oh man--this is thrilling--So Fresh and beautiful--progressive at lt's best!!

those chords and harmonies... I would never think of that in my life, wonderful!

Wonderful composition with an insistent energy that's  just amazing!

Very nice, love the soundscapes you're coming up with.

Flow

The song is a collaboration between Gary Kemske, guitarist Rick Land, and singer-songwriter Gregg Kemske.  Rick and Gregg completed the composition and recorded it in a living room using a BR800 digital recorder.

Just Like We Use to Be

Just Like We Use To Be

Production Note
https://furicomusicteam.blogspot.com/p/dear-lessons.html

Dear Lessons (Piano Version)

Sound Weird -

Having benefitted from many generous SC artists' Open Collaborations in the past, I have decided to upload my own.

Please feel free to add anything you like. If you'd like me to comment and repost, please send me a DM and I'll oblige as soon as I can. Sorry I won't be able to send individual stems.

It is a simple guitar, bass and drums turnaround, repeated three times. Complicate it as much as you'd like, or just use it to jam to as you please

Be good

Nick

pic: https://www.researchgate.net/figure/see-also-colour-in-the-insert-Ephyra-larval-stage-of-jellyfish-scyphomedusa-feeding-on_fig29_266223304

Open Collab - Jelly

22 2 6

This is The Shadows In The Shade.  It's about "living in a simulation" theory.

Lyrics:
Watching every move you make
Hearing every thought
Knowing everything you are
And everything you're not

Nothing will you try to do
Nothing do you say
Shadows in the shade
Providing you the way

Every move you make, your own
Believe what you believe
Yet doing things with cause unknown
Is too much to conceive

Barely take a moment's pause
Then get on with your day
Back on track and for the cause
For that's the chosen way

Connecting and collecting
Minds and souls to trade
Blending in the background
Shadows in the shade

In another lifetime
Outside in the sun
Playing games with those they knew
Real friends having fun

Mothers called the children home
When the sun went down
Street lights brightly shined the way
For all the kids in town

Immersing in the virtual
Real worlds to the eyes
Without a question follow paths
As if hypnotized

Somewhere in the deepest dream
A voice is calling out
Street lights brightly shine the way
Then suddenly go out

Morning brings a brand new day
In time all dreams will fade
All part of the simulation
From shadows in the shade

The Shadows In The Shade

Parfums d'avant


  Dans la vie de simples symboles,  coupures d'esprit 
regards noirs s'envolent
 longues facéties annonces désinvoltes, du sang meurtri, 

 Tout n'est pas différent, il y a le temps qui se prolonge 
Sur le fil de nos songes, les lumières disparaissent
Laissons les bons moments, survivent étonnamment
Dans des grains de poussière, en suspends, en l'air



 Tous les mots d'amour se réduisent un jour dans les sources en cours et les pas de velours.
Ils résistent aux feux, ils résistent au vent, ils voyagent par tous les temps.
Inscrits dans nos mémoires, ils survivent au temps, gracieux, ils demeurent vivants
ils sont des charbons ardents , sur lesquels les ans, ne laissent pas de blancs

 C'est au fil du temps  des beaux moments on regarde enfant
les sables mouvants
visages étranges et faux semblants  bonbons sucrés regorgent d'amitié
les bons moments illustrent le temps des parfums d'avant
nos plus beaux chants
 des charbons ardents, sur lesquels les ans, ne laissent pas de blancs

Parfums D'avant

Half Blind Lucy - Oasis of Love

Recording sessions from 10/03/2023 - 12/03/2023.
1 track MOOG Modular (vst Arturia), 
1 track Beatstep (Arturia),
1 track Guitare (Yamaha),
2 tracks Spark (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental 
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

The human stood up and saw the horizon, a need for discovery and to see who could harm him...
Time passed and then one day appeared the big vertical cities which erased for millions of humans its horizon.
On September 11, the greatest verticals collapsed and the world changed, from lies to lies, the horizon did not return and it was even seriously darkened!
Will we see the dawn sun again, on a new day? hope...

L'humain s'est levé et a vu l'horizon, un besoin de découverte et de voir qui pourrait lui faire du mal...
Le temps a passé et puis un jour sont apparues les grandes villes verticales qui ont effacé pour des millions d'humains son horizon.
Le 11 septembre, les plus grandes verticales se sont effondrées et le monde a changé, de mensonges en mensonges, l'horizon n'est pas revenu et il s'est même sérieusement assombri !
Reverrons-nous le soleil de l'aube, un nouveau jour ? espoir...

