I need coffee to wake up I needed also to stimulants just to get through the day sometimes get depressed sometimes it will discuss thing no standard from my body I think fact she's ship why d issues and the night sometimes don't even think about of become Sitar to come because you have other things to worry about like your dreams <a href="http://antiagingserumrevealed.com/">Luma repair</a> restorations one do become when I see all the benefits going vegan lifestyle I we should I wish I started much ended now but descended now and get sick in mean if you count sneeze once in a while as being sick fine but I don't get the flu that's good doctor I'm it's done once this year for anything haven't taken a single pole for anything on I used to have some blood pressure issues like I've been forward sinning that my face turn like into tomato and I want to fall over now mind doing nothing happens her sons were you back become more flexible like when I'm doing exercises and things like that able to-do better stretches when I'm money have more endurance my whole cardiovascular system feels like it's lighter and you're more they can attacking hold more air in my lungs and heart Einstein's I just feel more energized as everyone says.
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I'm a folk blues guitar playing singer/songwriter
 I'm signed to malicious damage records both my albums (THREEFOLD RETURN) and (ALL THIS IS THAT) are available on line at http://www.maliciousdamage.co.uk/ or at the usual outlets.
 what the press say:.......
 Bridging the great divide from South London to the Deep South, Bob Meyer is one of those individuals who, while showing no desire to crave the spotlight, assimilates and homages his influences to emerge with statements of unadorned and unrelenting honesty.Sounding like they could be recorded in your front room, the songs on his second album, Threefold Return, intimately straddle anyone from Nick Drake to Blind Willie Johnson but what shines through is the man’s honest and restless, questing musical passion.Bob’s also a shit-hot guitar player, first picking up the instrument at the age of ten courtesy of his older brother, who built them. Maybe put off by his own left-handedness, Bob didn’t touch a guitar again until the age of 31when he did a Hendrix by turning the instrument upside down along with his teach yourself handbook. Within a month he was writing songs, later recording his 2006 debut album All This Is That in one afternoon at the Chocolate Box in Wood Green – all tracks first takes with no overdubs. AmericanaUK described the album as, “Primordial blues, tough and dirty, that harks back to Robert Johnson's template and at times comes close to being as powerful. Meyer has a real feel for the music and delivers real blues in a classic style.” Guardian Unlimited called Bob, “an extraordinarily talented acoustic blues guitarist, a man who sings like his heart is buried in a Mississippi swamp…”.Although the album didn’t catapult him into a position to give up his day job as a truck-driver it paved the way for a second outing which throws out an uncanny timeline with America’s 60s troubadours lashed with the stark guitar stylings of the blues musicians he reveres, particularly Blind Gary Davies, Leadbelly and Son House. This blues fixation surfaces on tracks like Tilt and the stridently atmospheric I’m A Fool. Southwark Bridge recalls the drowsy observations of Nick Drake while As She Flows and When I’m Gone recall Greenwich Village singer-songwriters like the Tims Rose and Hardin.The most enthralling excursions are instrumentals like Rollin’ Part 3 and stunning Fast River Of No Return which recall nobody so much as the late John Fahey, the mysterious American genius who revolutionised the six-string steel guitar in the early 60s, inspiring names like Leo Kottke and Robbie Basho to develop their own individual styles. It seems as if Bob’s quietly become one of the few contemporary UK guitarists to do the same, emerging as Streatham’s answer to Blind Joe Death while as equally at home on the dark blues holler of Mary Lou as the gentle instrumental Escondedo. By the closing Time To Go the album has simply cemented itself as a modern folk album without hype or unnecessary trimmings: these days something of a rare beast, as is its creator. you'll be hard pushed to find another artist like him this side of the Mississippi. If the blues is about anything, it's about the raw passion that flows into both the voice and guitar. "Threefold Return" is imbued with that passion and spirit. The loose, deceptively simple guitar drags you right back to the basics, get the notes right and the rest follows. You don't need layers of instruments if one guitar and a voice is enough. It's bang on the mark....... www.fatea.co.uk Threefold Return has manifold rewards, This is a hypnotic slow burner that demands repeated listening. Bob speaks of deeper truths than mere plastic materialism and is touched by the left hand of God...... JDC He is a musical extremist, a radical player, somebody from whom the music simply flows and allows us to participate in it....... BLUES NEWS Even Nick Drake would have been proud of the sense of ominous portent Bob Meyer creates on this acoustic offering. A simplistic description of Threefold Return would be miserabilist. These, most certainly aren't songs of joy designed to electrify...... BLUES IN BRITAIN "...primordial blues,tough and dirty,that harks back to robert johnson's template and at times comes close to being as powerful ...meyer has a real feel for the music and delivers real blues with classic themes.....from south London maybe,but unadorned and untarnished the real thing"....AMMERICANAUK "Bob's songs are modern folklore,backed up by guitar picking of a different age....it is unpretentious,and allows for your mind to move through the songs...his music rises and dives with assurance and manages to create bonafide country blues out of his obviously fresh brain....." BLUES IN LONDON "one undoubted star at the recent clock machine gig was the extraordinarily talented acoustic blues guitarist bob meyer.a man who sings like his heart is buried in a mississippi swamp".....NEIL PERRY THE GUARDIAN

