We are the Masters! the government is the Servant!

Paris Shooting 1000% Fake!!!
First video they FAIL to involve more muslims in to this big fake event, also the dead of the cop is fake and it happend to be a muslim just to involve muslims to!!
https://www.youtube.com/watch?v=UZrBlISUDU4

Second Video: Bullet Misses Head And the next day the journalist speaks out and says: The blood on the ground which is been PUT there? The Original Video Is Been Deleted By Youtube 2 times https://www.youtube.com/watch?v=yh7j1AcpSjI
This one down is Uploaded by other people.
https://www.youtube.com/watch?v=rBYml-MErLE





Ebola excist, but nobody has got it!

People who have Malaria or die from other disease they say he or she died from ebola. making up that people have ebola and then asking for money! 

Like these diseases they say ebola but its something different...
https://www.youtube.com/watch?v=Y6hM6YMu4FQ


Just keep in mind not to trust and not to be influenced by the corparate media. They lie hold us busy with fake terrorism till fake shootings. Wake up! They play with your life's. See how they play with the people 

https://www.youtube.com/watch?v=7t9LrAQiPXM

Holes where already in the wall but they said it happend with the terrorist attack..... https://www.youtube.com/watch?v=50ew0TTYztA

According to Mess and Noise, Claire Birchall is “a genuinely brilliant songwriter who should be lauded more frequently”.  She has so far released four incredibly diverse albums, including one by her full-tilt rock band Paper Planes (2008 ‘Paper Planes’).  A talented multi-instrumentalist and DIY enthusiast, Claire self-records, mixes, and plays the majority of the instruments on all of her solo albums.  She is now set to release her fourth, titled ‘Electricity’, due out this May.

Claire’s 4track recording obsession began when she was a teenager in the ‘90s.  To this day she continues to record all of her solo releases as such, with no plans of “going digital”.  Due to the many years of developing her recording craft she is capable of creating lush sounding albums that are far from “lo-fi”.  Her first solo album, 'This Gallery of Mine' (1999) was a cassette only release that circulated throughout the Geelong underground, gaining her some local cred, gigs and Geelong radio spots.  Her follow up, 2001’s ‘Captain Captain’, became a Melbourne community radio favourite, scoring a spot in Triple R’s Soundscape Top 10.  It’s intricately layered instrumentation and sweet vocal harmonies captured widespread interest and a host of fans.  'Gallery' and 'Captain' were belatedly officially released in 2013.  

Greatly admiring chameleon artists such as Neil Young and Beck, Claire likewise carries a minor aversion to sticking to the one sound for too long.  Although she loved fronting Paper Planes, whose successes included the critically acclaimed self-titled album (“Words fail me. Perfect.” – M&N), when they suddenly disbanded, she seized the opportunity to take a new path.  As Claire told an interviewer in 2013, “I'd been doing the Paper Planes indie rock thing for a long time [and] you start getting in a bit of a box in terms of what songs you can do. I had been really neglecting my home-recording stuff too.”  For the next few months she chronicled a new collection of songs with the help of her Casio keyboard, guitars, and army of effects pedals.  What resulted was the album ‘PP’, “an extraordinary mélange of basic beats, distorted keyboard and guitar, and pop songs of exceptional resilience” (M&N), worthy of being “a serious contender for the best of 2012” (Lorraine Crescent).  Her cover of The Bangles ‘Manic Monday’ was a Triple R Breakfasters staple for endless weeks.  

With her 4tracking fixation reignited by ‘PP’, Claire instantly moved on to recording new songs.  Two years later, ‘Electricity’, was finally complete.  In the artist’s words, “I’ve got finicky with this new album ... every time I record a new song, I think ‘Oh, that’s actually better than one I thought was good enough.’... I’ve been using my loop pedal a bit, I’ve mixed things up … between loops – fuzzy guitar – but it’s also got a bit of a country vibe.  It’s different from PP; not as much drums”.   An incredible amount of instrumental tracking was done for record, producing a dramatic wall of sound.  As for the mood, Greg Wadley, who mastered the album, said it “sounds like Coburg”.  Most would likely place the album under the indie-rock banner, but from the country stylings of ‘Maryjane’ to the self-proclaiming ‘Rock and Roll Girl’, gloomy ‘80s pop inspired ‘Lucky Charm’, and noise guitar driven ‘Magnetic Field’, ‘Electricity’ proves that Claire is an artist that can cross a variety of genres with ease.

