Tony Lakatos on sopran sax, Pappa Csaba on drums, Hársszegi Miklós on bass.

From technical viewpoint the way this music  was constructed has been  evolved from the path of Miles Davis- Wayne Shorter - Herbie Hancock concept which  sadly ended with the ,,Miles Smiles" record and with the disintegration of the legendary Miles quintet. 


From viewpoint of music theory that was the highest peak in jazz music ever.   This approach also has parallels in classical music too, starting from Wagner and it is called ,, leitmotiv " The point of ,, leitmotiv' technique is to build melody lines  just based on the motives itself. This is the most basic  ancient, powerful knowledge of music constriction. But for today it is nearly totally forgotten or mishandled by the present music theories - with primery  hegemony  on  harmony concepts.

All in all - the footprints the Miles quintet left behind still miraculous and not properly understand even today and nor musician not a composer or band has enough talent to fit their  foot into this trace. So the footprints of Miles just waits, but it is a real compass and shows proper advenced direction for all the newcomers. All the while  Miles is heaven just smiles.

LIGHTHOUSE

I' am Kalman Hetényi a  jazz pianist, composer from Budapest, Hungary. This site is for my main profile with samples of my original compositions. Other profiles of me :   https://soundcloud.com/user-580575094 or https://soundcloud.com/user-189784408  or https://soundcloud.com/user-828584329  Welcome and enjoy.

LIGHTHOUSE

mrjazzper