there are very nice moments for me in this track, the sparser and quieter ones.

The gigantic space trip is something someone had clearly to do… and you did splendidly!

Well done. Composition and sounds are very good! One of my favorites this month!

Really lovely, complex and well done epic piece.  Unfortunately due to it's length I had to quit my job and get a divorce so I could listen more than once.

Lots of fun all around, really cool piece

Do you happen to know the game "Turrican 2"? I am strongly reminded about it here and also later on.

Alarm! Deactivate the sleeping capsules! :)

The "converging" voice tunings give me some "Retrograde" vibes (by "James Blake").

One Synth Challenge #186: Any Two Synths Challenge (second edition)

DJ Profecia - La Palabra

PROTECT ME SEÑOR

KVR OSC submission
https://sites.google.com/site/kvrosc/2024/osc-185-cherry-audio-sem

SEMi Conductor

YouTube version has better streaming quality: https://youtu.be/tc6QpwOlc0c

Check out other music:

Exile: https://youtu.be/cMqN75ADoeU
All Gunz Blazing: https://youtu.be/ojxE-rMtfOI
Dystopia Today: https://youtu.be/EYnCzPoYtKo
Inevitable Progress: https://youtu.be/-Ty6KR55HXg
Horizon Drive: https://youtu.be/Us2tciU2ToM

Submission for One Synth Challenge #185 featuring "SEM" synthesizer by Cherry Audio.
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2024/osc-185-cherry-audio-sem?authuser=0

38 instances used to create a track.

This instrument is fairly limited to basic subtractive synthesizer functions. It lacks modulation capabilities that even for such simple instrument are crucial (velocity for example). But it does the thing it was intended for pretty well. You can make great sounding analog basses, leads, arps with it. With the modern layering techniques it is quite easy to create complex patches. The VST itself is very stable and easy to use, and the CPU consumption is pretty moderate. I appreciate what the developers are doing to bring such quality instruments for a low price or even for free.

A typical synthwave track with my usual intent to create the "punchiest" synth drums. It has a lot of 90's (early 2000's) videogame music influences that I've grown on.

***The download links can be found on my Patreon page in the corresponding post.***
https://www.patreon.com/posts/mercenaries-108994663

Twitter: https://twitter.com/infravolt
Reddit: https://www.reddit.com/user/Infravolt

Mercenaries

Mercenaries (OSC#185)

This is my entry "SEM" for the 185th edition of the KVR One Synth Challenge where all sounds were generated using the Cherry Audio Synthesizer Expander Module VST plugin using a mix of free and included effects in Ableton Live 11.
I hope you enjoy it and feel free to offer any comments on how I might improve it if I do a remix for a wider release.

Please also note that downloads are only intended for personal use. Redistribution to other platforms (except for what is needed for the challenge ), modification, or other commercial uses is prohibited. If you wish to use it commercially or do a remix don't hesitate to contact me first to work out a deal.

James Mullen had his first day, or rather his first night in the London police force on that foggy 31 August 1888. He was excited and proud at the same time and he was scared... He shouldn't be afraid, he was a policeman after all! Nevertheless, an uneasy feeling crept over him that simply could not be suppressed. He didn't like being out at night and yet he tried not to let on that he would rather be at home in his bed than prowling through the darkest streets of London in the middle of the night... 

He turned into Buck's Row and suddenly stopped... ‘What's that...?’ He walked slowly towards the small pile in the alley. It was dark and he couldn't see his hand in front of his eyes. Only now did he realise that he had not yet lit his lamp, even though his instructor had told him to do so again and again. 

He lit his lamp and shone it in the direction of the heap on the road and immediately wished he hadn't. Staring in fear and horror, he couldn't believe what he was seeing and without realising it, he cried like he had never cried before in his life... 

‘You'll never forget your first day at the police station’ said his mum with a smile as he said goodbye to her. She was right...

Made for KVR OSC 186 with Apricot and MinimogueVA

Whitechapel

An entry for the KVR One Synth Challenge #186 : Any Two Synths Challenge (Second Edition).