In mid-2014 Claire put together a new band, Claire Birchall & the Phantom Hitchhikers, featuring Bec Birchall (Paper Planes) on keys/vocals, Pete Azzopardi (The Coves/The Happy Lonesome) on bass/vocals, Jarrod Brown (The Coves) on drums, and Matthew Green (The Happy Lonesome) on harmonica.  Birchall & the Hitchhikers have been lurking around the last few months playing songs from ‘Electricity’ and Claire’s previous work in preparation for the album release.  They’ve found an immediate chemistry, and all agree this is a band that was meant to play together.



Bands: Asleep at the Wheel, Hey Norton, Katy Benko, Night Train, Stargazer, World Pro Fun Tour, Eddy O, Jeffery Cain, Nexus, Jack Poster, Ducks on Mars.

Recording engineer for: Mose Allison, Gravity Adjusters Expansion Band. 

I play: Keyboard, Bass, Electric and Acoustic Guitar, Vocals (lead and backing).
Most all tracks are performed by me and recorded in my home studio using Presonus Studio One Artist.

Every 2 weeks you can listen in streaming to a new house session with the playlist with fresh music and the latest songs from all around the world, so keep posted

http://www.facebook.com/#!/group.php?gid=35832138310&v=wall

Get this international community bigger by sending invitations to all your friends who share the same passion : House Music

"Where words fail, music speaks" so turn up the volume and play my mix


Love and Peace 

DJ BSM 

(¯`v´¯) `·.¸. ℒℴⅴℯ 31 year old alwaysNever Dream To Fail!!! i say C'mon Son lol im tired im laugh im jealous im scareding im pissed off im single now im serious im Relaxed im a virgin One person got on my nerves here cheating on me and lies to me that true...i premise to mike-boatsnhoes i love mike-boatsnhoes so much >3 i think about mike-boatsnhoes all time im remember mike_boatsnhoes say love me i love my friends and family and my cousin's and niece granddad granny.... bullshit and suck myself loney im don't a cheating ok... DOFAT TV ATLANTA or DOFAT TV NEW YORK or DOFAT TV CALIFORNIA on tinychat...i have twitter hit me up on my twitter name is tamara898 all my friends ok...:) im so pretty and beautiful im a little woman i little bit mad and im hear to guys and guys don't leave me and guys stay with me and im listen to guys and hope guys feel better and i'll brb No problem Ur welcome and person driving me up the wall and im bored as hell right now and im all be stuck in the house soon as i get home and guys have my soul and my body and im spank guys and 2940 W. Mankat york, PA. 17404 and guys are dumb ass and guys are they but heads i want to punch in your face i want to punch windows out I sick & tried I won't put up with your shit! i want to kick your ass i need a doctor and dentist emergency im on way the store im to gotten out the store myself don't good today and sick & campy I got pain in my tummy and my head man that places a ring on my finger would make I happy i guess guys guys go away I want you. only you. no one else. guys need to come over here asap guys want to feed me Im to gotten in the Shower i just wondering of you I checking on you I want to hold you I come to there pick up my stuff one person don't know my business I am with you no where Rather be I will never let you down I can promise you I will never hurt you
www.soundcloud.com and THUG PARADISE MONEY POWER RESPECT MILLIGANG MOST H8TED RAPCITVIP THETAKEOVERTV LIME LIGHT LOUNGE GT1SDOLLHOUSE SUPREME 
 need to fix my Computer or Laptop and On days like this I just want to cuddle sometimes, I just feel so alone I'm proud to be single i living with my parents i need someone doing my hair for me i have personal computer i have to gotten the stuff i make guys Turn on i love you understand i have husband pet name is hubby and back cuddling bear people be safe i have on t-shirt and jeans panty and bra I just want to laying on your chest and listen to your heartbeat. I want to laying down in your arms I all that matters you we belong together Love it when u make me smile! i stuck tried waited for you i'm done listen to bullshit i trust you i just want to hold you tight i touch you I open my legs & breast for guys THE PASSWRD IS
 Any word except "bird" .. ! .. go go go

 ╭∩╮( -_- )╭∩╮ ¯\_(ツ)_/¯
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Justin Vee recalls the moment when house music stole his soul. Inspired by anthems like Josh Wink’s “A Higher State of Consciousness”, B-Code’s “Feel Good” and MK’s dub of Paula Abdul’s “My Love Is For Real” his love affair with electronic music truly began from the dance floor. As a teenager, parties held by friends became the informal training ground to Justin’s early DJ endeavours. Years later, the desire to be heard stronger than ever, Justin was fortunate enough to be taken under the wing of three of SA’s top DJ’s at the time, Paul Almeida, Mario Viegas and DJ Spiro.

