Electro , what is it, and its  history with Satamile Records. Almost everyone in electronic music has heard of 
Kraftwerk, and it really was these Germans that set the DNA for which the genre of Electro would spawn in the years to follow. Electro during this time in the USA was more breakbeat oriented with a multitude of them coming out of NY, and later Hip Hop (much slower tempo) spawned partially from Electro. Much of the main inspiration came from Kraftwerk during its US tour at this time, early eighties. This DNA consisited of some certain defining charachteristics such as, Synthesizers, Sequencers, vocoders of which at this time were all analog. For gear, think Roland-909,808,606 (little electro firecracker), Oberheim, Doepfer, Juno-106 and Akai samplers. Another main characteristic to define Electro  was its heavy endeavor to Science Fiction or "into the future" characteristics.  Its important not to confuse Electro with Synth Pop, New Wave , Industrial or breaks, these are all seperate genres defined by their own unique DNA and fans  (Ecspecially Electro House, and ElectroClash, both of which are not Electro).  So in short, think pop-in and lock-in robots, on the Enterprise as they break it down for their head-spins into the future Galaxy. 

Satamile Records was born out of the Rave scene of the very early 90's, which in itself had qucikly adopted the Electro genre for the rave Events giving a boost and creation of countless Electro labels, that only released Electro. We are sort of a new Electro or hybrid electro is some case's taking the best from the past and creating a bigger and fuller sound for the times.  We also really owe alot to Ravers and Promoters during this time,  for their open minds ,DIY ethic and sharp foresight into "Whats Hot". It was these pioneers that supported so many new underground genres, such Breaks, Techno, Electro
Tekhouse, Dubtek (Minimal) and Ambient (IDM) and NOT the major label executives in their cushy offices so you  really have to give a bow to the first wave of ravers and the promoters,,,the best music entrepreneurs of their time. Many labels today simply would not exist today if these people did not support the music and the politics of Law did not stop these events from happening. 

In our early years Satamile was will on the way with its involvement in Electronic music production and live performance .  We were a consistent presence in the NY underground scene and alternative Club scene. Performing live with Modulars and drummachines, Dj'ing, throwing events, sponsoring Graphic artist for flyers, all of which re-presented in some way the new electronic culture.  Hosting nights at Filter 14 (Jacky 60), The Cooler, Baktun, The Kitchen, Gas Station, Robots, Open Air, and many more. We have produced over 400 Club events in NY city for artist such as Ellen Alien, ADULT, Monolake, Pole, 
Schematics, Tipper, Mixmaster Morris, Andrew Weatherall, Keith Tenniswood, Mark Broom, Orbital, Keith Tucker, and many more.

Staying true to its nature Satamile allways pressed Vinyl along with its CD release's. Vinyl is a superior medium, and the taste of DJ ' worldwide for its
superb qualities and usability.  We had CD's in the early 90's , but who wanted to play them, when you cold play vinyl instead, it was so much cooler than a 
CD, it spawned Train Spotting, and was far better for dj'ing. Toady most of our vinyl is pressed at Brooklyn Phono, 225,000 pounds per square inch. This is still true for today  so buy vinyl when you can it rules the night waves and you wont have to worry about your computer crashing on Final Scratch. 

Today satamile exist as one of the leading Electro labels in the world with over 25 artist from all around the world on the label it will be coming up on our 60th release shortly.  Along with the main label Satamile we also have sub-labels, Bot and SatRX  to serve different purposes, Bot for downtempo projects, and SatRX for remix's. 


xvjasfcy

i guess theres more to you and me than the eye can see, so at least the waves silent! i owe nothing if so only to myself i feel the waves of many already 




- We are here to provoke - 🤘🏿MX, BCN & FNTSY.
Bastard Love? 
It’s my alter ego, the way I express my rocknrola life and the polarity of my music, dance music, underground music. 

Enjoy

Harfouche Charbel Aka. Arcaive born on August 1987 has shown great love to Music, Life, Funkiness, Craziness of this hidden Multidimensional sound world, and with some banging Headphones since his early ages Harfouche Charbel Aka. Arcaive let his spirit grow with the passion he owe to theses sound waves and dived deeply into these mind stimulating symphony's.

Having Studied Music Production in
the Middle East Audio Suite Arcaive Began his journey into music production and started creating his own music with his unique taste and choice of Sounds.
Learned the Piano for couple of years and has been Djing for 6 years which gave him a bunch of skills that made his Style so distinguish, sentimental, and futuristic.

Harfouche Charbel Aka. Arcaive have encircled him self with the right network of people where he has been able to work with the best names in his country Lebanon : Eddie Bitar the newly talented Armada & Vandit Record Producer, "Roy Malakian with The Pulse hosting the biggest names in the scene Paul Oakenfold, Roger Shah and vocalist Chris Jones.

Now he's Working with some of the Coolest guitarists and singers in Lebanon back from the old days.
Played in some of the coolest clubs and beach resort in Lebanon.

Harfouche Charbel Aka. Arcaive will give us faith, hope and render big our expectations with his love, passion and creativity that he put into his work when creating his unique sounds samples , head rushes and tripping electrifying music all this comes deep inside his spirit and his way of living.