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I feel guilty for whining. I’m over the worst of my cold by far, but it just doesn’t want to quit. We managed to pay off a big bill entirely this month, which is great. Phire is officially into his trial period at college and doing well. And I didn’t have to go to the hospital over this cold, which is great. We also have food and plenty of it — not something to sneeze over. And my college application is completely submitted. My friend submitted my recommendation letter and loaned me the money for the application fee. I’m just waiting for them to receive my transcripts. But I called my high school because I was getting nervous and they said they sent them out. My grandmother bought me a new pair of shoes. We ordered three books this month that I wanted (two were cheap and replacements for copies that got destroyed in a flood years ago — the third wasn’t so cheap but I’ve wanted it for years). Two of them came, and I’m waiting on the third. And I got four reasonably cheap t-shirts yesterday. Three are black, one is dark gray, and I like them all. It’s good to have clothes that fit me and don’t contribute to my dysphoria again. And it’s especially good to have black clothes that fit that description again. I’m also caught up in my college courses, which is really good. Though I didn’t do as well as I hoped in them for the first week’s peer review grades.

My name is Tye. I perform hip hop psychedelic/conscious hip hop in the warm cafes of Seattle, the dusty moonscapes of Burning Man, or the assorted venues I find while traveling. Honest and specific feedback is valued highly. Pure listening is good too. Thanks.

http://www.facebook.com/profile.php?id=10740587

Bright Seattelite with a story:

Ever since Reagan ran rampant
After John Lennon penned Imagine
It was the hottest year ever shown on Mercury
Y'lean up on a black car and own a third degree
My first word thus was H-O-T
I like to think it was my playground prophecy
I was a baby born late, made in '88
Came out asleep so early on I was made awake
It was the year of the "what's it goin' on for?"
Mad greed, Wall Street, bad deeds
And a Republican encore
They crackdown on crack
But it's the wrong war
And not a single wild California condor
So I didn't grow up mad, but maybe saddened
State flag grizzly bear might as well be a dragon
'Cuz everything of interest was sold at interest
And the best that a little boy could do was imagine
So the li'l man grew a bit of wrath in his belly
Fed it with hot food, he let it get hot too
He knew his naysayin' would escape in an ah-CHOO!
The first to sneeze wasn't him, it was the Middle East
9/11 was a 'fuck you' thru gritted teeth
See Uncle Sam's ears are filled with starships
To gain an audience you gotta play the target
And I knew this, so I kept my mouth shut
Upped the chili does waiting for God knows what
And I, got a pepper on the arm
To serve as a reminder the empire's in flames
But these flames aren't felt like a fireplace
You gotta seek truth movin' in the lion's cage
And when you do we look a lot like a higher ape
But money talks, so it probably be a high estate
So...when you keep draggin' on that magic puff puff
It's either you fade away or you know you've had enough
And the little man grew
Departed from his home
He learned about the lesson the Ti-tanic had shown
America had grown too
Heavy on the bone
Someone needed to speak out, but when in Rome...

