Exciting rhythms! Wonderful melodic synth energies! Super sounding bass lines!

interesting and unique --These low tone offer a real Noir feeling--the expansion ln the second half adds optimism but still ln the minor key--makes for a most entertaining work!!

New themes but the devlopment of the first section continues!

FMT Frequently Listened

Production Note
https://furicomusicteam.blogspot.com/p/easterly-ocean-current.html

Easterly Ocean Current

Show Me Your Way

Production Note
https://furicomusicteam.blogspot.com/p/looking-up-at-clouds.html

Looking Up At The Clouds

Per Fiammetta

Original lyrics by Cesare Pavese (From C. to C)

Dappled Smile (from C. to C.)

Production Note
https://furicomusicteam.blogspot.com/p/free-day.html

Free Day

Cover of Talking Heads’ Psycho Killer.

One of the most original bands of the late 1970s.

Original https://youtu.be/eauZzwt8Ci8

About Talking Heads https://en.wikipedia.org/wiki/Talking_Heads

More cover versions https://soundcloud.com/yankel-muromachi/sets/duck-cover-versions

Published on SC 3 March 2023

Situationism

Psycho Killer (Talking Heads cover)

Artur (Surfers Like Us) - guitar
Josh (Entheogenic psychonaut) - bass
J.J. Terrell - keys
Ken (K2 and the Three) - drums and percussion
Tez (Lanpsych)- backwards guitar and lead guitar
A Llanpsych mix

Surf Dance with Surfers Like Us, K2 and the Three, Josh Clary E.P. And J.J. Terrell

saving up the things

Wake Up In A Panic

Evil Amongst Us

25/10/2023 Release

Jadyss Vol,3
-Phase Unpredictable-

Abstractive,Brave,
Infinity of under subconscious...

Yamata no Orochi
Loxo
Cryptsynapse
a landscape of void of beauty
SoJuKaNoU
beta
House Of Tapes
psy_xl
anbien

The 9 colors above spell out the solemn green jade colors.
The tracks of the depths of chaos are here.

This EP is the 3rd memorable compilation work.
Phases move into unpredictable states.

[OUT NOW]25th Oct 2023 Compilation EP Jadyss Vol,3 for Promotion

Production Note
https://furicomusicteam.blogspot.com/p/searching-for-concept.html

Searching For The Concept

From the soft, digital murmur of notation software and the absence of physical instruments, The FURICO Music Team (FMT) emerges, not as a band, but as a motion. A pendulum. A thought experiment materialized in waveform. 

Founded in Japan and composed of members TM and TI, FMT is less a musical group than a conceptual unit for sonic construction, deconstruction, and transformation. Describing their works as Auditory Art, FMT doesn’t simply make music; they create what they call "Auditory Art," where sound is both the medium and the inquiry. Every note is born in a digital void, composed entirely through notation software and production tools, unbound by fingers or fretboards. It’s a practice that reveals new sonic geometries and emotional architectures built in impossible spaces. 

Their latest album, Le Cube Dans Mon Rêve (The Cube in My Dream), is a speculative sonic response to Cubism, not its visual representations, but its method. Its disassembly. Its ghostly logic. The origin spark was a quietly buried drawing by a guest collaborator, Chiaki Tamura, a torn, reassembled work titled Temps et Regard (Time and Gaze), which became both a mirror and a catalyst for TM’s reexamination of Cubist thought in sound. 
As TM reflects, "Music history seemingly skipped a Cubist movement. While visual arts progressed through Fauvism, Cubism, Expressionism, and Futurism before reaching abstraction, music moved almost directly from Impressionism to dodecaphony, as developed by Arnold Schönberg and others."  What if that missing chapter had existed? What if sound could be prismatic? What if musical time, like a shattered face in a Braque or a bottle in a Picasso, could be reassembled, fragmented, and out of order? 

The album unfolds in the exact order of its creation, beginning with Cube 1: Le Déclencheur (Trigger), a foundational piece inspired by Cézanne’s visual innovations and imagined as a kind of "Neo-Impressionism" in sound, using tonal ambiguity and rhythmic displacement to suggest fragmented perception. Originally intended as part of a suite with Cube 2: Les Tentatives (Attempts), a geometric deconstruction of the first, these two works became the seed from which the remaining tracks organically emerged, each one reflecting a new facet of the same conceptual object as it is turned, refracted, and glimpsed from shifting angles. 

Though FMT’s work is forward-leaning, it resonates with the subtle futurism and ambient sophistication threaded through Japan’s proto-electronic history. Their music evokes, not imitates, the spatial elegance of Interior, the crystalline classicism of Satsuki Shibano, the fluid bass geographies of Motohiko Hamase, and the generative logic that once launched YMO into myth. These references aren’t about genre, but rather a shared instinct to reshape sound into unfamiliar, emotional forms. FMT extends this lineage not by homage, but by dismantling its language to sculpt new, imagined architectures. 