Under the watchful gaze and careful direction of his newfound mentors, Justin was able to take the final leap from dedicated dance floor punter to professional DJ “playa”. He burst onto the party scene in 1997 at Johannesburg’s legendary Sunday playground, ESP. Justin’s fine-tuned funky house skills left clubbers in complete awe and made an immediate and indelible impact. His popularity and profile soared instantly. In the space of only 8 months, Justin moved swiftly through the ranks, cemented his status and landed residencies at mega-clubs ESP and Nexus and for party brand, Slippery ‘n’ Wet.

Concurrent to his burgeoning progress behind the decks, it seemed almost pre ordained when Justin joined the BMG Record family and workforce, following in the footsteps of his patriarch and siblings. In his capacity as sound engineer for BMG Studios South Africa, Justin went on to record many of SA’s finest musicians including Just Jinjer, Watershed, Amersham, Louise Carver, Arno Castens, Gift Gwe, Judith Sephuma, Jody, Vusi Mahlasela, Heinz Winkler, the Soweto String Quartet, Idols & Project Fame contestants, Grannysmith, Loyiso Bala and many others. He also worked closely with TK Zee on three of the band’s albums, stayed on right through BMG’s merger with Sony Music and to this day still remains under the employ of what is now known as Sony Music. Over the last 14 years, music has become Justin’s life. Quite literally, 24-7. And he loves every second of it! Immersing himself in studio even during his down time, Justin also composes original dance music as well as material suitable for TV and radio ads for the French and SA markets. 

Continuously evolving with the music, Justin’s accomplished productions are inspiring contributions to the world of house music guaranteed to always elevate his audience. He cites the success of “Get Together”, his collaboration with Adrian Shannon of Grannysmith, as the most memorable moment of his production career. The track charted in the Top 10 on every major SA radio station, reached the No. 1 position twice on 94.7 Highveld Stereo’s Homebrew and was featured on “The Hits 15” and “Club Anthems 2006” albums which had combined sales of over 60 000 units. Other noteworthy singles include “Enjoy This Feeling” featuring vocals by Veronique aka “V” of Idols fame; “Sunrise” featuring vocals by Alicia which charted in the Top 10 across various SA radio stations and was named one of the Top 40 songs of 2007 by 94.7 Highveld Stereo; Idols runner up Gift Gwe’s, “Back To You” co-written by Justin Vee and the title of his debut album; Idols winner, Jody’s “Never Knew Love Like This Before” and more recently during 2009 Louise Carver’s “Time Is A Healer” which was remixed by Justin and charted across Top 100 nationwide radio charts climbing as high as No. 3 on Take 40 SA during June 2009. The track also cracked the nod to appear on well-known album compilation,” The Hits 21”.
 
Whilst still gigging at ESP, Justin’s first foray into the retail music environment was realized when he was selected to mix one of a series of ten limited edition ESP EPs. He subsequently went on to mix further commercial releases including Funky House Vol. 1 with female counterpart DJ Lalicia; Clubland SA, a double disc compilation between himself and Manuel Oetll; Serious Beats Vol. 2 as well as Just Funky and Just Too Funky, a selection of seriously, super-funky beats courtesy of Justin Vee and friends.

Then in 2007, Justin was invited to come aboard what is, without doubt, one of the most successful, quality dance compilation brands of the last decade, House Anthems. The brainchild of Kevin Grenfell (of 5FM’s Vinyl Frontier fame) and Ricardo da Costa (Soul Candi), House Anthems has built a reputation on raising the roof and pleasing the masses time and again by delivering the freshest, fiery staples of radio hits and club anthems. House Anthems 5 mixed by Kevin Grenfell and Justin Vee exceeded sales of 10 000 copies within the first 30 days of release! Sticking with this winning formula, the 6th installment released in early 2008, true to form, was stacked “wall-to-wall” with some of the biggest and best dance floor anthems of the moment! 

