Viator - Place To Stay (Original Mix)
Viator - Baby (Sub_mission Remix)
Viator, Silentium - Novus Dies (Original Mix)
CELO - Analog Dreams (Original Mix)
ICONS - You Don_t Know (Original Mix)_1
SIMMER - U & I (Original Mix)
Seventhrun - Dancing On The Fire (Original Mix)
DANEY - Fake News (Original Mix)
Lexed - Talk 2 Much (Original Mix)
10XX - XOR (Original Mix)_1
Fourward - Sound Of The Underground (Original Mix)
Flowidus - Berlin Sex Club (Original Mix)
Fourward - Ascension (Original Mix)
Fourward - Countdown (Instrumental Mix)
Fourward - Countdown Feat. Kyza (Original Mix)
Alix Perez, Foreign Beggars - Dark Days (Fourward Remix)_2
Friction, Fourward - Battlescars Ft. Jakes (Alix Perez Remix)
Friction, Jakes, Fourward - Battle Scars (Alix Perez Remix)
Mefjus - Far Too Close (Original Mix)
Mila Falls, Freaks & Geeks - Savage (Original Mix)
Fourward, Linguistics - The Storm (Original Mix)
Fourward - Yung Bongo (Original Mix)
Fourward - Wake Up The Kids (Original Mix)
Fourward - Take Me Where I Wanna Go (Original Mix)
Fourward - Science Fiction (Original Mix)
Fourward - I Wanna Know (Original Mix)
Fourward - Show Me Love (Original Mix)

Autumn Set 2024

Bedroom DJ for 20+ years. Finally venturing into the world of production. 

Loving it so much I wish I’d started it 20 years ago as well.

Music Producer, 
Produce different genres of music. My interest in music dates back to my childhood, but only started producing music actively since 2023.

Be,Live,Create

Regards,
:: MaloM :..

...all right reserved©2025...

Dubstep/EDM Producer and Co-Founder of Phantom Collective

*All my music Is downloadable, and can be used for your creative projects/performances. If you post anything online with it, please give me credit. Thanks! Don't let your dreams be dreams!

Booking: Ratosphere@gmail.com

I make Dubstep, Glitch, Cyberpunk, and occasionally Synthwave/Chillwave.
Love weird sounds. Also, my music averages with about 80 percent original instruments of my creation ( And is not made with AI ).

Ratosphere is co-owner of Phantom Collective, an online music collective that helps unite underground artists! We're looking for people who are decent at making hardwave and dubstep, feel free to contact me here or through my email if you're interested.

Twistedreload is a unique sound coming straight out of London.
Twistedreload has being making music for a number of years, Starting off on Playstation, Fruity loops, Reason and now on Logic.

Twistedreload has been influenced by a lot of artist in Reggae, Soul, House, Rave, Garage, Trance and Dub over the years. In my early years I was going up and down the M1 with Jah Tubbys (Dub Sound system). I think this is shown in my music by the basslines that I write and the vocal delays all of which I loved and still do.

Twistedreload as an original sound that is like no other and I aways start with the drum patterns which all made by me in NI's battery. The synth's I use are Serum, Spire and The Sylenth and mixture of some old synths from Native instruments. I use a number of plug-ins which are waves.

I hope you enjoy my music on this page many thanks

Twistedreload
Loving Psytrance 👽👽

A new era of music propagation is upon us!

Join: https://musicchaini3.com

Help me spread the sound of my soul.
🎧 Follow, like, comment, repost - let's shake the algorithm awake.
🔥 Check out my playlists - they burn.
🎁 Song downloads on Patreon & MusicChainI3!
🎵 Click Support DHAWQ to join the journey 🎵

Every beat, every note.
A step through struggle.
A spark of triumph.
A taste of something real.

In Sufism, “dhawq” - meaning tasting - is the personal experience of the divine, felt deeply through prayer, meditation, and music.

I’m pioneering Dag Mout, a genre born from chaos and emotion:
Crooked notes.
Distorted melodies.
Unconventional rhythms.
Heavy bass.
Dag Mout is sound that breaks the mould - because life does too.

It's more than a genre.
It's an evolving soundscape where light meets dark, and chaos finds harmony.

Controlled chaos.
Emotion as warfare.
Transformation through distortion.
Together we burn.

D.H.A.W.Q. (Pronounced “Dock”)

Depth. Harmony. Authenticity. Wonder. Quest.
Every letter tells a story:

• Depth - Music that pulls you in.
• Harmony - A balance between chaos and calm.
• Authenticity - No masks. No filters. Just truth.
• Wonder - Creativity fueled by awe and curiosity.
• Quest - A journey to leave something that matters behind.

    DHAWQ isn’t just a name.
    It’s a mission.
    A story.
    A legacy in the making.

📩 For booking inquiries contact:
dhawq.music@gmail.com

“Flectere si nequeo superos, Acheronta movebo.”