But this is no academic exercise. FMT’s palette is strange and delicate, sometimes cool and distant, sometimes tenderly off-balance. Sounds echo without sources. Rhythms that seem to emerge in rehearsal. Voices, or echoes of them, drift in and out like fleeting thoughts. It's music composed not to replicate Cubism, but to dream it, to simulate its psychological weight as well as its form. As the album's subtitle implies, Le Cube Dans Mon Rêve is Cubism remembered as it never was: a dream fragment of a movement music never had.

The FURICO Music Team - Cube 1: Le Déclencheur (Le Cube Dans Mon Rêve, 2025)

The FURICO Music Team - Cube 6: L'Avant Et L'Arrière (Le Cube Dans Mon Rêve, 2025)

Hell Yeah's lovingly curated Buena Onda series is back with a new edition that focuses on Adriatic Beats & Beyond. It has been assembled by label head Marco Gallerani and features four exclusive new tunes that reflect his summer residences at a cosy beach bar on Italy's Eastern and Adriatic coast.

Marco moved back to his hometown of Ferrara after the pandemic and began spending more time at the local seaside, the famous Lidi Ferraresi. It's there, at Lido di Spina, that a friend runs Kai Beach Bar, a small spot where, every Thursday throughout August for the last three years, he has soundtracked afternoons and sunsets under the Buena Onda banner, more than a decade after the party first started in Berlin.

"The beat has become less Balearic, more Adriatic," he explains of the sounds that can be heard up and down the coastline. "There’s no sunset culture yet, but they like a groove for aperitivo. This selection reflects the music I propose there, a kinda sunrise to sunset trip."

The 13-track selection includes four exclusives: the first is Blende's 'Amor,' which is forthcoming on the label. Johan Blende is a Swedish producer, songwriter and DJ who weaves together modern dance with retro sounds of the 70s and 80s and debuts on the label this summer with his Recess EP. 'Amor' is a bubbly groove with a New Age wash and lo-fi pads full of charm.

Hell Yeah regular and Italian magic man Walter Del Vecchio aka Quiroga also offers a new Baia Club Ambient Version of 'French Kiss' which has a lazy acid line worming its way through dubby kicks and tabla drums, and his dreamy electro soother 'Cala Ventosa' also features. Secret Soul Society, aka South Wales's Cal Gibson, also tests a new EP with his 'Orange Surprise' blending off-balance rhythmic shuffles with starry cosmic melodies. The final exclusive is from Balearic Gabba Sound System, who flip The Vendetta Suite aka the legendary Gary Irwin's 'Della Notte' into a quietly epic cinematic closer with icy analogue beats and a warped bassline for dubbed out late night escape. His 'Island Hill Microdot' also offers some warped cosmic ambient house introspection.

Elsewhere, Michele Mininni features twice - once with Gallo's Tropical Hinterhof Remix of the suspensory ambient lushness pop 'Carousel of Tears' and once with the original percussive pressure and hip-house fusion of 'Urban Voodoo' from his Pop Archetypes LP. Buena Onda veteran Feel Fly comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy vocals that glow as warm as a setting sun.

Add in further groovy gems such as Bonnie and Klein's synth and vibes laced 'Horizon Avenue,' dreamy, breaks-driven downtempo brilliance from pub wave innovator Dawn Again, hints of Ibiza cool from Willie Graff's remix of Aura Safari & Jimi Tenor and some upbeat synth-laced house from label stalwart Luminodisco and you have a faultless collection of grooves for grown up dance floors. 

Compiled by Marco Gallerani
Artwork by Matteo Gallerani

Thanks to Everyone at Kai Beach Bar - Lido di Spina (FE)

download

The Vendetta Suite - Della_Notte (Balearic Gabba Sound System Remix)

DELERIUM (2015)

Flying for the moonlight

Beside The FURICO Music Team (FMT), another account "The FURICO Production" has been opened, where primarily TM, Producer and member of FMT, selects for "FURICO Playlists" and praises other artists' tracks that TM values and loves. The Production aims to do that for various artists not only in music.

Funny and funky in a kind of serious way:)

We’ll be taking a break from updating SoundCloud for a while, as we’ve started a collaboration with Kitchen.Label — an independent label from Singapore exploring subtle and immersive music.

That said, we’ll still be checking in as usual, so feel free to leave us a comment or send a message anytime. Thank you always for listening.

The FURICO Music Team 15 May 2025.

Free Day

The FURICO Music Team - Auditory Art

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