All sounds created with Vital and TAL NoizeMak3r.

In a disturbing turn of events, Spaceman D. Bassman flirts dangerously with major scales, gets sassy with a saxophonist, plays Arkanoid on his Grandpa's Amiga, does some cleaning round the house, and brings it all to a climax while totally amped up to the max on Tequila, Pimms and Irn Bru.

Reaper 7
Vital (17)
TAL NoizeMak3r (2)

Track FX : DAW Native
ReaComp (8)
ReaMIDIControl (1)
ReaEQ (12)
ReaDelay (1)
ReaVerb (2)

Track FX : 3rd Party
ChowTapeModel (2)
Distorque Rangebastard (1)
MAutopan (2)
TAL Reverb 4 (1)
Toneboosters Reverb 3 (1)
TDR Kotelnikov (1)
TDR Nova (1)
Sixth Sense Deelay (2)

2 BUS FX
TDR Kotelnikov (1)
TDR Nova (2)
TB Barricade 3 (1)
Cockos Loudness Meter (1)

OSC186 - Any Two Synths Challenge (Second Edition)

Skull Nugget

KVR OSC#186 Any 2 Synths
Featuring "Elvis The Drone Master"

4 instances Synful Orchestra (didn't use it much in the end)
29 instances SurgeXT (mostly wavetables)
All sounds designed from scratch

Dead Duck: Compressor, Delay
ValhallaSupermassive
ReaEQ, ReaXComp
Limiter No6
SPAN, YouLean Loudness Meter
OrilRiver Reverb
JS Channel Time Delay
kHs Gain

You were built to withstand so much worse... now go

Realizing There's Nothing More I Can Do (OSC186 Vital+Deelay)

My entry in the so-called "One Synth Challenge" on KVR, round #186: "Any Two Synths". Brutal feedback please!

DAW: Reaper
FX counts (excluding monitoring plugins):
- Odin2 x17
- WhispAir x5
- Stereo Width x3
- OrilRiver x1
- TDR Nova x1
- ReaComp x1
- ReaDelay x1
- ReaEQ x7
- ReaLimit x4

Seven Years Have I Been Waiting

in 31edo. for OSC 186.
Made with Saike Partials and Noise Engineering Ruina, in Reaper.

Leonard Bowman - Destruction In The Service Of Beauty

This is my entry "Vitality" for the 186th edition of the KVR One Synth Challenge where all sounds were generated using the Vital VST plugin using a mix of free and included effects in Ableton Live 11.
I hope you enjoy it and feel free to offer any comments on how I might improve it if I do a remix for a wider release.

Please also note that downloads are only intended for personal use. Redistribution to other platforms (except for what is needed for the challenge ), modification, or other commercial uses is prohibited. If you wish to use it commercially or do a remix don't hesitate to contact me first to work out a deal.

Vitality

OSC#186: 38 active instances of SQ:8L and dBlue Glitch as "full 11" FX in Cakewalk. 

FX: Bass Professor MkII, Chow Matrix, dBlue Glitch, dearVR Micro, DReverb, GMonoBass, Harqules, kHs Delay, kHs Reverb, kHs Transient Shaper, lkjb SeeSaw, Oril River, OTT.

Because of their great love for the nature of their planet, the inhabitants of Ottakota, familiar from almost all over the universe, were the last to approach the development of interstellar flights. The first launch of the Chaika Starship was celebrated on all planets of the United Space. 

As is their custom, ottakotas recorded all important events in the music language. This is the first part of the narrative received from a starship all the way to the outer asteroid belt, where the direct signal was interrupted. Perhaps we will receive the following parts only by subspace transmission or from the next planet, which is included in the list of visits to the ship's log of the Chaika Starship.

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

Dj Terror - Alone In The Dark

VERTRÄUMTE NACHT

Join the challenge by going here: https://shorturl.at/bhBFQ

IV - Chaika Starship's Interspace Adventure! (SQ8L + DBlue Glitch)

IV

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