Did A Glass Of Lemonade Cover Up For My Lack Of Talent

careless

440bit

V.A. - Enhancement
Presented by Amebre Kizami

Bandcamp

Old Tricycle [Released by Enhancement]

↓こちらに参加させていただいてます
https://madbreaks.bandcamp.com/album/new-blood-ii

Berserk Dancing

ODCRASHIN(evil Galaxy Foam 220 Version)

Angst vor dem Tod

https://youtu.be/h-iHKDnncZg?si=YDQvOfwGDSPmwdmQ

Expessimistinking

Akmuo - Unrest
Lunar Cycles [KZND009 / Kizen Records]

Produced by Tadeuš Jatkevič aka Akmuo
Mastered by Kizen Records 
Photography by Tadeuš Jatkevič
Design by Off T.
Released by Kizen Records from Berlin, Germany
Release Date: November 29th, 2025
Format - Cassette and Digital

A heartbeat of dub, deep and low,
Echoing where the shadows go.
Through dusty and hissy trails of sound,
a timeless rhythm spins around.
The space between, so vast, so clear,
A distant voice we strain to hear.
Looping sequences, boundless wide,
pull us into the cosmic tide.
Chords shimmer soft, then fade away,
like twilight bending into gray.
Each note, a star, a point, a trace,
floating gently through endless space.
Distant whispers, a lunar hymn,
draws us out, then pulls us in.
A cycle turning, soft and true,
a dub-drenched dream beneath night's blue.

Kizen Records 
https://soundcloud.com/kizenrecords
https://www.facebook.com/kizenrecords
https://www.instagram.com/kizenrecords
https://kizenrecords.bandcamp.com

Oslated.
http://www.oslated.com

Lunar Cycles

Unrest

Support & Buy

Akmuo - Unrest [Kizen Records]

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


Expessimistinking

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