Upside Dawn

Mixed for Lillithe

This playlist "FMT Pianic" gathers piano-featured digital pieces out of The FURICO Music Team - Music Works, which have unique tastes - very different from not only ordinary piano works but also the Team's other pieces. Selected by TM of FMT.

FMT Pianic

Magika

Mega Mix Tape 7

Flow

FMT Frequently Listened

Production Note
https://furicomusicteam.blogspot.com/p/notes-nha-8-320-am-even-though-i-love.html

Newfangled Hotel Ambience 8: 3:20 am

Since pre-historic times, man have been in love with colours, collecting pigments from various rocks and plants to express themselves with cave and body paintings....the artist was born.
In medieval times great painters paid Immense amounts of money to have certain colours produced with particular pigments, these pigments came from all over the world, these same pigments today are worth small fortunes, and the painters knew how important they were, their painting still look alive today.....this is my homage to colours...
Big thank you to Audio Ollie for providing a world class free piano called Memoir Piano, visit his site he's a 5 star library creator.
Special thank you this time goes to an artist you can find on Pixabay, his name is Ivanovgood, after a few messages he was graceful enough to allow me to use his work as my artwork.
Please visit his page, it will brighten your day, immensely talented he is https://pixabay.com/users/ivanovgood-1982503/
 Kind regards.

Pigments

Production Note
https://furicomusicteam.blogspot.com/p/easterly-ocean-current.html

Easterly Ocean Current

SNAKE OIL (ft Colleen Bleazard)

عملت على هذه المقطوعة خلال حرب غزة في أيار من العام ٢٠٢١

لم يتسنى لي ان انشرها حينها. ولا اعتبر هذه فرصة ايضاً . ولا اريد ان اميزها كذلك... تضارب. تماماً كحال بشريتنا.  لعلها حتمية.

هذه تعبير عن حزن روحي تجاه الحرب. فتأتي الاصوات باردة ومشتتة. ضائعة في فضاء لا تجد نفسها فيه. 

في حين ان الحرب تأتي لتسيطر. الأصوات هنا تأتي عكس ذلك، ربما لتكتشف لماذا يحصل كل هذا؟

سلاماً للأرواح التي فَقدت نفسها في الحروب لعلها تجد نفسها في إثير آخر.

ح ر ب

While I was gone…
I return but I’m too late 
I’ve missed the heart that wanted me
should I disappoint those eyes 
left hunting 
searching so to see 
refuse to look away til they noticed me
they noticed me

Am I so late…
stab the faith within the heart 
that yearned for me
now laid to rest
eyes closed beneath the wait
and I say my tardy name 
my tardy name 
so much left unsaid 
hurried conversation under
breath reserved for each 
our mirrored hearts 
once more unto the breach

While I was gone…
my return has come too late 
and I’ve missed the heart 
that wanted me
the heart that wanted me 

A translation of E Dickinson poem 234

Emily 234

An elaborately inviting composition by @user-596493783 
https://furicomusicteam.blogspot.com/p/saint-germain-en-laye-suzanne-ledwith.html

The participating members of SGEL, are as follows.
STONERJAZZ on guitar
soundcloud.com/user-911083679
Western Boketto on bass
soundcloud.com/westernboketto
The Windscale Blues Experiment on flute
soundcloud.com/windscaleblues

Photograph of Lace webbed spider: taken by SuZanne Ledwith

Somewhere I've never been  - The Furico Music Team

Production Note
https://furicomusicteam.blogspot.com/p/undertones.html

Undertones

This track is my spontaneous improvised piano soundtrack to a 17 minute video of the earth viewed from the International Space Station. The footage starts in the mid Atlantic and ends over the Italian Alps.

https://youtu.be/z8FSyehprdc

NASA make available the imagery that the astronauts aboard the ISS shoot and one of their favourite things is creating timelapse sequences. Being timelapse the earth flies by about 20 times faster than real time which although spectacular is not particularly relaxing. I noticed that videos were available on youtube which were beautifully smooth and playing at near real time derived from these sequences using software incorporating AI motion extrapolation to slow down the original timelapse sequences. I decided to have a go at this myself and after a bit of experimentation the video sequence with the accompanying soundtrack linked above is the result.

The View From Above

Contains a snippet of narration of H. P. Lovecraft's 'The Colour Out of Space' by Ian Gordon for HorrorBabble.

Lovecraftian Herb Garden

Half Blind Lucy - Morning Face

Production Note
https://furicomusicteam.blogspot.com/p/dear-lessons.html

Dear Lessons (Piano Version)

The Day Of The Penguin.
Today 20th January is the day of the Penguin.
I have been fascinated since these little creatures from a very young age .Today is to raise awareness for what we are doing to our planet and there species. This is for the Adélie penguin.

