Life On Grapeland

Hexfarm is

Phil Bywater - Saxophones/Flutes
Dane Renshaw - Drums
Mat Ward - Bass Guitar/Vox

Track 2 from Hexfarm - who meet once a year to jam for a couple of days then head back to their various corners of the world : )

Cost/Benefit Erection - Hexfarm

Occasional collaborators as a duo and as part of Aporia  - https://soundcloud.com/no-mates-ensemble/aporia-1
Softlands - Guitar/Ebow/Synth/Music Box
No Mates - Bass/Glicthy Noise/Piano

Late, Then Never - Softlands/No Mates Ensemble

⚠️ READ BIO FOR A MAJOR ACCOUNT UPDATE ⚠️ 

Plz stream on Spotify https://open.spotify.com/track/1z95wJzqeqnRc9MAxC2zBB?si=0f562d34f2134f09

Experimenting with new styles... let me know what you think! Its weird to release a non sped up song

Holy Shoota

3rd track from Grundomma
Grundomma is myself and my brother Glenn Ward. It's been a few years since we actively made music together...but now seems like a good a time as any. We live a few 1000 kms apart across Australia so this a file swapping exercise. Pretty Fucken Colours features  samples from the documentary 'JIsoe"  - an hour long look at the life of legendary graffiti artist and train bomber Justin Hughes.  https://www.youtube.com/watch?v=gp8ZNqaG-dE
Filmed in 2005 Its a fascinating look into disaffected Australian suburban life, street art and mental health. Thanks as always for stopping by. Grundomma salutes you : )

Pretty Fucken Colours

Would you love me yesterday?
Can you let me have a say?
We can make a secret pact
Baby you don’t have to act

Taxi ride to take us home
You’re just short babe not a gnome
Short is sexy just the same
You will be famous have your name

I still want you want and your soul
Secret chamber manifold
I have forged a secret key
To lock me in your memory

On the eighth year you’ll get bronze
You play Pinkie I’ll play the Fonz
Yesteryear was yesterday
Can you come outside for us to play

You still look good I make nice food
Serve it up I’ll eat it down
I still like to see you smile one day
Frown’s smile turned upside down

Do you still love me
One one one three
Do I stand here
Absolutely 

Look how I love you
Won’t stand above you
You can wear the 
Trousers dear

Play date has a special cost
Turn me ‘round twice and I am lost
GPS lost to navigate
No excuse now to be late

Special features
Whales on beaches
New infection
Money back

Vitamins to thin the blood
Pussy juices they did flood
Your taste is on my lips right now
You wonder still I wonder how

I still like the view
I’ll never leave you
You’re the one
That makes me numb

Would You Love Me?

One of the first people I met on this platform was the wonderful Societe Cantine. He listened with open ears and offered indepth thoughts on my music and sparked conversation and experimentation. He, himself a mind-blowing sound artist, has released a  string of albums over the last decade that still sing with originality and genre breaking optimism. We danced round the edges of collaboration for a longtime, adding little bits of sound to bigger projects or producing video. Just before COVID hit the world we finally met in Paris - I had so much talk about, as did he.. like children we struggled with face to face language; his english is good, my french is terrible : ) We decided that we should finally start collaborating in depth and this is the first piece - conceived and played with, back and forth during lockdown COVID times. Naturally enough we titled it Language Gap after our initial stumbling meeting. It got an honourary mention in the 2023 One Minute Radio Festival and through that has been played all over the world . Fardeau Losange (as he now known) and I are working now, very slowly on some sort of album - it will take forever, but its almost secondary to the friendship that has grown around the music we have listened to, written and shared on this platform.   https://societecantine.bandcamp.com/album/lopacit-des-interlignes

Language Gap (Fardeau Losange/Mat Ward)

Krano Marlano-WarmWorldWar

nebulous forms sometimes take place and sometimes don't. these kind of forces are dependent upon other forces which indicate the correct passageways for the christening of ideas. such parabolas are not easily schematised and not easily abstracted from a larger collection of ideas and their genesis pool. the archways and other ornamental features are only conceivable as semi immaculate, which is a betrayal of their form in multi-dimensional phase space. 

Relm - incorrect cartomancy.

Dani and i the night before the launch of our new record just trying to shake off the cobwebs as we have had a few weeks without  jamming and now we better get our shit together: )  Album info .......The Rat Palace was our studio from when we first started seriously working together in 2016 until the landlords decided it was time for the artists to go and the tourists to come. It had been Mat's base since 2009 and hosted dozens of artists and musicians since it first started in 2006.
As the name suggests the place was run down, lacked various things like hot water, proper access and heating but it had a vibe, and the people we shared the space with all felt and helped to create it....Creativity was everywhere, day after night after day for years.
These 7 improvisations are a tiny fraction of the jams we had there, just a few highlights from 100s of jams. They are raw, unpolished and unconcerned with anything outside the moment. We rarely 'rehearsed' as such at the Rat Palace - just played.
Things come and things go - Vale Rat Palace, you were amazing.

Kirby/Ward - Album launch Improv

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022  https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future   But it was so much fun we are back for more.

The following Artists appear on this track :
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Ambient Annie    -  Electronic
Banalytic  - Noise 
Chicago Word Brigade - Metal Electronica
Dane Renshaw  - Drums/Voice
Dani Kirby              -  Piano/Voice  
JZsuperstar - Doors/Keyboards/Water 
Libby Laksmi   -   Jazzy Loops      
Oberlin   -   Electric Guitar
Paul Miller - Electronic Percussion/Funk/Keyboards
Phil Bywater - Saxophone/Voice
Rosin Dust - Field Recordings/Saw/Violin
Robert Jefferson - Percussion
Wivresse - Electronica/Vocals
Mat Ward - Noise/Bass Guitar/Voice/Arrangement

Then She Reaches For The Gun - This Isn't Even Creating A Sense Of Space

The Neo-infantiles are a  band that claim to not be a band, just killing time. The only thing they have in common is being disabled. The Boofer only has one arm and sings and plays the guitar, badly. Breakage plays the drums and has no legs, Breakage has asked me to not disclose that he has no legs (sucker to trust me). Heard plays the bass, badly again, and is profoundly deaf in one of his King Lear's and lives with a screeching noise in it and does not care what he sounds like (I love him like I love me). Forget plays guitar too but Forget has had a severe-traumatic scone injury and never remembers any of the songs. He tries his hardest though and he is also like a brother. Pain builds unity. Then there is Shakes who hangs around and sings sometimes, he has post-traumatic Epilepsy and often fits, spits, froths and shakes. The ladies, punk ladies, love him the most even although he often pisses his pants



STBI has left me more than half-deaf so if the tones are off, don't shoot me. If writing stories is mind masturbation, then what do you call writing songs? >> Still the most pleasant part of my day

Would You Love Me?

THE NEO-INFANTILES

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