 

ILLTHABZ BIOGRAPHY



Thembela ILLTHABZ Nzuzo –: Being raised in the environment of the Pan Africanist Movement made me realize the importance of ghetto uprising and having some sort of a relationship with your community.ILLTHABZ believe's an action needs to be taken to restore order,meaning it is our full resposbility to set example's in our communities for the sake better enviroments in our black societies & it takes a reliable indivisual,commited,trustworthy & honest for a leader to lead! The disadvantaged backgrounds we hail from should'nt dertemine the future of any generation &'' it takes a tribe to make a village ''so get familiar to the spirit of ''UBUNTU''. Born  @Butterworth hospital in the 80"s and raised in the former Transkei early 90's till late 90's @Cofimvaba Qamata Nogate township till age 11years & then moved to a lot of different towns/cities to seek proper education,places such as Mtata{Mqanduli),PE.(Uitenhage),Queenstown then Johanesburg.ILLTHABZ was raised by his grandparents before his grandfather who he regarded as a father got shot @late 90's when he was only 11 years old.  Being raised by his grandparents taught him patience and obedience and staying true to oneself and respecting elders.Peace be upon my grandparents & mother!!!

“Music is the language for the people, hip hop is the culture something that you should understand and follow”
The love for the hip hop culture & its elements began@early 90's when he stepped on a skateboard before i began to verbalise my thoughts lyricly on a page with a pen in the late 90's & that was ''spoken word/poetry''!
ILLTHABZ emmidiately started to recite his poetry on the michrophone horning his skills & ability on available platforms & ciphering & battling on top of instrumentals composed/produced by international people due to lack of access to resoucers back then & almost all mcees/rappers from that era did the same..He's rapping influence were from hip hop outfits/brands such as KRSONE,THE ROOTS,BIGGY,WUTANG etc...
Now you not suprised why this legendary god mcee is''REAL LIKE THAT''...This veterans sound is driven by dungan,boombap neosoul,jazzy sounds etc.This excptetional world class perfomer believes an artists full resposibility is to spread a positive message musilcy hence his music subject matter/content is thought provoking,uncomfortable truth about people's good & worst expirience's!
                                                         PROJECT

This amazingly unique rapper believe's & takes the quality of music profesional hence his not your everage artist that release albums/material/projects for the sake of dropping without following the right proper distribution & marketing channels..He's more than a decade expirience of holding mic's/perfoming his been dropping tracks on various artists mixtapes all over the country while his been working on his LP & MIXTAPE for a minute but finaly 2013 sept 28 his very first single ''HANG IN THERE" is dropping & will be followed by a music video & couple of months down the line the classical/timeless debut album titled ''B.O.A''(BE OFFICIALLY ACQUEINTED) & the mixtape titled''EXPAND BEYOND'' will drop with a free mixtape..Shoutout to my friend Nkqo for his suggestions with regards to the project....@SICKSENSE  my producer shoutout to you son...


