‘Did you know that there’s a tunnel under Ocean Blvd’ 

The New Album Out March 24th, Pre-Order – 
 http://lanadelrey.lnk.to/oceanblvdID  

Listen to ‘Did you know that there’s a tunnel under Ocean Blvd’ – http://lanadelrey.lnk.to/oceanblvd_sID

http://lanadelrey.com

Nothing's Free Out Now: https://angelolsen.jagjag.co/nothings-free

Booking : joran@wartiste.com
Management : matt@kidding-aside.com
Presave 'Invisible' : https://nto.backl.ink/invisible
The story behind NTO started with a match made in heaven, a kid from the South of France always hooked to his guitar, and electronic and dance music. After going to the Sziget Festival when he was 18, NTO started to hang out regularly at La Villa Rouge, and Bar Live, two legendary clubs in the South of France. At the time, German minimal techno music was booming and Anthony Favier would spend his nights listening to Stephan Bodzin, James Holden, or the very beginnings of Paul Kalkbrenner: "My biggest music crush of all time”. The evocative power of music, strong kicks and the unifying atmosphere of dancefloors: this is the triple focus that will inspire him to create and produce music without going through the usually mandatory DJ phase.

The story behind NTO is also about his friendship with Worakls and Joachim Pastor, with whom he created Hungry Music in 2013. Performing together on the Olympia’s stage to the Vieilles Charrues Festival, they learned to master the stage, and seduced a new generation that would follow them faithfully from this moment on. Thanks to his hits "Trauma" and "La clé des champs", which account for several millions of streams on DSPs, NTO's career took off internationally: from The Netherlands, to Germany, to Eastern Europe to Canada...  

Today, NTO is about to start a new chapter of his career. With deep basses and lysergic harmonies, he filters different layers of his melodies to make them sparkle even more, just as if they emerged from the water after hitting rock bottom. NTO is currently working on his first album.

Born in Lleida, he studies solfa and piano since he was 7, starts his own band when he was 16 and gets
soon fascinated by the intensities of groups like Sonic Youth or Deus. At 20, he buys a GrooveBox 303
and starts producing electronic music with raspy bases, soaking up the electro and acid sounds. In 2002
he starts being part of the Club Bakomba as a partner, together with Robert Lamart and Pep Gaya
(American typewriter). A small place where the German minimal techno is lived intensely. He plays in several
local bars in his city, carries out a tour along the Czech Republic where he takes part in the Underground
Garage urban festival in Prague and, finally, leaves his natal city to move to Bcn. From 2002, he
joins the NsT group, through which they claim the stylistic diversity in opposition to the increasingly homogenized
scene in Barcelona. He collaborates with Telenoika and Lectrovision, he spends his time in
festivals and raves, and obtains a monthly residence in the P23 and in the B-Side. Nowadays, he shares
set with Lectromind, developing sessions that go from the dubstep and the IDM to the electro and the
most sober techno.

In 2012, he starts materializing his personal project, Parabolic label, a record and audio-visual production
label based on the full coexistence between the electronic music and the visual.
With regard to his live sets, edu su tends to the breaks, electro and IDM, creating loaded scenes filled
with emotion and contrasts that go from the most synthetic rhythmic crudeness to a sonorous density that
invites you to be attentive to what is going on. Though of moderated bpm, it turns out to be forceful and
danceable

New album "Dreamweaver" out now:
https://trentemoller.lnk.to/Dreamweaver

2025 Tour Dates:
https://tix.to/trentemoller

Copenhagen’s Anders Trentemøller has long been respected as a creator of extraordinarily memorable melodies and dark soundscapes. While many artists follow a pattern of invention and reinvention, Anders’ arc has been a series of points along the same curve, playing the long game with each release representing the next chapter in a constantly evolving series.

Dreamweaver continues on this track, combining elements of shoegaze, dark wave, motorik, noise rock and somber, introspective takes on electronic pop but in a considerably more psychedelic manner. The chronology of its 10 songs is an immersive experience that presents additional otic pleasures when headphones are strapped on.

Boan is following