Brian Culbertson Feat Will Downing - It's On Tonight  (Edit Dj Amine)

Cover of Euge Groove's Chillaxin

First single from Bob Baldwin's "Love's Light in Flight/Love Trippin'"

Stevie Wonder was a childhood legend musician/singer/
arranger extraordinaire and I have covered his music in
1988 with "You Will Know", featuring Nelson Rangell,
and in 2008 with "My Cherie Amour", featuring 
Najee. He was one of the first keyboardists (in the 1970's) 
ever to  take the keyboard and through a new recording 
process called 'overdubbing', turned the keyboard
into a min-orchestra, before it became status quo.

With that said, please find below a link regarding the radio single -
from the disc, "MelloWonder / Songs in the Key of Stevie".

LOVE'S LIGHT IN FLIGHT - SLICK RADIO EDIT

Will Downing over the years has released some fantastic material, and he doesn't let us down with his new album Chocolate Drops which we highly recommend. This can be purchased @ http://willdowning.com/product/chocolate-drops-cd/
Here is a mix that re vists some old along with the new, to get you in the mood. This has been one of the hardest mixes I have ever done, however well worth the work, a true labor of love.
Hope you enjoy, as always feedback good or bad is always welcome, and please support the artist and the music.
All the best Ged

Will Downing Chocolate Mix - Mixed By Ged Morris,

Slow-burn R&B about two “just friends” telling themselves it’s nothing when it’s definitely something. Little white lies, Pinocchio noses, hands that shake when they touch. Late-night song for anybody stuck in the almost.

You say, “I’m good,” but your eyes look tired,
Laugh a little hard like the room’s on fire.
Hand on my arm just a beat too long,
We call it nothing but it feels too strong.

You talk new plans and your weekend dates,
Smile on your lips but your heartbeat shakes.
I play along like I’m doin’ fine,
But every small joke hits the same old line.

We keep it light, we keep it low,
Smiles stay smooth while the noses grow.

White lies hangin’ in the air tonight,
Soft words hidin’ what we feel inside.
Say “it’s nothing,” but it cuts so high,
We’re both bleedin’ out in black and white.
If it’s just “hey” and it’s just “goodbye,”
Why do we shake when our hands collide?
We keep standin’ in this borrowed light,
Livin’ on white lies… white lies.

You say, “We’re friends,” when you take that seat,
Knee hits mine and you don’t move your feet.
You drop that joke that you know I love,
I fake a smile when it’s not enough.

Phone lights up but I let it ring,
No one else hits like this almost-thing.
You twist your ring when you meet my eyes,
Both of us hidin’ behind that smile.

We keep it light, we keep it low,
Smiles stay smooth while the noses grow.

White lies hangin’ in the air tonight,
Soft words hidin’ what we feel inside.
Say “it’s nothing,” but it cuts so high,
We’re both bleedin’ out in black and white.
If it’s just “hey” and it’s just “goodbye,”
Why do we shake when our hands collide?
We keep standin’ in this borrowed light,
Livin’ on white lies… white lies.

What if I said I still replay
Every little touch from yesterday?
What if you dropped that “just a friend”
And let this almost finally begin?

Are we really keepin’ each other safe,
Or just scared of what we’d really make?
All this almost, all this might—
We can’t live forever in this half-light.

White lies fallin’ from our lips tonight,
No more “I’m fine,” no “it’s all right.”
If it’s nothing, why’s my heart this loud
When I pull you in from the middle of the crowd?
Say my name and don’t disguise,
No more cover for these honest eyes.
Let the truth come floodin’ out inside—
Burn through these white lies… white lies.

You say, “No more,” and it sounds like “stay.”

White Lies

Sitting on a Star

A sensual and intimate track that uses the metaphor of pottery to explore themes of creation, control, and deep connection. The lyrics depict a dominant, artistic lover (the potter) molding a passive partner (the clay) into their desired form. With its hypnotic, repetitive chorus and evocative imagery of fire, shaping, and fusion, the song builds an atmosphere of intense, almost spiritual passion. The call-and-response section and fading outro reinforce the cyclical, all-consuming nature of the act, making it a powerful and evocative piece about the fusion of two beings into one.

The Potter's House

Maysa Leak - "Earthchild"

The Highest Act Of Love

Norman Brown feat. Deniece Williams - Free (Radio Edit)

01. George Howard - Hopscotch

Phil Perry  - Where Is The Love (feat. Chante`Moore)

To buy my music directly from  https://koolfunk.bandcamp.com/
 Since 1989 Dj Amine is renowned for his Funky , Disco ,Soulful , Smooth Jazz , R&B , Dance ,House ,Deep ,Nu-Disco style.
If you are interested in the Edit contact me mm_amine@hotmail.com

Brian Culbertson Feat Will Downing - It's On Tonight (Edit Dj Amine)

DjAmineBebito