                                    ILLTHABZ Recently performed......2013 
GRAHAMSTOWN NATIONAL ARTS FESTIVAL ''SOULCLAP SESSIONS'' 05JULY 2013...............#Bay TV captured the perfomance & interviewed !
YOUTH DAY/JUNE16 & 17 CELEBRATIONS 2DAY EVENT ''SOUL CLAP SESSIONS RECLAIMIMG THE BIGGEST HIP HOP FEST IN THE PROVINCE @COFFE BAY BEACH!
MAY18 ILLTHABZ HOSTED & PERFORMED WITH ''IFANI LIVE IN QUEENSTOWN  ''MY HOMETOWN'' WITH A GUEST ARTIST FLEXBOOGIE.
MAY 02 SOULCLAP SESSIONS@ENDAWENI LOUNGE'''EAST LONDON'' WITH @IFANI HOSTED BY MBU MANY LAUGHS(COMEDIAN)
FEB 04 @ENDAWENI LOUNGE#SOUL CLAP SESSIONS HEADLINING @TRUSENZ,GUEST PERFOMANCE BY LI.STAY FLY, WITH ''BERITA AFROSOUL & ILLTHABZ'' HOSTED BY NKQO
ON A WEEKLY BASIS HE PERFOM'S@ HIS HOME HOOD IN FRONT OF 300 MASSE'S & OUTSIDE THE PROVINCE.
RECENTLY/CURRENTLY SHARES THE STAGE ON VARIOUS EVENTS WITH FELLOW EASTERN CAPE ARTISTS ,MOST OF THESE ACTS ARE CLOSE FRIENDS & GUESTS FROM OUTSIDE SUCH AS................
BERITA AFROSOUL(METRO FM AWARD WINNER & SATMA NOMINEE)
NKQO(SA HIP HOP AWARD WINNER)
IFANI(HIP HOP AWARD WINNER)
FLEXBOOGIE(PTA GUEST)
MISS THABZ SOULSTAR(IDOL)
TRUSENZ
SIMBONE
INTLOKO ZENYOKA
MAXHOSENI
OHAYV AHBIR
1ST TEAM
OIL
KWERIEZ
RHAMNCWA AKA FINGA
STAYFRESHTEAM
LOLO
SOSO VAN DER RU
GUNZO
TRUSENZ
MELK 
BLAKPHAMOUS
CHAMP'TILE
2DAXHA
VERNAC REVOLUTION
LTEE
AMATHWASA


This highly talented individual is one of the founding members of Hip Hop Uplifterz an events management & promotions innitiative that contributed on/to a lot of South African Artists careers mainly hip hop & ILLTHABZ took the matter into his own hands by promoting! Having been exposed to the entertainment industry from the inside, ILLTHABZ is not only a renowned hip-hop artist as well as a dj in his own right, and he brings with him to the team his connectedness to artists all over Africa.  He spent time in Johannesburg researching the state and opportunities within the SA MUSIC INDUSTRY  mainly Hip Hop music & tried to establish himself perfoming around Gauteng province.  After completing his research he discovered that young people don’t have to go to Johannesburg to be successful people.  Additionally, his experience in publishing of music, sound engineering, graphic designing etc provides added value to the growth of the company.