In 2008 the massively successful dance franchise returned in its 7th incantation after undergoing major renovations and extension. For the first time ever a triple disc monster, the HA7 album featured 3 of SA’s most applauded DJ’s, series initiator Kevin Grenfell, Dean FUEL and Justin Vee. More recently during early 2009, House Anthems 8 heralded the return once more of Kevin Grenfell and Justin Vee alongside HA newcomer Roger D’lux; all poised to whip your Friday night into a right royal frenzy! Kevin’s contribution all adventurous, Justin the party starter par excellence and Roger the scratch master and technical whiz kid, theirs, once again, was a formula that did not fail to impress!

Over the course of Justin’s illustrious career he has played alongside some of the biggest names in the global industry including Layo & Bushwacka, the Shapeshifters, Hoxton Whores, Sharam Jey, Style of Eye, Chris Lake, Cosmic Gate, Eddie Halliwell, Paul van Dyk and Fatboy Slim amongst countless others too numerous to mention. It's been a steady rise from the infamous raves of the early 90s, to a legendary residency at ESP, Nexus, Sutra and for Africa’s biggest dance event, H2O. Anyone drafting an ‘A-list’ of SA’s most in-demand DJs will not only find the name “Justin Vee” near the top, but discover that few, if any, have sustained playing the local gig circuit for as long and as consistently as this legend has.

Over the years Justin has remained loyal to a sound underpinned by seriously infectious baselines, funk-infused rhythm and that always-hypnotic groove. With an unbiased fascination for all good electronic music and the recognition that the key to stirring excitement and compelling any crowd to move lies, ultimately, in the baseline, has allowed Justin to develop a style, which draws from a variety of house genres. From tech tinged and funk edged to twisted electro or bumping house, Justin’s distinctive drum driven, energy fuelled style renders him accessible to virtually any dance floor. 

Today, with no less than three massive radio hits, seven Top 40 singles and ten DJ mixed albums to his name, record industry producer and chart topping songwriter Justin Vee attributes his many and varied achievements to a deeply rooted musical background. And it is this coupled with his engaging personality, natural exuberance and an infectious enthusiasm for the music, which he produces and plays that effortlessly rubs off on and enthralls every crowd Justin Vee performs for.

It’s no surprise then that Justin’s star remains firmly in the ascendant and his is a future that shines undeniably bright. Plans for 2010 include a further two DJ mixed albums under the House Anthems brand followed by the introduction of an all-new, as yet untitled, Justin Vee DJ mixed compilation series. On a production front, Justin will also be dedicating considerable time to producing brand new material for radio release. Already in the pipeline is an exciting collaboration with lauded Household Funk vocalist, Justin Chalice.

As one of the hardest working names in the local industry, Justin Vee is the definitive DJ and producer! Renowned for his ability to spot a hit record a mile off and with a technical proficiency second to none, Justin has never taken the easy route to success. His undeniable passion for house music overthrows the boundaries of merely playing records and is what truly sets Justin apart.


Originally formed as a hobby between friends, the first formation of this band was back in 2004 with Mike, Gibby and a high school friend all meeting up for jam sessions at Mike's house. Of course, this was destined to fail, with no real commitment from any of the members. But, having got a taste for playing in a 'band', Gibby and Mike decided to continue jamming together and invited Ennis along early in 2005. With Ennis writing the music and Gibby and Mike helping to arrange it, songs started to form. Soon we were in need of a vocalist. 2006 saw Scott Webber and Eddy Wall join the band on joint vocals. With this first line up, the band chose their name (Aftermath) and moved out of Mikes house and into a practice room. Figuring that a rhythm guitar would add more depth and opportunity for harmonies, Bobby Powers was recruited to the band. During 2007-2009, Aftermath began playing around Bury as often as possible, utilizing local pubs, birthday parties (yes, people want metal at their birthday) and supporting other bands (we played at a cricket club with a rock band and an indie band. We scared people. It was good) and occasionally ventured into Manchester to do some gigs.

Sadly, Eddy Wall had to leave at the end of 2009 due to a change in personal circumstances which meant he could no longer concentrate on the band. But the band powered on, with Webber taking most of the vocals, and Gibby and Bobby helping out as often as possible. More and more songs got added to the set list with Ennis' innate ability to come up with new (more complex) riffs and the addition of a few covers as fillers. Also, the change in line up prompted a change in name, from just plain Aftermath to the current Aftermath Eternal.