The Day Of The Penguin

Production Note
https://furicomusicteam.blogspot.com/p/looking-up-at-clouds.html

Looking Up At The Clouds

It's a pleasure to revive my old Samoa project here again since it disappeared on this cloud many years ago. This is a fresh new compilation mix with some of the most exciting and lovely contributions to this little song which traveled around the world back then. 
My heartfelt thanks still goes to my musical friends and brilliant contributors 🌼

00.00 - 00.28 with Jens Felger (Germany), add. guitar
00.28 - 00.54 with Galina (Britain), keys / perc.
00.54 - 01.40 with Carlos Younes (Brazil), add. guitar / strings / perc.
01.40 - 02.17 with Leticia Gabian (Portugal), vocals / lyrics
02.17 - 02.53 with Helena Paglia Rios & Quique Cano (Uruguay), vocals / bass / add. guitar / keys / perc. 
02.53 - 03.30 with Anuradha Padmanabhan (India), vocals / lyrics
03.30 - 04.25 with Vicente Bueso (Spain), cello / strings

[Composition, guitar and whistling: Ax.W.]

Here is the original tune: https://soundcloud.com/axelweis/samoa
Find all exciting renditions (on ReverbNation):
https://www.reverbnation.com/828725/albums/154176

More music:
http://www.weiss-haenitsch.de/AxW.html
http://www.axelweis.bplaced.net/wordpress
http://www.facebook.com/AxelWeissMusicianProfile
http://www.youtube.com/user/azzelweit

Samoa Compilation

Boffins Are Baffled

All You Ever Do Is Bring Me Down #01, Gene Jumper, ( cover )

All You Ever Do Is Bring Me Down,# 01, Gene Jumper, ( Cover)

It's been a while since I posted my latest track, which in fact dated back to 20 years ago. I've been struggling with several issues, and sadly I haven't had many chances to record any new stuff, these latest months or years. This time I won't say things are going to get better in future, because I'm not so sure they will; still I really hope so.
This piece is about spiritual dawning.

Teth Sin : acoustic guitars, flutes, synthesizers, samplers (piano, Tibetan bells), sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

photo: Zdzisław Bekiñski
https://youtu.be/GlnJoClHP5k
Thumbing the nose at bad moods/anxiety. Who wins? The jury is not yet out. Just happy to have achieved a post, it has been a while.

What's that?
It's hollow inside
Can't believe there's nothing in there!
Yep, it's hollow inside
We've been tricked by social media
Hollow inside?
Keep it down or he might here you!
Yep, it's hollow inside
Hmm...

I just want to go back home
(I don't like it here)
I just want to go back home
(I don't like it here)

I just want to go back home
I just want to go back home
(I don't like it here)

What's that?
It's hollow inside
I just want to go back home
Can't believe there's nothing in there!
I just want to go back home 
It's hollow inside
(I don't like it here)

I just want to go back home
It's hollow inside
Can't believe there's nothing in there!
I just want to go back home
It's hollow inside
(I don't like it here)

It's Hollow Inside

IMPLOSION INSIDE (p)  15/03/2023🎧  Fil NorX 

Implosion Inside

Nena - Neue Deutsche Welle  -Ihre Hits Hier in Megamix 2022

Nena - Hits Megamix 2022

Love Theme From Romeo & Juliet
Did try out some new string technique here, where I do some vibrato like feel, using a analogue lead that increase in volume and color, this makes the violin to become more vibrant and realistic since it is difficult and can destroy the violin sound itself if having to change it, so this is testing how to color violin using a layer of another sound to play like mirroring the sound

Nino Rota’s soundtrack to Franco Zeffirelli’s 1968 film, "Romeo and Juliet"

Romeo n Juliet

Production Note
https://furicomusicteam.blogspot.com/p/silence-after-you-leave.html

Silence After You Leave - On Piano

Petit Biscuit - Burnin (Dafqula Remix)

Retour aux Aiguilles de Port-Coton (piano)

Production Note
https://furicomusicteam.blogspot.com/p/in-mirror.html

Prosewise In The Mirror

Dollar General

Room With a View

Tempus Fugit

I am Nobody

'Flow'

Falsestart: rhythm & bass
Scotty: lead, lyrics, vocals

I'm somewhere stuck in the middle.
I can't decipher these riddles.
I know I must but can't seem to let it go.
The strength to see through these billows
brings restless nights to my pillows.
Spiraling, I can't seem to let it go.
I'm digging deep into will, though,
or it continues to kill, slow.
Spiraling, spiraling, spiraling, spiraling, spiraling.
I must find a 'good' way to overcome.
Spiraling, spiraling, spiraling, spiraling, spiraling. 
I must find a 'good' way to overcome
or I will succumb. 

Society, I'm finding,
is difficult surviving.
It's in my mind, I just gotta let it go.
Inside, I feel I'm dying.
Can't stop these tears from crying.
It's in my mind, I just gotta let it go.
Although you see me trying,
can't keep myself from flying.
It's in my mind, I just gotta let it go.
I can't do so when I am feeling low.
It's in my mind, I just gotta let it go.
I can't do so when I am feeling low.
So, I rise again. 

