houmans) for mastering the track! Please check out his wonderful soundtracks.
Please sub for my Facebook artist page: https://www.facebook.com/syntaleta/

Gone

TwentyThousandTwenty3hreeDead

My old friend Strootman Pianomonster (will post soon on https://soundcloud.com/stroot-246138153) sent me some of his baroque recordings on harpsichord. I've worked on one of them with all the Ruizzoid stuff you can hear, and even translated to Latin one of my old poems!

VOLO OSCULUM TUUM  /  I WANT YOUR KISS

 Volo saxum ad clamare.  /  I want a rock to cry on.  
 Ad gemere, quis saxum.  /  To moan, any rock.  

(Volo osculum tuum ad somniare.  /  I want your kiss to dream.  
 Ad vivere, nisi osculum tuum.  /  For living, just your kiss.)
  
Volo flammam ad queri.  /  I want a flame to scream.  
 Ad pati, quis flammam.  /  To suffer, any flame.  

(Volo osculum tuum…  /  I want your kiss... ) 

 Volo pugionem ad exspirare.  /  I want a dagger to expire.  
 Ad mori quis pugionem.  /  To die, any dagger.  

(Volo osculum tuum…  /  I want your kiss... )

Volo Osculum Tuum (with Strootman on harpsichord)

Recorded before the war... A big thank you Houman Check out Houman on #SoundCloud
https://on.soundcloud.com/HHxiZ for mastering!

Close To The Rainbow

Piece inspired by romanticism in the city: love within concrete walls, poetry beneath artificial light...

Three vocal parts (translated lyrics below) became in very different moods in the songwriter phase, so I couldn't fit them in the same tempo. Working hard on transitions, I got the following solution:

Intro: ad libitum
A: 6/4 & 5/4 at 147bpm
B: 4/4 at 220bpm
C: 4/4 at 293bpm

Such ABC pattern is repeated twice, structured with some city scenes, and 2nd 'C' part includes a guitar soloing lesson by https://soundcloud.com/paco-ray, old friend of mine, technical consultor and personal luthier ;)

Pic: edited photo taken from home studio window where I recorded some city sounds for the track.

LETRA / LYRICS:

DAS VIDA A MI CIUDAD      /      YOU GIVE LIFE TO MY CITY

En la ciudad donde vivo,     /   In the city where I live,
llena de romanticismo,       /   full of romanticism,
el cariño que has perdido    /   the affection you have lost,
ven a buscarlo conmigo.      /   come to look for it with me.

Las farolas en la acera,    /    The lamps along the sidewalk,
con su fija alternativa,    /    with their constant alternation,
iluminan, no iluminan,      /    illuminate, do not illuminate,
el escenario de mi vida.     /   the stage of my life.

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor. /  we are able to feel love.

Caminando sobre asfalto,   /     Walking on asphalt,
abrazado a tu cadera,     /      held on your hip,
entre coches aparcados,     /    amid parked cars,
duerme la ciudad entera.    /    the entire city sleeps.

Eres tú toda la vida      /      You are all the life
que esta ciudad necesita,   /    that this city needs,
compartiendo cada esquina,   /   sharing every corner,
calles de melancolía...     /    streets of melancholy...

Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de pedir perdón. / we are able to apologize.
Entre bloques de hormigón,   /   Among blocks of concrete,
somos capaces de sentir amor.  / we are able to feel love.

ER21HC01 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Das vida a mi ciudad (2nd solo by Paco Ray)

“Isolated Echoes” by Luke

Keys & Piano & Synthesizer & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
Beats by Luke©️
Luke  H.  S c h ü ß m a n n©️

“Isolated Echoes” by Luke

This time, I played one of Led Zeppelin's signature songs, "Stairway to Heaven," on a nylon string electric acoustic guitar.
This song is included on Led Zeppelin's fourth album. The album sold over 29 million copies worldwide and was certified platinum in the United States.
Like all guitarists who consider themselves avid Led Zeppelin fans, I love this song and often play it lightly when tuning my guitar. I omitted the effect processing and simply adjusted the volume and uploaded it. I noticed that it sounded more boosted than when recording the chord strokes in the second half. Since it's a Led Zeppelin piece, I thought it might not be a bad idea to listen to it in this condition.
Personally, I hope that everyone can feel that the nylon strings (end type) that come with the two electric acoustic guitars fit perfectly into the guitar itself.
Winter is over in Japan, and we are about to enter the spring season, but I chose this piece as the final part of this winter's nylon string solo performance series. After this, I'm starting to look forward to the possibility of using a nylon string guitar to complete some of the collaborative pieces that I've been unable to complete.