🖤✋️✋️✋️✋️

Work/Produce/Mix/Master/Selector/Beat Maker/Collaborator     HI all I've been with the rave music since the start of it and feel blessed to be a part of the uprise of a lot of different genres of music witch I had a passion for going to the early Acid House free parties in fields squats abandon warehouses peoples house and Garages and then when it split into different beats like Jungle Tekno ,Jungle, House , Ambient,Trance , Dub ,Dub Reggae Ragga I decided to follow Jungle Tekno ,Jungle and then to follow Drum n bass going to the big raves from back then normally the same line ups Fabio, Grooverider ,Micky Finn ,Elis Dee ,Carl cox ,Jumping jack frost,Top Buzz,Ratpack,and normally you would here the same white label dropped about 10 times in different mixes through the night ,the after parties sometimes turned into 3 to 4 days of raving on a beach or abandon warehouse or derelict buildings or a squat and plus there were so many record Labels back then with some awesome classic tracks from back in the day like Reinforced records ,Shut up and dance records, Warp Records, Moving Shadow, suburban bass Records, Boogie Times, Production House, Xl Recordings, Network Records, Ibiza Records, Strictly Underground Records, Strictly Hardcore, Kickin Records, Lucky Spin Recordings, Dee Jay Recordings, Basement Records, Formation Records, Absolute @ Records, FFRR, Slammin Vinyl, Urban Shakedown, Jumping & Pumping, Rubeboy Records .....I could go on and on there were soooooo many and again I feel blessed to have been apart of that going to the records shops in different towns and cities going through the white labels and getting to know the branded labels and trying to work out the bpm of the wax ....so many good memories were had and i still have a love a passion for Jungle first and foremost and Drum n Bass ....and all music Thanks for Reading this maybe we could share some old school and new stories some time just hit me up in the messages....One Love Big Love to all old and new People in the Dance , Production, DJs ,Big Ups Massive Blessssssss  
 Also I like  Produce Jungle and Drum n Bass... Love all music
@Spotify junglist1972@gmail.com spotify:artist:0m3AIejjoLurKuvHQTbdXq

Supported Sigma, Vibe Chemistry, Voltage, AC13, Mozey, Ben snow, DJ Limited, GRAY, Aries, Kelvin 373, Anaïs, Natty Lou, 4K & Diskrete!

Quentin PETITEVILLE alias DJ YAK'Ô a toujours voulu composer de la musique tel un rêve d’enfant, en pensant que ce n’était pas possible.

Il a découvert le jeu vidéo « Music Creation for PlayStation » début des années 2000 et il lui a été offert des suites logicielles tel, que les eJay sur PC.

Une crise de créativité et d’inspiration s’est vite fait ressentir : cela venait sûrement d’un manque de culture musicale, à l’époque, et l’utilisation d’outils trop simplistes.

Puis est venu l’arrivé de l’Internet haut-débit, Quentin a pu donc partager ses compositions sur son site web et sur les forums dédiés à la Musique Assistée par Ordinateur : C’est la naissance du surnom DJ YAK’Ô.

Suite à la réception de critiques et de discussions très enrichissantes avec les différents membres, son style a pu se peaufiner avec le temps.

Des événements, plus ou moins heureux, dans sa vie personnelle l’ont obligé à pouvoir exprimer ses émotions intérieures. Ceci, lié à l’utilisation d’outils plus professionnels l’amène à vouloir travailler plus en profondeur le son et la structure de ses morceaux.

La découverte d’artistes indépendants, de groupes classiques de la musique électronique, tel que le groupe allemand Kraftwerk, pour ne citer que lui, ou alors les musiques de jeux vidéos, lui ont ouvert la voie de la créativité. Sa famille l’incitant à poursuivre dans cette voie.

Jusqu’à maintenant, il s’est contenté de publier ces musiques uniquement sur son site web mais aujourd’hui, il souhaite faire découvrir son travail à un nombre croissant de monde.

Il travaille seul actuellement car il s’agit pour lui de pouvoir « faire parler » ses émotions.

Bass-driven electronic project blending techno, progressive, and future acid. Known for immersive soundscapes and heavy low-end, Kik Science delivers transmissions built for the floor and the circuit.

Each release and set channels atmosphere ∴ intensity ∴ precision — shaping the underground frequency.

Label: Sub Sync Records (@subsyncrecords)
Affiliates: G-Mafia Records (São Paulo) ⌖ Mustache Crew (Brazil) ⌖ Galactic Bamboo
SSR HQ: @subsyncrecords
Axis: YYC ⇌ BER

◉ Our story continues…

The breach settled behind them.

Not closed —

waiting.

Neon stepped forward.

The ground shimmered like metal dust suspended in air.

“It’s reacting,” she said.

“To us?”

Thorne knelt.

The particles shifted, forming thin lines —

shapes —

geometry.

A language.

Not written.

Assembled.

“These aren’t symbols,” Thorne whispered.

“They’re instructions.”

The Coranthium hovered low, humming, as though reading what neither of them could.

Dust spiraled upward.

A low-frequency pulse rippled out — deeper, heavier, like pressure rising from below.

Neon staggered.

“That sound—”

“It’s not sound,” Thorne said.

“It’s depth.”

The dust shifted again.

The shapes locked.

A cipher completed.

Then —

everything went still.

A voice formed inside the silence:

“Depth is a direction. Not below — within.”

Neon’s pulse aligned.

Something old and unseen moved beneath the surface.

“Thorne…”

“I know,” he said.

“We’re not reading it.

It’s reading us.”

The dust fractured —

not falling, not scattering —

rearranging with purpose.

One final line emerged:

“Awaken the charge.”

The Coranthium brightened.

A new pulse hit them —

clean, heavy, unignorable.

The ground trembled.

Something huge, dormant, mechanical —

turned.

—

In the 00s everything went lo fi so now they blame woke for cultures demise!

everything I do is wrong and I 
I feel now making amateur artists frustrated! 
l like I'm too old for metal gear solid yet certain man isn't lool
you make noise but u cant songwrite or produce properly then you decide to trap man like me?
I'm not successful yet, no need for hate... even the labels hate me lol
wen u realise u cant afford to listen to ur favourite tool record loool
Y'all giving me vertigo, too much attention not enough stat...
No one is the inspiration of everyones song...
Job 23:10 yo.... The stone roses were wrong lol
save the planet by killing business men when you see them on the train (then u'll go to prison obv)
yoo Jim Morrison, Chicago variant, gimme a nose bleed 
fuck you all for this dopey graveyard revolting revolt 
Ingrid and Rose, coke up nose (fr)
I make music for the people