Music: Kenny Dyer [ https://soundcloud.com/kenny_dyer ]
Lyrics & vocals: Martin K Anderson aka Marty Andersson [ https://soundcloud.com/mkandersson1982 ]

Please follow me on YouTube: https://www.youtube.com/channel/UCYL2DjqNtA663q2UUo0Mu3w

&& Rumble: https://rumble.com/c/c-5578571

Apple Music

Marty Andersson: Calamity (feat. Kenny Dyer)

Have you ever realized you can't "unexplain" something...it's not even a word in the dictionary..

Ambulance In Gridlock

Hello…….. so many goodbyes in this life, maybe more than hellos? But who’s counting? Not me. I was pondering about some of my more difficult goodbyes. Some happy, some sad, some angry, some glad… (OK there’s the chorus you won’t hear.) Ha. Another short song. For whatever reason, there are some goodbyes that are more difficult to live with than others. This song is about a particularly difficult goodbye. I’ll leave it at that. What about some of your goodbyes? How did they go? As far as the instruments I played on this song, I must say I do like noodling about on the recorder and also on mandolin. They are both instruments I can play without thinking much about notes, or technical musical matters… Although probably obvious to any recorder or mandolin player is the fact that I do not really know the particulars of the instruments yet…. And maybe never will, but it is sure fun nonetheless. In outdoor news, I watched a large flock of house sparrows swarm into the lilac hedgerow. They were so noisy, all of them chattering. I wondered what they were up to. Later, I heard some chickadees scolding. So I went to look for a cat behind the lilacs. Didn't see one, so I sat in my old chair on the porch listening to the sparrows. The chickadees were still annoyed, so I stood up. There was a fledgling goshawk sitting right there on the top beam of the old swingset facing the lilacs. All the sparrows were now quiet. So I walked over, and at first the hawk didn't see me. I was really close. The hawk finally turned its head to see me, then quickly swooped up and over the fence. All the sparrows quietly made a break for it. Gather the goshawk couldn't get at the sparrows when they were in the lilacs. I do see feather piles here and there as I walk around. I found the dynamics of survival so telling while the hawk and sparrows played cat and mouse. And the parallels to humans were uncanny. Thanks for dropping by, Mark

Lammbone's Album

Don't Want To Say Goodbye

This is new take on a song that Rodolfo and I first worked on 4 years ago. He had always imagined it with fine saxophone and great backing harmonies and now that Continental Collision has a wonderful pool of talent to draw on, that has become a reality, thanks to Ce Mastro and Georg Boehme's beautiful contributions.
The song has been given so much more feeling and emotion.
Thanks to them and Rodolfo for believing that we could succeed  and thanks to all of you for listening.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and additional lyrics
Javier Rolando - Original song lyrics
Ce Mastro - Backing vocals and chorus vocal arrangement - @cemastro
Georg Boehme - Sax solo and fills - @georg-boehme
Image (Caithness, Scotland): Courtesy of Douglas Corrance

A Stranger In Your Heart - Continental Collision featuring Ce Mastro & Georg Boehme

I don't know what I've done wrong?
I don't know why you have gone?
Though I hope some day,
When I whisper your name,
We'll be together.
But today's too soon.
When I think of you, I dream.
Yet still, I'm a stranger,
Yet still, I'm a stranger in your heart.

Sometimes I feel like a fool.
Never knowing whether you'll,
Give me hope some day,
Still I call your name.
We'll be together.
Is today too soon?
When I think of you, I dream.
No longer a stranger,
No longer a stranger in your heart.