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Led Zeppelin - Stairway To Heaven (HQ)
https://www.youtube.com/watch?v=CPSkNFODVRE
Stairway to Heaven - Led Zeppelin (lyrics) Released: 1971【和訳】
https://www.youtube.com/watch?v=wzTLbMUYtqs&list=RDwzTLbMUYtqs&start_radio=1
===============================
Stairway To Heaven Chords by Led Zeppelin
https://tabs.ultimate-guitar.com/tab/led-zeppelin/stairway-to-heaven-chords-1088573

Stairway to Heaven - Led Zeppelin cover (SOLO) with a gut-string guitar

New MV release, by CULT BURY RIOT・太陽の王国(spade13)
 https://www.youtube.com/watch?v=nE8iFFV7ziU

弧状の聾唖  MV by YouTube

Say Hello!!

Into Pieces

North Carolina 5

Come Home

Why Would I Care What You Think

At the time of the birth of jazz, the role of the guitar was primarily as a rhythm instrument. I enjoyed this recording while remembering the lives of the great guitar players of the time, wondering what it would be like if we translated that atmosphere into a modern style. I am extremely grateful to Vocalatti and Mark Dorricot for agreeing to release this collaboration.

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
Vocalatti- Candlelights (Ft Mark Dorricott )
https://soundcloud.com/vocalatti/candlelights-ft-mark-dorricott?si=bf76f50f94cc44f1ac909d8dbcb02b26&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
ーーーーーーーーーーーーーーーーーーーーーー
Mark Dorricott Music- 729 - Candlelights
https://soundcloud.com/markd54321/729-candlelights?si=03315b99773e4a7e905537fda54afadd&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

This time, I focused on playing the rhythm guitar, which is modest but has a strong presence.This recording does not include my solo guitar parts.

I am honored to be able to release this collaboration here. Please enjoy Vocalatti's wonderful vocals and Mark Dorricott's excellent performance.

===============================================
The chord you are sensing while listening to this recording is probably Dm7/G/. That's certainly how I play my rhythm guitar this time. However, I believe that this wonderful work was clearly written for those seeking an introduction to the blues.So, while listening to this recording, let's play the chord progression shown here = D7/G7/ along with the song. A three-finger arpeggio would also work. I think that alone will make you feel a little strange. That's exactly the entrance to the blues. The more perfect this basic recording is, the more we want to play it on the D7/G7/. I would like each of you to listen to this recording thoroughly and experience the joy of playing the D7/G7/ together.

We would like to express our sincere gratitude to the many people who have supported this track. And as I previously mentioned here, I recorded a guitar accompaniment for this song using the "D7 and G7" chords listed below. The track will be made private and only the link will be introduced below. Please click and play. I would be happy if it was useful for those of you who are practicing guitar.

↓↓↓↓↓↓↓↓↓↓↓↓↓↓
Click below

https://soundcloud.com/user-234918190-88573969/voccalatti-guitar-lesson-mixdown/s-7jEQED6eyks?si=e8c6785618c14f4cb1cf67b8ab644835&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The D7 and G7 positions I recommend are in the link below.
 I would like you to listen to this track and get an idea of the sound of the "D7 and G7" chords added to the original sound source. Also, learn how to trace the scale when using the "D7 and G7" chords.
First of all, "D7" = "D", so in the Western musical scale, Bm/D pentatonic comes to mind as a scale that can be used there. .
And one more thing: using "D7" directly leads to the use of the blues scale. When the chord is "D7", it is natural to try playing Dm/F pentatonic.
Please play it and check the above.

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Ｄ７ chord
https://growguitar.com/d7-chord/
Ｇ７ chord
https://growguitar.com/g7-chord/
ーーーーーーーーーーーーーーーーーーーー
I will pick out the code forms from the above sites that you should be especially aware of.
ーーーーーーーーーーーーーーーーーーーー
D7 (low position)
https://growguitar.com/wp-content/uploads/2021/02/D7-3rd-fret-1536x1536.jpg
G7 (low position)
https://growguitar.com/wp-content/uploads/2021/04/G7-2nd-guitar-chord-1536x1536.jpg
In the form above, you can ignore location 4 this time.
↑ 6th string ring finger, 5th string middle finger, 4th string little finger
D7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/02/D7-chord-7th-1536x1536.jpg
G7 (ｍiddle position)
https://growguitar.com/wp-content/uploads/2021/04/g7-8th-guitar-chord-alt-1536x1536.jpg
=============================

Vocalatti--- Candlelights - Mark Dorricott ft.JUNZO on electric guitar

MODERN TIMES feat. IPG1 & Paploviante
IPG1: Vocals
https://soundcloud.com/ipg1/modern-times-vocals-150-bpm
Paploviante: E Bass
https://soundcloud.com/paul-racle
Lillithe: Backing Track, Arrangement and Production

Modern Times feat. IPG1 & Paploviante

The Museum of Extraordinary Things

The Museum Of Extraordinary Things

It seems to me that many people these days make more effort to separate themselves from others than to compare themselves with others. Both are triggers for unhappiness, in my opinion, but it's something more than that.

