"The Hadron Orchestra was founded in 2010 by Gabor K, producer/composer, sound designer.
He has chosen a niche from the broad spectrum of the electronic music world. His aim is to create music based on cosmic intuitions, psychedelic feelings and sounds generated by oscillator. Sometimes all these spiced with a little classical music atmosphere.
If you want to place him in the world of music, think on ambient, psychill, downtempo, but it's just simple psychedelic electronic music.
Gabor has been composing since 1989. He wrote music for theaters, TV-shows, commercials, and worked with several DJ's in the last two decades. The most important impressions he got was the musical culture of Goa in the early 90’s"

All Hadron Orchestra tracks written and produced by Gábor K.

Dystopian Soundscapes for Utopian living.
Ambient Dub Techno.
アムビーアント・ダブテクノ
Kicks, chords & bass surrounded by ambient sounds of Japanese bullet trains, stations and street sounds filtered through dubbed out delays and dark reverb.

“It comes on slow & strong like mescaline. There's elements of tech noir, world music, ray gun gothic and post-dust.  It exudes an 'authentic' futuristic urban vibe.”  - Cryptodigitator
"Fascinating concept...pure technological wilderness." - Synthetic Behaviours
"Great deep, low, suburban techno sounds .. we love it." - Ramteam Records
"Reminds me of Psychic TV and Shpongle in the most wonderful ways." - Amunraja

Sounds like: DeepChord, Echospace, Rhythm & Sound and Brian Eno.

DystopianSoundscapes.com

Electronic music artist since the mid-'80s.
I create tracks of different genres and moods.

Thanks to all musicians and music lovers
on soundcloud who support me with likes,
comments and reposts. That motivates me
to record new tracks.

On SoundCloud since December 2017
© All rights reserved

MY DEMOS  https://soundcloud.com/user-82109184

Electronic symphonic and a touch of classical.
    
Various electronic influences include early Jean Michel Jarre,  ELO, Wendy Carlos, Tangerine Dream, John Carpenter, FSOL, Abba, Tomita, Joel Fajerman, Mort Garson as well as some early Moog albums.

Various classical influences include Chopin, Debussy, Mozart and Beethoven.

puristic ELEKTRO from Germany since 1998

"I want to tell something, I want to include stories in my tracks, I want to say something, and it's up to everybody himself to decide if it's important or not." (Anthony Rother, Groove Magazine 1998)

"Ich will etwas erzählen, Geschichten in meine Tracks packen.....ich will etwas aussagen, ob das wichtig ist oder nicht, kann jeder für sich selbst entscheiden" (Anthony Rother, Groove Magazin 1998)



M.R.E.U.X, worldwide recognised character of the electronic music, started his DJ profession influenced by punk/industrial style proper of the hungry 80s, period when the world witnessed the development of the first electronic instruments such as synthesizers and drums analogic machines. However, in the late decade came across the new beat/acid house movements; hypnotised, he decided to take it on the stages and in the clubs where he worked.
 
Few years later, he started his own business opening a little shop of imported American and English vinyl disks; thanks to this, he managed to expand his musical culture and notice other kinds of reality (ambient music, techno and so on...). But the real twist for his carrier occurred in 1993, when he was employed by Zero Gravity Distribution, company which offered him the possibility to work with the most important distributions of that age and to become one of the most influent vinyl pusher in Europe.
 
While he was taking every opportunity to represent his country in several European manifestations of techno music (Love Parade, Street Parade, Mayday), he decided to product songs and mixes for some musical labels including Muzak Rec., Spock Rec., Pin Up Rec. Ambitious and not satisfied enough, he came up with the idea of joining Mantra Vibes and, subsequently, creating his own label: the Badlab Records.
 
The following years have been inspirational: he planned to build his own discographic room and open his new label, the Blumoog Music, an ambitious project which ended up making him work with the major and historical exponents of the electronic movement of the entire world, from Steve Stoll to Terrence Dixon, passing through Beroshima, Edit Select, Alexi Delano and Aubrey.
 
His concept of music is quite simple but, at the same time, plenty of meaning: “Fuck business, save vinyl”. 12” format is his believe and old analogic devices are impressed in his mind.
 
M.R.E.U.X, a man who doesn’t like following rules, a man whose vocabulary doesn’t present the word “commercial music”, a man who is just into everything is consider as alternative.
 
He’s always looking for rare and inspiring sounds which can offer psychedelic moments and energy to dance, trying to match elegance and quality in every product…in a single word: the one and only.
 
Welcome to his world.

HUMAN EXPO is following