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Highway

Arca - Fossil

SALEM - queen teen

2003 Toyota Corolla

repressed

WRITTEN RECORDED & PRODUCED BY SEMATARY GRAVE MAN 
BLOODY ANGEL MIXTAPE COMIN SOON 
REAL WITCH HOUSE ROCKER SONG #1 SMASH HIT 

LYRICS: 
Grave Mann 
I hear the wind When it’s screamin to Me 
N I be Knowjn wen ur lyin 2 me 
I hear your friends fucking Laughing At me 
Laugh all you want i’ll break in your air stream 
And What I ain’t I will Never Be 
It’s like a dream Burning through the Trees 
For me you Don’t have to be Pretty 
But tonight Come with me In the trees 


Wendigo 
Wendigoooo 
Wendigooo 
I don’t Kno where 2 go 
Wendigo  
Wendigo 

i’m from the woods Where the Dirt still Bleeds 
, where the power lines shorter then the trees 
safety pins  keep you safe for me 
But baby I want you To bleed 4 me 
All I Ask for Is U Believe in me 
And every night Hammer your Kisses to me 
Everybody Leaves will U stay true To me 
Fuck it Tho!!! Imma make my chainsaw Swang!!!

baby when i go will you wait 4 me ? 
if you look for me you’ll find me 
Baby Wen I go will u wait 4 Me?
i’ll be down by the river and the trees …

SEMATARY - WENDIGO PROD. SEMATARY

5:12 am

Enjoy original works from musicians around the world. ♪♫♬
And find out to listen the release on your favorite platform 
https://music.imusician.pro/a/Aaf3Z-v9

That's right, there's a day all about the history and love for pianos. As a 6th edition, following the Piano Day, an annual worldwide event, created by Nils Frahm in 2015, ECU label is launching its very first Various and physical CD release with enlisted help from outstanding contemporary classical and electronic music artists, as a close team!

The 88 Notes reflects the piano in its diversity and allows artists from different styles and backgrounds to connect and celebrate the piano together. We picked very carefully artists who have been involved in the Piano Day project since the beginning in 2017 with Les Charades Électroniques, and artists that we'd like to see in the future. https://moicflo.com/what-s-on/pianoday 

Read IglooMag review "The piano knits together the atmospheric tapestry" https://igloomag.com/reviews/the-88-notes-series-1-ecu

The whole compilation is out on Tuesday, March 29 on your favorite platforms, and presented with a physical CD limited to 100 copies.

https://soundcloud.com/marie-awadis
https://soundcloud.com/mihailtunaru
https://soundcloud.com/watine
https://soundcloud.com/mathieukarsenti
https://soundcloud.com/closeyoureyesmusic
https://soundcloud.com/holegspies
https://soundcloud.com/geraldine-kwik
https://soundcloud.com/greenlight-score
https://soundcloud.com/lorenzweber
https://soundcloud.com/amnion
https://soundcloud.com/snowdrops_music
https://soundcloud.com/lylij
https://soundcloud.com/mathmatrixbln 

The cover art revealed Denitsa Blagoeva Artwork, from Piano Day #3 (2019) https://denitsablagoeva.com
The compilation is mastered by Frank Riggio
ECU003

BuyCD>Stream>Download

Lorenz Weber - Where The Night Is Still Light

bī-nôr'əl Cinema was conceived in 2020 and released in 2021 as part of Harper’s ongoing art practice development.  This audiovisual exploration delves into the profound question: Can sounds really heal us?

The album challenges conventional norms and gently guides listeners through a journey from Delta to Beta frequencies (1HZ - 30HZ), disrupting the clinical boundaries of Audio-Visual Entrainment (AVE).

Inspired by Harper's transformative journey through Japan, the album captures the intensity and serenity of Japanese city life. The juxtaposition of urban pressure against the peaceful backdrop of temples is intricately woven into the fabric of the album. 

Premiered at the LCB Depot's Lightbox Gallery during the launch of DIGITAL on Dec 3rd, 2021, Harper's AVE set takes you on a sonic voyage. This immersive experience explores the use of light and sound frequencies to guide the mind, delving into the nuanced realms of mood, focus, and cognition. Immerse yourself in the experimental fusion at the intersection of art and the healing power of frequencies with bī-nôr'əl Cinema.

The full audiovisual experience is here: https://andyharper.co.uk/audiovisual-performance-digital-at-the-lightbox

Montāju モンタージュ

hurt

Silent Hill 2 Extra Soundtrack - The Forest Trail

'We Stay Together' is a brand new doublepack from Andy Stott, a companion piece of sorts to the radical inversions of the 'Passed Me By' EP released earlier this year. Its predecessor left many heads dazed upon impact - in the best possible sense - and these six tracks, produced in its wake, amp the pressure to throttling degrees. Entering the digital compression chamber of 'Submission' you become a willing participant, before the lights are cut and you're forced to adjust to the humid atmosphere and bruising, muscle-contracting darkroom throb of 'Posers'. Suitably initiated, the EP's fearless centrepiece 'Bad Wires' plunges into full on mud-party mode, dropping the tempo while intensifying the kinaesthetic funk with slow, clusterf*cked syncopation until you're drowning in synthesized oil and crushed-glass textures. Fully submerged by 'We Stay Together (Part One)' time becomes elasticated like worn VHS tape, calling to mind Jamal Moss and James Ferraro soundtracking a rave in a sodden, flooded sauna, before inescapably tumbling into the sheer black hole of 'Cherry Eye' and left to the slompy jack of 'Cracked'. Blatantly, we rate this record massively, and although it's not for everyone, those looking for a more visceral, intense form of dancefloor pressure would do very well to check in

Submission

Andreas Rönnberg - Hell

Muddasheep - Kirkville

LOST IN VIVO - Now Available on Steam, Gamejolt, and Itchio. 

DOWNLOAD the full soundtrack featuring additional tracks by Akuma Kira and Nolan Reese - full track-ist includes 60 full songs.

https://livteam.bandcamp.com/album/lost-in-vivo-original-soundtrack

LITTLE BOXES - Ambient Track

Вышел Покурить – Смерть

вышел покурить - цветы лучше пуль

вышел покурить - инцест

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

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