Your influence; uplifting. 
I feel my spirit shifting.
Negatives; I know I can let 'em go.
My brain's begun its sifting
to keep my mind from drifting.
Negatives; I know I can let 'em go.
This strength, it comes within me.
My destiny's within reach.
Negatives; I know I can let 'em go.
Go, go, go, go, go, go.... 

Here I am. 
My own man.
With no plans.
Flow.


flow (with Falsestart)

Production Note
https://furicomusicteam.blogspot.com/p/searching-for-concept.html

Searching For The Concept

From the soft, digital murmur of notation software and the absence of physical instruments, The FURICO Music Team (FMT) emerges, not as a band, but as a motion. A pendulum. A thought experiment materialized in waveform. 

Founded in Japan and composed of members TM and TI, FMT is less a musical group than a conceptual unit for sonic construction, deconstruction, and transformation. Describing their works as Auditory Art, FMT doesn’t simply make music; they create what they call "Auditory Art," where sound is both the medium and the inquiry. Every note is born in a digital void, composed entirely through notation software and production tools, unbound by fingers or fretboards. It’s a practice that reveals new sonic geometries and emotional architectures built in impossible spaces. 

Their latest album, Le Cube Dans Mon Rêve (The Cube in My Dream), is a speculative sonic response to Cubism, not its visual representations, but its method. Its disassembly. Its ghostly logic. The origin spark was a quietly buried drawing by a guest collaborator, Chiaki Tamura, a torn, reassembled work titled Temps et Regard (Time and Gaze), which became both a mirror and a catalyst for TM’s reexamination of Cubist thought in sound. 
As TM reflects, "Music history seemingly skipped a Cubist movement. While visual arts progressed through Fauvism, Cubism, Expressionism, and Futurism before reaching abstraction, music moved almost directly from Impressionism to dodecaphony, as developed by Arnold Schönberg and others."  What if that missing chapter had existed? What if sound could be prismatic? What if musical time, like a shattered face in a Braque or a bottle in a Picasso, could be reassembled, fragmented, and out of order? 

The album unfolds in the exact order of its creation, beginning with Cube 1: Le Déclencheur (Trigger), a foundational piece inspired by Cézanne’s visual innovations and imagined as a kind of "Neo-Impressionism" in sound, using tonal ambiguity and rhythmic displacement to suggest fragmented perception. Originally intended as part of a suite with Cube 2: Les Tentatives (Attempts), a geometric deconstruction of the first, these two works became the seed from which the remaining tracks organically emerged, each one reflecting a new facet of the same conceptual object as it is turned, refracted, and glimpsed from shifting angles. 

Though FMT’s work is forward-leaning, it resonates with the subtle futurism and ambient sophistication threaded through Japan’s proto-electronic history. Their music evokes, not imitates, the spatial elegance of Interior, the crystalline classicism of Satsuki Shibano, the fluid bass geographies of Motohiko Hamase, and the generative logic that once launched YMO into myth. These references aren’t about genre, but rather a shared instinct to reshape sound into unfamiliar, emotional forms. FMT extends this lineage not by homage, but by dismantling its language to sculpt new, imagined architectures. 

But this is no academic exercise. FMT’s palette is strange and delicate, sometimes cool and distant, sometimes tenderly off-balance. Sounds echo without sources. Rhythms that seem to emerge in rehearsal. Voices, or echoes of them, drift in and out like fleeting thoughts. It's music composed not to replicate Cubism, but to dream it, to simulate its psychological weight as well as its form. As the album's subtitle implies, Le Cube Dans Mon Rêve is Cubism remembered as it never was: a dream fragment of a movement music never had.

The FURICO Music Team - Cube 1: Le Déclencheur (Le Cube Dans Mon Rêve, 2025)

The FURICO Music Team - Cube 6: L'Avant Et L'Arrière (Le Cube Dans Mon Rêve, 2025)

Thinking of those who are homeless this Christmas - may their gods bless and care for them.

The Chosen One

Cardboard homes, in disused doorways.
All alone, same as always.
No city lights will shine on him tonight.
Can you believe, it’s Christmas Eve?

Wolfhound sleeps at his feet.
Like the Christ-child’s sheep behind a Bethlehem Street.
No blessings will fall, no wise men call.
Just the bottle’s relief, on Christmas Eve.

Now dawn’s come callin’, without a sun.
Night has fallen on the chosen one.
His body’s frozen still, as rush hour spills.
They’re all blissfully pleased, that it’s Christmas Eve.

He never made it far;  he left no trace.
Led by a blue flashing star to his mortuary place.
Jesus weeps; his chosen one sleeps.
One more life to grieve, on Christmas Eve.

The Chosen One

Funny and funky in a kind of serious way:)

We’ll be taking a break from updating SoundCloud for a while, as we’ve started a collaboration with Kitchen.Label — an independent label from Singapore exploring subtle and immersive music.

That said, we’ll still be checking in as usual, so feel free to leave us a comment or send a message anytime. Thank you always for listening.

The FURICO Music Team 15 May 2025.

Dear Lessons (Piano Version)

The FURICO Music Team - Auditory Art