YAMI Representative from the Ground Up. Establish Base. Universal Face.
Out in the SF area reppin that Water Wealth.
Ohio Born, Cali Raised.


Alicia guides you to find your physical, mental and emotional wellbeing using a combination of wonderful therapeutic modalities such as Brennan Healing Science® , Transformational Breath®, Family Constellations and Channeled Meditations. She mainly works online in private and group sessions worldwide. 

https://linktr.ee/Alishamx

Alicia has dedicated her life to the study and practice of different therapeutic modalities to promote the expansion of human consciousness and wellbeing. 

She has a Bachelor Degree in Human Communication Therapy, Masters Degree in Psycho Pedagogy,  Diploma in Neuropsychology. She is coauthor of the book “GODIAM, The essence and presence of being.” 

In 2011 she joined the International Breathwork Foundation in the annual event Global Inspiration Conference. She has participated giving workshops in Ecuador, Belgium, Ireland, India, Canary Islands, France and USA. In 2014 she became the IBF National Representative for Mexico and in October 2017 she became an Ambassador and created the project Meet 2 Breathe Online.

She is an a member of the IBF Online Team cocreating online events such as the World Breathing Day in April 2020, Global Connexion Days in November 2021 and the Online Global Inspiration Conference Germany in August 2022.

She shares weekly  Meet2Breathe group sessions for Europe, America, Australia and after the war she started for Ukraine.

Hopeless Ghosts is an alternative rock band from Toronto, Ontario, Canada.

Affiliation:TRIBE代表/DJ/Art worker/Beat Maker
SNS:Instagram kohjun_
Gmail:soundtribe910@gmail.com
        Ameba       KOHJUN
contact:soundtribe910@gmail.com

Every once in while you discover a new band which immediately hooks you with their fresh and yet recognizably pleasant sound. Such a band you’re about to discover right now. The energetic four-piece is called Charmless I. The band is the brainchild of Dutch singer-songwriter Alex Pasveer, who has made many flight hours with his former band Steed, which released two studio albums and toured extensively at home and abroad.
Alex has now written a dozen or so criminally catchy tracks of which the first single ‘Fire Up (here we go)’ was digitally released in May 2018 by indie label TCBYML. It has led to a great deal of even international enthusiastic attention on social media and a #2 position in the Dutch Indie chart. The second single ‘Giant Leap for my Kind’ was released in June 2018, in order to keep the fire of attention burning. Mid-August the song reached the #1 position in the influential FTM-chart. Also in August the third single ‘Rabbit Hole’ was released, which entered the FTM-chart at #15 and reached the top spot in the second week already. In September an EP was released, containing all released singles including the intended fourth single ‘Dream (the Night Hag)’. The four tracks were mastered by Andy Vendette, who has worked with artists such as David Bowie and the Beastie Boys. You will undoubtedly notice the touch of this master.
The three released singles are a representative acquaintance with the energetic sound of Charmless I, in which a firm guitar sound is combined with modern stuff such as synth-bass and electronic drums. The other tracks of the band are also refined and anthem-like and will be eagerly consumed by those who like bands such as New Order, Blur, Arctic Monkeys, Franz Ferdinand, Stone Roses and the like. Need more anchor? Let’s call it ‘Electro-Britrock’.
Alongside Alex you may notice a familiar face on lead guitar. Alex has rudely revived the musical career of Rutger van Mourik. He is the former frontman of Britpop band Flemming who released two highly acclaimed albums on major label Warner in the first decade of the century. The rhythm section of the band is solid as a rock. Drummer Bart Klomp and bass player Auke Haaksma are a class act. They met during their studies at the conservatory in Alkmaar, therefore know each other thoroughly and are able to musically relate on a very high level.
And the band name is ironic of course. We are extremely charming indeed.

2 Piece ALT/ROCK band from South UK

For bookings: deltorers@gmail.com

https://www.facebook.com/nahualelectronic/

Nahual is the continuation of Eprimes (project formed in 2012 signed in Liquid Flavours, Liquid Boppers UK, DNBB BRA, Soulflex Digital UK, International Farmers MX, Techkilla Recordings MX), is an electronic music project located in Mexico, Nahual is the updated and developed face of Eprimes, passing by deep dnb until the future Funk, which already has its own stage and upcoming releases of great weight in the Mexican scene.
Nahual is one of the most recognized projects in the Mexican drum and bass scene, being a proud representative of the scene of his country.
DNB MUSIC
Latest Projects
-Eprimesdnb
@eprimes
-Thereset
@theresetmusic
-Istmo
@istmoalther
-Hard Disco Drive
@theresetmusic
@coyotlmx

Composer (/curator/writer/researcher/video artist) Mu-Xuan Lin (林慕萱) (Taiwan/USA) defines her life as a quest for an artistic autonomy poetically engendered by both its will and its vulnerability to one’s corporeal experience and to the world one lives in. Having had extensive training in the visual arts and creative writing and frequent exposure to theatre, dance, and literature from an early age, and profound influences from the cinema, Mu-Xuan is interested in the intrinsic kineses latent within any expressive matter which can be extracted, dissected, critiqued, and recreated in new artistic deliverances.