ILLTHABZ returned to his home province to implement his plans, uplift & empower the local arts with relevant active stake holders within the arts.
Thembela ILLTHABZ Nzuzo gained experience from a very young age.He started an initiative named Imbew Hip Hop Movement and a hip-hop magazine together with Ndumiso Mnyani the CEO of Greenlog Graphic Design company based in Port Elizabeth.  
2006 Queenstown's Twisters night club hosted weekly successfull Sessions & Miss BlakRok hosted the activity where local acts/artists show cased their talent & i  hosted guest artists to our town from around the province before hosting artists from outside our province,it  was Grahamstowns(ACALPER)& KWT'S(INTLOKO ZENYOKA)with Gobashev.while doing that ILLTHABZ blessed the P.E crowd@OPRAH HOUSE THEATHER & THE WEEKLY SUCCEFULL HIP HOP SHOW THAT WAS HOSTED BY TRUSENZ@the former CKI now TRU FM.
ILLTHABZ was one of the ambassadors for the successfull Hip-hop shows Ground Zero Hosted by TRUSENZ on the former radio Cki currently known as Tru FM back in 2007,with active artists by the name's INTLOKO ZENYOKA ,BLACKVIOLIN , GOBASHEV ,VIRUS ,MO MONEY etc.Our  contribution gave local/EASTERN CAPE artists a professional platform in the weekly radio show.
 ILLTHABZ  assisted/adviced on a weekly hip-hop show at Vukani Community Radio Station@his hometown Queenstown 2008 by giving advice to potential up coming artists in the CHDM(Chris Hani district municipality) . He was interviewed by HYPE magazine  & APPEARED ON A PANEL WITH FELLOW EASTERN CAPE ARTISTS WHERE WE DISCUSSED ISSUE'S AFFECTING ARTISTS IN OUR PROVINCE &  @Umhlobo Wenene FM’s hip-hop show hosted by Luckeez & produced by YAHKEEM 2009 during a highly publicized album launch of a well known  Eastern Cape duo Intloko Zeenyoka from King Williams Town. In 2010 ILLTHABZ was interviewed by a local radio in Bloemfontein {MOTHEO FM THE ZONE HIPHOP SHOW} hosted by my man KULAX, talking about the challenges we face in the industry.  ILLTHABZ organized in 2009 SEPT a successful fundraising hip-hop event featuring hip-hop artists from around the country and he was part of the CHDM(Chris hani district municipality) Entertainment & Exhibition Committee for Heritage/Tourism Month Celebration 2009.  This event helped kick-start the Hip Hop Uplifterz initiative for social change in communities. This hip hop event helped put the CHDM on the map for tourism attraction.ILLTHABZ cooperated at world AIDS commemoration at mount frere in 2009 with health officials the EASTERN CAPE AIDS COUNCIL, we were mobilizing the youth to be active on sports arts & culture!!The are simple ways of managing to convince corporates to be part of any youth initiative!!!With the experience I have also with the company i own HHU we host an ANNUAL WORLD AIDS MUSIC FESTIVAL in Queenstown & the company also has other annual events during the year such as our HERITAGE & TOURISM event….
ILLTHABZ FREEMENTO believes like he did, you can start something small from the backyard of your house ciphering then straight to CBD with CORPORATES!

All the networks Thembela ILLTHABZ Nzuzo has made over the years helped the Eastern Cape hip-hop community to move beyond the immature status to a recognized developed product that is ready to be sold into the world.
Thembela Nzuzo
Cell: 073 012 7974 /071 245 5219
E-mail: tnzuzo2@gmail.com
Facebook.com/ILLTHABZ
Twitter.com/ILLTHABZ
Instargram.com/ILLTHABZ
                                                          
”Hip Hop Uplifterz the You and I movement”



Kupid the King: the Man and the Music

"My music is a reflection of the things that I've been through and a celebration of the things that I've overcome."

Kupid the King started writing at the age of 13 and has always been heavily influenced by life experiences and the nature of the world around him.


More than words

Along his journey many challenges have arisen; from losing family members to becoming a victim of police brutality, from witnessing relationships breakdown to becoming the breaking factor in his own relationships. Kupid writes from a familiar perspective of all these situations and insists on staying true to himself while accepting that he is not the only one who has been faced with struggles.


“If you say that I'm troubled, yeah I'm troubled as they're made, see my trouble tells a story of the struggle that they made, the troublesome I am is from the trouble that they made, so the trouble tells a story of the struggle that's in me.”

Kupid's songs include recitals of true experiences of love, heartbreak, trust, betrayal & mental breakdowns among family, friends and acquaintances, written in a way that is personal to him and yet relatable to so many others. He has also been known to write about his view on the state of the world and the community he was raised in, an opinion formed from the strength of many years of modest research, an interest in humanity and a range of extensive case studies from children and adults that he has crossed paths with and spoken to.

Eclectic influence 

When it comes to musical influences Kupid enjoys a full range of music from being raised listening to artists such as Kirk Franklin and Al Green and later being introduced to the likes of Usher, R Kelly & The Fugees and then naturally gravitating towards the sounds of Outkast, Tupac & Jay-z. During his teen years Kupid attended many live blues and rock and roll jam nights and became a resident rapper known around the city as a rapper who can flow over any style of music.


"The King becomes the King after he wins a war and I've been subconsciously battling against myself for years. I realised that the only way to truly embrace my eclecticity was not to combine styles but to divide them and conquer each one separately."


