🔝 Soundcloud account of ModernTalking TR 
💽 All Contents: © & ℗ Sony Music E. 🇩🇪 GmbH. #ModernTalkingTR ✪ 

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Aim: Volunteer PR for Modern Talking, Dieter Bohlen & Thomas Anders. All contents copyrighted by their respective creators or contributors. All copyrighted or trademarked material used on this page is property of its respective owners.

This account exists as a tribute to the world famous band Modern Talking.

The account was established by the "Modern Talking Türkiye" website, which explained Modern Talking to music lovers in Turkey for 22 years between 2002 and 2024. (To access the archives: https://web.archive.org/web/20240000000000*/ModernTalking.web.tr)

The "Modern Talking Turkey" website also reached 1.71 million subscribers on YouTube between 2011-2024 and managed the moderntalkingTR YouTube channel as the "Official Artist Channel" for a while.

The Modern Talking Türkiye project, which continued for 22 years with Kamil Kocak's personal efforts (financial, moral, time, labor, etc.), and his YouTube channel, Instagram account and Facebook account, which continued for 13 years, were completely closed as of 2024. The project did not receive any support from Sony Music, Dieter Bohlen and Thomas Anders, neither in Türkiye nor internationally.

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Amaç: Modern Talking, Dieter Bohlen ve Thomas Anders için gönüllü PR. Tüm içeriğin telif hakkı ilgili yaratıcılara veya katkıda bulunanlara aittir. Bu sayfada kullanılan tüm telif hakkıyla korunan veya ticari markalı materyaller ilgili sahiplerinin mülkiyetindedir.

Bu hesap, dünyaca ünlü müzik grubu Modern Talking'e saygı amacıyla mevcuttur.

Hesap, "Modern Talking Türkiye" web sitesi tarafından kurulmuş olup, bu web sitesi 2002-2024 yılları arasında 22 yıl boyunca Türkiye'deki muzikseverlere Modern Talking'i anlatmıştır. (Arşivlere ulaşmak için: https://web.archive.org/web/20240000000000*/ModernTalking.web.tr)

"Modern Talking Türkiye" web sitesi aynı zamanda 2011-2024 yılları arasında YouTube'da 1,71 milyon aboneye ulaşarak moderntalkingTR YouTube kanalını da bir süre "Resmi Sanatçı Kanalı" olarak yönetmiştir.

Kamil Koçak'ın kişisel çabalarıyla (maddi, manevi, zaman, emek vs.) 22 yıl sürmüş (2002 öncesini saymazsak) Modern Talking Türkiye projesi, 13 yıl devam etmiş YouTube kanalı, Instagram hesabı ve  Facebook hesabı 2024 yılı itibarıyla tamamen sonlandırılmıştır. Proje ne Türkiye içerisinde ne de uluslararası olarak Sony Music, Dieter Bohlen ve Thomas Anders'den herhangi bir destek almamıştır.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

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