Described by the Los Angeles Times as “fascinating” and by the SRF2 kultur as “sonically sensuous,” her music has been heard worldwide, and on a SOOND (EU) and an ein_klang (Austria) records. She is a guest-composer/faculty at the Novalis music+art Festival (Croatia) and the New Music on the Bluff festival (USA), the winner of the Protonwerk No.3 award (Switzerland) and Ensemble Adapter’s commission project “Adoptions 2017” (Germany), an artist-in-residence at the Cité Internationale des Arts in Paris (France), an awardee of New Music USA, Max Kade, Mellon, Center for German and European Studies (DAAD program), FACE Croatia, Gardner Read, ASCAP grants, and multiple NCAF (國藝會, Taiwan) grants. Formerly, she has participated as a selected active fellow at various festivals and conferences such as the Summer Academy at Schloss Solitude (Germany), Darmstadt Summer Course (Germany), EXPERIMENTALSTUDIO’s Matrix15 (Germany), June in Buffalo (USA), Acanthes de Metz (France), Sävellyspaja (Finland), Ticino Musica (Switzerland), Delian Academy (Greece), and Virginia Center for the Creative Arts, an Associate Artist at the Atlantic Center for the Arts working with Master Artist Georg Friedrich Haas, a representative for KoFoMi (KomponistInnenforum Mittersill) and the residency in Salzburg (Austria). Her works have been featured at Festival AFEKT 2022 (Estonia), the Donaueschinger Musiktage – Next Generation konzert 2016 (Germany), Innovation Series 2017 (新點子樂展) – 30thAnniversary Edition of Taipei National Theater & Concert Hall (Taiwan), deciBels Festival 2020 (Latvia), the Piano Spheres Concert Series (Los Angeles), Mise-En Festival 2019 (New York), Hear Now Festival (Los Angeles), New Gallery Concert Series (Boston), Splice Festival (Missouri), and the 180º Festival (Bulgaria), and honorable mention/finalist of various competitions including the 2016 neuverBand’s and 2022 loadbang’s international commission competitions (honorable mention) and the 2015 Darmstadt Music Theatre Competition (semi-finalist).

She is working with ensemble 3peoplemusic (三個人, Taipei), loadbang (NYC), duo NéMeu (Paris) and sheng artist Li-Chin Li (Taiwan) among others, and has worked with TAK Ensemble (USA), Neue Vocalsolisten Stuttgart (Germany), Ensemble Adapter (Germany), Ensemble SurPlus (Germany), Ensemble Proton Bern (Switzerland), Secession Orchestra (France), Avanti! Chamber Orchestra (Finland), Norrbotten NEO (Sweden), members of the Lapland Chamber Orchestra (Lapin Kamariorkesteri, Finland), Talujon Percussion Group, Radnofsky Quartet, Lydian Quartet, Dinosaur Annex, Transient Canvas, Urbanity Dance Project, percussionist Aiyun Huang, soprano Tony Arnold, pianist Vicki Ray, and flutist Shao-Wei Chou among many others.

Recently, in addition to composition and an increased engagement in video art, Mu-Xuan is venturing into the work of performing arts curation and dramaturge. In 2023, she co-founded Studio Nekton (宇宙微波) with flutist/performer Shao-Wei Chou for further developing collaborative projects involving programing, curation, and creations.  She was the concept-curator, dramaturg, visual and stage designer of Taiwanese zheng artist Jing-Mu Kuo’s 2023 abstract-theatrical recital “Waterfalls” involving five new compositions (Taiwan), and served as the artistic director/conception, visual and stage designer, media artist, and co-producer for Studio Nekton’s 2024-25 multimodal program “Speak, Transparence” (France and Taiwan) featuring Shao-Wei Chou, storytelling artist Soma Yang, and herself (as composer-dancer).

Mu-Xuan received her Bachelor of Music in Composition from the New England Conservatory, MFA and Ph.D. in Music Composition and Theory from Brandeis University, and the Certificate of Advanced Studies Curating (CAS) at the Zürcher Hochschule der Künste.  Her primary instructors in composition include David Rakowski, Melinda Wagner, Yu-Hui Chang (張玉慧), Eric Chasalow, Michael Gandolfi, Larry Bell, and Ya-Ming Hsu (許雅民). She has also received instruction from Mark Andre, Oscar Bianchi, Chaya Czernowin, Francesco Filidei, Joshua Fineberg, Beat Furrer, Bernhard Gander, Georg Friedrich Haas, Stephen Hartke, Philippe Hurel, Louis Karchin, Fabien Lévy, Claus-Steffen Mahnkopf, Samir Odeh-Tamimi, Hilda Paredes, Hèctor Parra, Rebecca Saunders, Dominique Schafer, Johannes Schöllhorn, Oscar Strasnoy, Hans Thomalla, and Jukka Tiensuu. At the ZhdK (Zürich) for the curating program, she was under the tutelage of Dorothee Richter.

As a researcher, Mu-Xuan’s Ph.D. dissertation “On the Epistemological and the Methodological Approaches in the Analysis of Contemporary Music and a Synthesized Analysis of Fausto Romitelli’s La Sabbia del Tempo (1991) illuminates her interest in the epistemological aspects of artistic and musical creativity. Her 2023 article “The Erotic and the Melancholy of a Sincere Postmodern Identity – the cinematic spaces and a vulnerable time” will be published by Cambridge Scholars in the volume "Crossing into Distance: Contemporary Composers on the Present and Future of Art Music" in 2024/25. As the primary investigator, her interview (co-authored with Maria Sorensen) with German sociologist Klaus Theweleit about his psychoanalytic works on right-wing fascism, will be published in 2025-26.

As a music educator, Mu-Xuan is an Assistant Professor of Composition at the University of California, Berkeley.  She has previously taught at Brandeis University and California State University Long Beach, and had served as an Instructional Professor and a lecturer at Chapman University.

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