A Stranger In Your Heart - Continental Collision (featuring Ce Mastro and Georg Boehme)

a song I wrote to support the difficulties in Myanmar (Burma). War is bad

Burma (live acoustic)

Bringing back a song I wrote nearly seven years ago. The American soul -- we like to tell lots of good stories about ourselves. Here's one that's not so good -- the account of the Moore's Ford Lynchings, in which a Black WWII veteran and his pregnant wife were murdered. No one was ever convicted of the crimes. How much of this same cruel spirit is still with us now?

https://en.wikipedia.org/wiki/Moore%27s_Ford_lynchings

there’s a tree in Georgia that never should have grown
it held the bodies upright they were tied with rope

I will be redeemed I will sing and shout
I will be restored just not now

Mae Murray was  twenty four heavy with a child
when her head had fallen down they cut the baby out

forty legs that walked away forty eyes that saw
twenty souls that never said a word to the Georgia law

1997 fifty years had gone 
someone came to find the place and mark the dead with stones

Spotify Link

I Will Be Redeemed

Stämmor Före 1991

Out of gold into zinc. 750 ( 1984 ) Margareta Theorin ( Margareta )

Here is my feelings. ( 1992 ) Eddy Mango - Margareta Theorin ( Eddy )

Cast of characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, Roland Phantom 6 synth, vocals, lyrics, arrangement, composition

J.J. Terrell-- @j-j-terrell—JJ--  Yamaha Genos 2 and Yamaha MoXF8 
synth, organ, electric piano, and vocal harmonies

Mistermark-- @user-432503709 -- Mark – clavinet    
 
Llanpsych-- @llanpsych -- Tez – Fender Stratocaser through a VST synth FX device

TexMex Shaman– @texmex-shaman –Stephen–  Gibson Les Paul electric guitar, Fender Acoustasonic acoustic guitar, Gibson Earl Scruggs Mastertone banjo, mix, production, and mastering

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion

This song started when as a vague idea Josh came up with while listening to Lionel Richie's All Night Long followed by Michael McDonald's song Sweet Freedom. He wanted to create a song that uses that same basic structure because those are both perfect pop songs in his opinion. He came up with a rough structure on his bass and piano before enlisting the help of his team of musical superheroes. 

  Ken was first up to bat, adding his magical drums and helping Josh find a groove on his bass. Ken later added the hand percussion that adds a spicy drive to the song, too. Next up was Mark, who added the funky clavinet throughout. Stephen threw down after Ken, adding some foundational guitar to the stew. He also added the awesome banjo you hear trickling throughout. Very shortly after, Tez came through with the trippy guitar solo at the end. JJ followed with the breathy organ that lifts the whole thing aloft.

  Now that we had a solid foundation to work with, Josh added the synth "horn" part in the middle, as well as the vocals, including the third harmony part in the choruses. JJ added the fifth harmony part in the choruses soon after. He also added the synth hooks throughout and synth solo at the end. Not stopping there, he also added the electric piano intro, with Ken's drums, and Stephen, who added the electric guitar in that part, as well.

  Now that the whole thing was in the can, it was time for a mix. One of our resident production experts, Stephen, did the honors, as well as the mastering. 

  This is an example of everyone in the Eclectic Collective adding just the right puzzle piece to form the bigger picture. We hope you enjoy listening to this as much as we enjoyed making it. 

Original lyrics by Josh Clary:

Got a little baggie
Got a tank of gas
Now what I need from you 
Is to light a fire under my ass

Let’s put down our phones
And turn up the tunes
By now you know there’s nothing 
That we can’t get up to

Wherever we go 
That’s where I want to be
Just as long as 
I know I have
You there with me
Because
I’m down for anything x2
And you know that’s true
You know that’s true

Whatever you wanna do
Whatever we get up to 
I’m down for anything
Anything

With you I love to eat
But I never want to sleep
Because I don’t want to miss out 
On spending any time with you

When I hear you laugh
Or get excited with a gasp
You make my heart feel like
I just ran a lap

Let go on a run 
Or figure out some fun
Or jump in the car and drive to where 
The ocean meets the sun

Chorus repeats/Chorus reprise

When you hit me with those eyes
You know you hypnotize me
And just when I think you won’t 
You can still surprise me 

We’ve done it all before
Now let’s go do it all some more
Every day is a reward 
When I feel like I just scored

Do it now. ( 1994 ) Eddy Mango ( Eddy )

Margareta & Eddy