2010 became Aftermath Eternal's best year yet, with a few new songs (The Enemy, Until We Break The Dawn, Judgement Day) being added to the list, removing the need for any covers, and more gigs taking place around Bury and Manchester. The year was topped off by playing to around 200 people whilst headlining Manchester Club Academy. But after this gig, the band went into a lull. Bobby lost interest in playing metal and wanted to move to his prefered genre of pop-punk which led to him quitting the band, although he did come back for one gig in 2011 to help the band out. The band went pretty much silent after this, continuing to practice but having no real direction.

2012 saw a new Aftermath Eternal line up come out of hiding, with Kris Price being added to the band on rhythm guitar. With MORE new songs, the band where fully commited to getting our sound to the public. We recorded our EP in April, headlined Manchester Club Academy again in June and were continuously looking for more gigs and more ways to get our music noticed.

The most recent change in the line up is Webber quitting in August 2012. After 6 years with us, we wish him all the best in the future and hopefully we will still see him at gigs. He has been replaced by Joe Gibson and Aftermath Eternal are currently back on track, so get down to some gigs and we will see you in the pit!

Nightmare!

(Now your nightmare comes to life)

Dragged ya down below
Down to the devil's show
To be his guest forever
Peace of mind is less than never
Hate to twist your mind
But God ain't on your side
An old acquaintance severed
Burn the world your last endeavor

Flesh is burning, you can smell it in the air
'Cause men like you have such an easy soul to steal (steal)
So stand in line while they ink numbers in your head
You're now a slave until the end of time here
Nothing stops the madness turning
Haunting, yearning, pull the trigger

You should have known
The price of evil
And it hurts to know that you belong here, yeah
Oh, it's your fucking nightmare
(While your nightmare comes to life)

Can't wake up and sweat
'Cause it ain't over yet
Still dancing with your demons
Victim of your own creation
Beyond the will to fight
Where all that's wrong is right
Where hate don't need a reason
Loathing self-assassination

You've been lied to just to rape you of your site
And now they have the nerve to tell you how to feel (feel)
So sedated as they medicate your brain
And while ya slowly go insane they tell you
"Given with the best intentions
Help you with your complications"

You should have known the price of evil
And it hurts to know that you belong here, yeah
No one to call, everybody to fear
Your tragic fate is looking so clear, yeah
Oh, it's your fucking nightmare, ha ha ha ha!

(Ha-ha-ha-ha-ha-ha)
Fight! (fight) not to fail! (fail) not to fall! (fall)
Or you'll end up like the others
Die! (die) die again! (die) drenched in sin! (sin)
With no respect for another
Oh!

Down! (down) feel the fire! (fire) feel the hate! (hate)
Your pain is what we desire
Lost! (lost) hit the wall! (wall) watch you crawl! (crawl)
Such a replaceable liar

And I know you hear their voices
(Calling from above)
And I know they may seem real
(These signals of love)
But our life's made up of choices
(Some without appeal)

They took for granted your soul
And it's ours now to steal
As your nightmare comes to life

You should have known the price of evil
And it hurts to know that you belong here, yeah
No one to call, everybody to fear
Your tragic fate is looking so clear, yeah
Oh, it's your fucking nightmare!

I'm fear hey host skipper summit now which is terrified for me Sony any who I am get outtalk this house and I'll going to freaking shock every part of my size eighties show your outfits I will be in she’s like for real you guys looking I'm G believe and now only be G musher size large windows this ha should be a happy and I am going to try my best to not let you know my mine mean to monumental reckless arm take away from such happy day for me in time can get his house a medical shop maybe shop this makes me feel bad and I'm going to celebrate my news 8 jeans arm I'll probably go kick you were my boo and animal see a movie on to something to take my mind off much stress today and down Reno I was sitting here thinking like whole people Holy See winery Lufkin how wall just remember look I got enough bottoms yesterday jump to row cut up <a href="http://safercolonreviewss.com/">Safer Colon</a> nothing dance known as poll get like 50 million bruises all over my body I'll you know fail a few times of abolished supreme 90 day and now banged up my face I had enough bad awards I don't want no Lufkin battles I don't want no stretch marks battled I know people CNHI to make you feel better play happy no not that picky I don't want those type battles cut I get some I just got you know some .

Webster Nichole is following