With more creativity into this Neuro-Linguistic dimension Arcaive is committed to offer the best ways of communication into the near future stayed tuned and Enjoy the MUSIC.

Est. 1984  Eastern SA.

 -= Zion Studio International 
We bring with us over 20 years of experience in recording and we want our artists to come experience enjoyable and productive sessions with us that will last for a lifetime. 

There is no better work than promoting the welfare of all the people and whatever efforts I am making is to repay the debt I owe to all beings and to assure their happiness in this life, and attain heaven in the next". - King Asoka.

We specialize in timeless music - all aspect,all genres from recordings to production - sound mastering - Sound travels as sine waves through the air. 

 A simple sine wave has a very pure sound, such as the beeps heard during hearing exams or the tone of a tuning fork.

With an impressive assortment of gear, including a custom 48 channel Rupert Neve Designs 5088 console, 24- and 16-track 2" analog tape decks, an MCI 1/4" 2-track mixdown deck, Pro Tools HD2 Accel with 
32 ins and 40 outs via Apogee converters, a vintage EMT plate reverb, upright grand piano, 33 channels of boutique mic preamps, over 31 channels of high end, outboard equalization, 24 channels of real, analog 
compression.

Come and enjoy what we have offer you !  

-============= Z.S.I ============-

My mind is scrambled ,Nothing makes sense

The letters written down don’t make words

The feelings are too tense.My body tightens ,A belt around my heart Almost ready to explode in my chest…

Just to get some rest. Squeezing out my soul

Dripping out of my brain-While my thoughts

Slowly drive me insane -Trying to keep it in

Trying to fight the fight in a musical sense.

Big Respect to all Soundsystem owners, operators,selectors and MC's .

I AM A PRODUCER WHO MAKES WHAT HE MAKES , NOTHING IN SPECIFIC JUST DIFFERENT WAVES OF PRODUCTION. EVERYTHING MUST GO THAT I POST ON THIS SITE , FOR ONLY $50.00 YOU CAN LEASE THIS EXCLUSIVE BEAT FOR YOUR PROJECT AND IT WILL BE YOURS IF YOU WANT ANYTHING MORE FROM IT LIKE ALL THE RIGHTS IT'LL ONLY BE RANGING FROM $75.00 - $100.00 DEPENDING ON THE BEAT . IF I EVER FIND OUT MY PRODUCTION IS BEING USED WITHOUT PAY , I WILL LET MY LITTLE WHITE FRIEND IN THE SUIT TAKE CARE OF THE DEBT YOU'LL OWE ME . PEACE LOVE AND SUPPORT THE MUSIC . PRODUCED BY DZZL .

Bio 

About DJ Iron Chef

Classically trained on the violin since the tender age of four, Jason Johnson Yeh, a.k.a. DJ Iron Chef, started performing for the masses at age six and went on to play the violin for 16 years. Born and raised in Orange County, California, Iron Chef owes his musical ear to his childhood violin teacher, Master Fu (critically acclaimed, renowned violinist from Shanghai) and his involvement in the competitive “Orange County Youth Symphony Orchestra”, one of the premiere American youth orchestras, providing the highest level of pre-professional orchestral training for young musicians. Deeply rooted in music his whole life, Iron Chef has had the innate ability to quickly grasp the intricacies of any instrument he picked up, including the piano, the guitar, the drums and finally the turntables.

In July of 2006, Iron Chef embarked on his DJ training at Los Angeles’ Scratch DJ Academy (www.scratch.com) – a DJ school, founded in 2002 by the late, Jam Master Jay (Jason Mizell), the legendary DJ from Run-DMC. In no time, Iron Chef was whipping, mixing and “cooking up the freshest beats”. He thanks his instructors here, “I am so grateful and lucky to have learned from the best DJs in the world, I really owe it to my teachers, who are not only cooking up the club scenes and TV and radio waves, but also making an impact on the community by teaching what they know best. It would have taken me at least 5 years to get to where I’m at now, if I were to have learned how to dj by myself”, says Iron Chef.

After relocating to Hong Kong in January 2007, Iron Chef’s dj’ing career took off, starting off with Buddha Lounge in Soho (23 Hollywood Rd.). He spun an eclectic mix of RnB, Hip-hop, Rock, Old-school, Disco and House, every Tuesday night (”Ladies Night”), from about 10pm-4am. He explains his experience with Buddha Lounge: “I really owe my experience of dj’ing in HK to Pawan (owner of Buddha Lounge), it was really at Buddha Lounge, that I had the creative freedom to weave through multiple genres of music in one night, as well as spin in an intimate setting – it was really the interaction with the customers and bar staff, and getting their immediate approval that made the experience so special, but man there were some pretty wild parties, the place was often packed like sardines, and it seemed like the later it got, the larger the crowd, and often times, I would be spinning into the wee hours of the morning sunrise just to keep the dance-floor moving.”

Known for his mish-mash style and smooth transitions, Iron Chef has also spun for M1NT, Club No. 9, Club Sugar, Zaza, Vertigo Ultralounge, Lotus, corporate parties and now spins regularly at CLIQ.

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