This song has very few bass parts. Most parts use an 8-string guitar. This is the result of avoiding the competition between the bass and the area of existence. I did slaps, thumbs, tapping, and all sorts of other things. It took me a long time to finish the song because there were so many parts I had to practice and I had tendonitis....hahahaha

Those No Longer Needed

Pierre Bordetti productions (c) Avril/2024.
Composed, arranged, performed, and produced by:

Instrumental Classic Jazz

Classic Jazz inspired by my last visit to my favorite castle "Chenonceaux" (April 2024). The strong flow of the “Cher” river inspired me to play this swing.

Swing in Chenonceaux

Swing In Chenonceaux

Collaboration with Cubi bi!!
<< Cubi bi's original music >>
https://soundcloud.com/cubi_bi


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Cubi bi

Crystal Lane (feat Cubi bi)

Bonjour à tous,
je vous propose cette ancienne composition qui était trop longue et que j'ai raccourcie . 
J'ai composé mon morceau avec ce rythme énergique et fou, dans un style de Rock'n'roll traditionnel des époques fin 50's début 60's avec une petite touche de sonorité "Surf". 
J'ai fait trois jeux de guitares, (accords rythmiques, un solo,  un jeu medium façon "basse"  sur les deux cordes graves de ma guitare, et une basse classique jouée plutôt sur les cordes aigues. 
Merci pour votre écoute
P'pa Carpentier.

Crazy Rhythm (remix)

Reflect

We hope you enjoy this first collaboration, John did a fantastic job of putting this all together . Please go over to listen to more of John’s amazing music @john-buckle-166792889:

John Buckle - Synths samples  and production
Vocalatti - Vocals piano and lyrics

Not Coming Back ( Collab With John Buckle)

Painless / feat. 2nick8
Vocals and Lyrics:
2nick8
https://www.looperman.com/acapellas/detail/22230/painless-118bpm-indie-acapella
https://soundcloud.com/ds-nick
Paploviante:
Bass, Music Composing, Mis, Picture and Mastering

Painless - feat. 2nick8

https://youtube.com/@octaviusbass
Videolink
https://youtu.be/fDuyMZvgkn4
https://octaviusbass.fanlink.tv/u9UP

Bass Line  - Octavius Bass  

enjoy the music.

Bass Line

ENOUGH LOVE  feat. SilverBella & Paploviante
Vocals and Lyrics: 
https://www.looperman.com/acapellas/detail/21138/enough-love-main-vocals-61bpm-soul-acapella
https://soundcloud.com/silverbellasings
Bass: Paploviante
https://soundcloud.com/paul-racle
Lillithe: Production, Arrangement and Backing Track

Enough Love feat. SilverBella & Paploviante

Thank you for listening!

soundcloud.com/emilio-gs/sets/cinematic-music-by-emilio-gs

The Queen´s Revenge

Such a joy to add vocals to this beautiful piece of music, gorgeous keys and sax from @cosmic-ratzzz and @joerxworx  please go over to their pages to listen to more fab music!!

Because It's You And Me  (Ft Cosmic-Ratzzz , Joerxworx /Lunatics and Vocalatti

Untapped IPG1 & Paploviante
This is an open invitation for a collab from Ian Greaves aka (IPG1)
Vocal and Lyrics:
Ian Greaves aka (IPG1)
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
Music:
Paploviante
Lyrics:
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs--anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience on the—— tracks

Untapped - IPG1 and Paploviante

UNTAPPED feat. IPG1
This is an open collaboration from IPG1 / Ian Greaves
https://soundcloud.com/ipg1/untapped-voxes-92-bpm
IPG1: Lyrics and Vocals
Lillithe: Music, Arrangement and Production
Lyrics: 
Off the top ———-is where it’s at unwrap this —————-gift RAP hitting the streets—-it’s ——pure crack Stone cold —-this trap ——TRACK! Pool of knowledge ——-untapped going —-in —-hard——we do that  Better —-tighten up —-them bootstraps  ———SAY-——-“what the hell ——did Lou snap!!!” swag baby —-The recap  no snags—nah—we stop that!!!
Break the game down--it's a new map Flow so rich--- better check that NASDAQ Eyes on the prize---go the full lap concrete jungle---stuck in the trap
[Verse] From the alleys to the skyline---watch us elevate Living large in the boroughs where we demonstrate Every word a heavy weight--- every rhyme we detonate New York state of mind---watch the Empire State
We on a mission---ain't no intermission, snap back Murals on the walls--- street art on the subway track Ambition in the air, we the kings--- claim the throne Spittin' bars like bullets--- in this zone--- we at home
Icons of the asphalt--- legends in the flesh Droppin' beats so heavy--it’s poundin' in your chest From the 5 boroughs, anthems——- on full blast Queens to the Bronx-- Brooklyn —-movin' fast Elevate the hustle---the spirit never cracks Struggle in the verses —-resilience in the—— tracks

UNTAPPED feat. IPG1

Visual Arts

01 - SA - ORBIS - Pads - Organum Incredibulum
02 - SA - LABS - Soft Piano with Eventide - Blackhole Reverb

Orbis - In Reference [Blade Runner]

Music should make you feel happy... if it doesn't you haven't found the music for you yet!!