Horizon vertical

Horizon Vertical

;-Fond Diffus Musical-;

Retour aux Aiguilles de Port-Coton (piano)

Dollar General

Room With a View

Tempus Fugit

I am Nobody

'Flow'

Falsestart: rhythm & bass
Scotty: lead, lyrics, vocals

I'm somewhere stuck in the middle.
I can't decipher these riddles.
I know I must but can't seem to let it go.
The strength to see through these billows
brings restless nights to my pillows.
Spiraling, I can't seem to let it go.
I'm digging deep into will, though,
or it continues to kill, slow.
Spiraling, spiraling, spiraling, spiraling, spiraling.
I must find a 'good' way to overcome.
Spiraling, spiraling, spiraling, spiraling, spiraling. 
I must find a 'good' way to overcome
or I will succumb. 

Society, I'm finding,
is difficult surviving.
It's in my mind, I just gotta let it go.
Inside, I feel I'm dying.
Can't stop these tears from crying.
It's in my mind, I just gotta let it go.
Although you see me trying,
can't keep myself from flying.
It's in my mind, I just gotta let it go.
I can't do so when I am feeling low.
It's in my mind, I just gotta let it go.
I can't do so when I am feeling low.
So, I rise again. 

Your influence; uplifting. 
I feel my spirit shifting.
Negatives; I know I can let 'em go.
My brain's begun its sifting
to keep my mind from drifting.
Negatives; I know I can let 'em go.
This strength, it comes within me.
My destiny's within reach.
Negatives; I know I can let 'em go.
Go, go, go, go, go, go.... 

Here I am. 
My own man.
With no plans.
Flow.


flow (with Falsestart)

Dance of Freedom

Funny and funky in a kind of serious way:)

We’ll be taking a break from updating SoundCloud for a while, as we’ve started a collaboration with Kitchen.Label — an independent label from Singapore exploring subtle and immersive music.

That said, we’ll still be checking in as usual, so feel free to leave us a comment or send a message anytime. Thank you always for listening.

The FURICO Music Team 15 May 2025.

Listen to Korima songs at www.korima.net


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Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

Spring Solstice


Winter Solstice 
The Winter Solstice is an astronomical phenomenon that marks the shortest day and the longest night of the year. In the Northern Hemisphere, the Winter Solstice occurs on 21 or 22 December, when the sun shines directly over the tropic of Capricorn. At sunrise on the shortest day of the year, for 17 minutes, direct sunlight can enter the Newgrange monument, not through the doorway, but through the specially contrived small opening above the entrance known as the ‘roof box’, to illuminate the Chamber.

Samhain
The púca
Of all the ghosts and fairies abroad on Halloween, the púca (or pooka) was the most feared and October 31st was known as Púca Night in parts of Ireland. The púca, meaning 'goblin', can be malevolent or benevolent and is not solely associated with Halloween. It's a mythological fairy and the ultimate shapeshifter, capable of appearing in a variety of forms but most commonly as a dark horse or part dog.

October 

Night migration of birds.

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September

Barn swallows bury themselves in mud in lakes



August

Barn owls and birds of prey on the move
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July

Watching bats emerge at dusk.

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June

walking in meadows




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May
The Dawn Chorus:  Ireland 5 am.
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April
First swallow of the year
Welcome, welcome
From out of mud in lakes
Were you resting there?



March

Unveils like a first thought
A whisper



February

"Nothing stands out yet", you said
As you looked over your shoulder
Broad and rounded, square and hunched
I thought I heard you say, "We are water
And over time we solidify"

Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic Design by Simon

January
Snow white egret
among fields of greenandbrown
Are you lost in its vastness?
Bubulcus ibis.

DE-cem- ber
Silver EEL migration 
down river to the sea
on a moonless night

through
an obstcale 
of nets
Cutting blades
pollution
And 
Par -a -sites
White egret



December
Mild to touch, not yet winter
snow drop dropping still
daffodil 

November, can I surrender to your dying
Are you truly dying or surrendering



Is it not enough to be ALIVE, autumn 
As birds migrate thousands of miles, autumn
Of an inner stirring and outward knowing

Is BE-ING
to Our Mind
bor -ing

As summer turns, it turns
To autumn, autumn
The slugs and worms live at the root; 
The slugs eat the juice of carrot
Is it good for their EyEs too...?

I buried a 'th' in the soil
With vowels and nettles
And I, this eyE, aye, oh
This What...?
This sometimes
Known thing
Doesn't kNOW oh oh

Winter take, take these
Sor rows, lay them
Deep ee eep
To become worms
for the birds to eat


ever ever
Denied to

.
Concept Art by SuZanne Ledwith
Photography by something&knot Productions 
Graphic design by Simon

Dear Lessons (Piano Version)

The FURICO Music Team - Auditory Art

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