Robe rehearsal 181017

a short test with the fantastic LW 258VCO (coupled with serge waveshaper). this connection and the joint feedback path makes these two osc extremely versatile. lots of harmonic overtones and even undertones possible depending on what mixture of wave is going through the tws.
also a test how to use the addac stochastic function generator in a tamed setting, every envelope is slightly different, the sequence gets "humanized".

stochreich

Ecker & Meulyzer “Carbon” (SUB033)

Digital & CD: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Bandcamp

Ecker & Meulyzer - Growth

Dogeh

a track i made for colorsquad 8 compilation:
https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-0-8

colorsquad 8 track

Powderhorn

"Listening is and always has been at the core of The Quiet Club’s (Danny McCarthy & Mick O’Shea) work combined with their policy of not discussing the work before or after its performance this has been the hallmark of their practice. 

Unable to listen to each other perform during the Covid 19 Lockdown the duo resorted to Telepathic Listening. Uninterested in Zoom, Facetime etc. the duo decided to each perform in their own separate studio’s miles apart at a given time on appointed days for twenty minutes. The concept was that then the two recordings would be combined together unedited.

On June 16th 2020 (Bloomsday) the artists inspired by Joyce, performed separately but at the same time and the recordings were then combined together unedited to form Telepathic Lockdown Tape No 7.

There are several other works in the series including one which they both played at 4:33pm as a tribute to John Cage. Telepathic Lockdown Tape No 9."

The Telepathic Lockdown Tapes

TR079 - The Quiet Club - The Telepathic Lockdown Tapes [excerpt]

Looking Glass Spiral

Another sea drop

@trash_panda_qc 2nd and 4th Wednesdays!

Trabajo - Pi Pa Lu (unreleased alternate Peter Seligman remix)
FARWARMTH - Shadows In The Air
nobody move - watch out
CCLCNG - negative watts
CSV - Capital
Miri Kat - lmm3d1473 - نزدیک
Metal Preyers - Peppa
glia - neomie
Phoenicia - Biorepo
Chra - Cynthia
Ada Babar - lastly
Renick Bell - transition 3
agnes pe - the clock was invented in China, but it was not until centuries later, when it was rediscovered in Europe
Snaykhunt - Coco Vision
Mark Fell & Will Guthrie - Diffractions 2
Autechre - fol4
florconvenas - maquinaria agricola
farmersmanual - T2.1
Bastian Void - Hillside Radio
Eric Copeland - Strange Days Side B
Parsa - reddlMAUD
Fremde Hände - Fremde Hände (3)
The Orb - Traumvogel
brin - Featherdrift
Otherworld - Dark Dream Descending
Autechre - t1a1
Mona Sigler - Nye Voicey Waters
Brothomstates - Untitled

datafruits.fm

Trash Panda QC - 01132021

01 Roland Haynes - Second Wave
02 (1´52)Wojciech Karolak - Discopus nr 1
03 (4´11) Herbie Hancock - 4Am
04 (6´43)Pokus - Pokus One
05 (9´37) Quakers - Sparrow
06 (10´28) Beastie Boys - Shake Your Rump (Instrumental)
07 (12`19) Kamaal Williams - One More time
08 (15`19) Yussef Dayes - Odyssey
09 (17`15) Patrice Rushen - Kickin´Back

I am very happy because these days I have been listening to one of the music that most attracted me years ago. After high school and saturated with listening rock, I began to be interested in jazz, becoming a super fan of the genre, especially funk jazz from the late 70's and early 80's.
Now again the funkiest scene has resurfaced, especially in London where it have great bands that are making fabulous music. 
Here you can find some of the pieces that I liked the most, all the tracks are edited in the spirit of the beatmakers compressing many songs in a short time. I hope you enjoy and my apologies to all who miss the parts i cut. :)

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