Kupid the Man

Kupid the King is one third of the one man trilogy, primarily a solo Hip-Hop and R&B artist focused on sharing his personal journey through his music. He is also the frontman and lead vocalist in the six piece pop rock band The City Hippies. Kupid the Gentleman is an eccentric model and community leader who takes part in supporting charity events and social causes. Kupid the Mentor works to engage young people through creativity and inspire through sharing stories of real life experience.

Kupid the King has recently released singles “The Fall” and “Sellotape Kisses” on all major platforms and is recording his debut ep “Lost Boy" produced by Spock & Nathan Neone, it includes special guest features from Priscilla Cameron, Vycke G, Neone, Ellisse Daley, Hassan James, Joy B and more. “Lost boy” is scheduled for release towards the end of 2018. He is working hard behind the scenes and collaborating with a variety of highly talented artists, dancers, DJs, producers, videographers and brands to deliver a full professional experience.

Kupid has performed at venues and festivals all over England and Wales including Brecon Jazz & Fringe Festival, Festival8 and Acoustic Festival of Britain and performs with a DJ, acoustically or with a band.

“As soon as I started taking music seriously, people started to take me seriously.”

Don't miss a thing, keep up with @KupidVal on social media.
Facebook | Twitter | Instagram | Snapchat

www.facebook.com/KupidVal

Jerrys Passion for Electronic music began to form in the end of the nineties, and then when house began to divide into different streams of music he found his passion in Techno. Always respecting the DJs his interest to entertain was triggered with the start of the digital way of DJ-ing. Taking bits and pieces from tracks to form new inspiring tracks using a laptop and midi-controllers. And as for entire scene his technique and his gear has evolved into a professional and entertaining act.

In his short career he has performed in a number of famous and infamous clubs in Amsterdam and other places in Europe like Belgrade. During the TWSTd DJ-contest he has developed into a DJ who knows what he wants: Send the crowd home with the feeling of an awesome night, to tired to go to the afterparty. In this contest Jerry made it to the finals leaving 160 contestants behind him, in this finales he won the audience award.

Jerry his style is firm rolling techno with full bass-lines en hard kicks. He only comes for one thing: to rock the crowd.




That he will not sign a bill that adds to the deficit in the next decade and further that he will not sign a bill that doesn't do as much as is possible to reduce the cost of medical care beyond that that is a constraint that everybody is working under now particularly given what weave had to do to bail out the economy yet but with respect you say he gives back guarantee my point at the very beginning and Income back to his <a href="http://www.safercolonidle.com/">safer colon</a> to it is that more and more Americans don't believe his commitment and his credibility to quote Miami guineas who's the president of the committee for responsible federal government she says having a look at the figures the idea that you can expand the coverage in the way Obama's talking about and save money or be quote unquote budget neutral is a myth that's actually not what most people study the health care industry believe I think the room for adding to deficit in the short run simply isn't there when president bush came into office he had a mulch-trillion dollar surplus and so people are comfortable with the idea that some things didn't have to be papered unfortunate that health care reform which he didn't we're now doing in a situation where that is simply untenable and there there's no indication that a that a anyone points did in fact that both the House bill and what people are trying to come up with an in the senate all of them are deficit neutral in the first decade and all them to a lot to reduce %uh spending on medical care beyond that now you are not a political campaign you are I don’t mean to be pejorative your policy wonks but you must know as well as well as President Obama that the polls don't look so good anymore latest time opinion poll in the time magazine was just coming out 46 percent in the nation approves up the way Obama is handling the healthcare issue but forty-six percent now descent disapprove I mean he's is beginning to lose the argument in a very serious way you used to advise them I know you’re back in academia now but what would you say to about getting back to higher ground in this debate I think the debate cuddle a little bit of off-track and I think it got off track because it focused on how are we going to afford additional coverage in the short run without increasing the deficit not cut into things about taxes and so in the kinds of things we're talking about different but we can I don't think that's not getting or not but really I mean to hang on a minute but that's not going away from the point does it mean the American public is living with alone.


Julia Hayden is following