And now for something completely different...
It was the first warm and sunny day after a long gray period. I was happy and just for a minute I got soft and made this. And that doesn't bother me at all.

On a sunny day

Spotify: https://open.spotify.com/intl-de/track/5FsPCoQ2Y9Z0OuG5kWDxDs?si=c03ccc558021498a
Youtube: https://www.youtube.com/watch?v=EUxKzif8IKI
Soundcloud: https://soundcloud.com/konrad-spittelberg/yearning

Yearning. The pain when you long for something and yet can't get it. When periods of depression and self-immersion are interrupted by outbursts of hearfelt desire and longing, only to collapse into themselves again. And yet, excruciating as this bittersweet state of mind is, the heart nevertheless seems to also derive pleasure from it.

Compositionwise: 
The track is of the form Intro (@0:00) - Main1 (@0:33) - Main2 (@1:29) - Diversion (@2:19) - Main3(@2:53) - Outro (@3:17)
Overall, the track lives from its sequence of low-energy parts and muffled outbursts. Over time, the track increases in intensity, in two ways: First, its speed increases from the Intro in the Mid 60s to the Low 70s lateron. Moreoever, the melodical intensity of the variations gets increasingly dense (see below) 

The track starts with a low-paced introspect Intro where the left melody line goes up and the right hand down. This contraction in the used space of tones resembles the seclusion of the proponent of our story. The desparation is underlined by sudden crescendos and abrupt falling back into pian(issim)o. This effect is held up throughout the remainder of the track. The left hand in the Intro follows a low-paced half note beat. The right hand first introduces the lead theme that is later varied in the parts (M, M', M'') but then modulates in a unique way that is not repeated throughout the track again.
@ 0:33, the Intro is over and the first of the main parts, Main1, starts. The left hand increases its intensity from here on throughout the track by switching to quarters instead of halfs. The lead theme is modulated with more energy (and will be ever more intense in the later variations of Main). After that, the track goes @0:57 into a series of outbursts and resignations. This series is repeated in Main2 @1:57 in more intensity and a chord inversion higher.
The Diversion is characterised by chord inversions that gently fall down, just like rain that pours down that window that our protagonist stares through. And then reaches the biggest outburst of the whole track.
Finally, after Main3, which includes the most intense version of the lead theme and harmonically altered variation, the piece finishes with a questioning yet pieceful end.

In mastering the piece, after MIDI editing, one of the challenges was to find the right balance between the plaintive metallic overtone-rich outbursts versus a rich and full sound for the resignative parts. I chose the Pianoteq Warm Peterov Mistral (with some minor tweaks) as the piano. On this, I used three basic Cubase-inate effects: (1) some light-touch EQ (a scaled-downversion of Basic Piano), (2) compression (Ratio of 1.8) and (3) Reverb (the Cubase-equivalent of the Goldener Musikvereinssaal in Vienna of course :-)). The mix has been balanced at -1db to allow enough headroom for the streaming services' normalization magic to happen ;-).

Yearning (Piano Miniature)

cheers for having a listen


i think it's time you have to go
but i think you knew this long ago
it happens to the best of us, cast aside and left to rust
you know thats just the way

then the realisation's taken hold 
you been left out in the cold
frozen out the welcome mat, took away and not put back
you know thats just the way

you made your peace now with your past
except some things aren't meant to last
everyone will tell you you'll get through
keep keeping on thats all you do
cos it's the only way

where would you go what would you do
there's a big old world in front of you
and it's hurtin now more than before, through heavens gate to the devils door
you know we lost our way

take a seat it won't be long, all the pain will soon be gone
you know thats just the way
make your mind up right or wrong, the way we're going it won't be long
thats the way

Thats The Way

Musik and  arrangement by Sixten Gabrielsson. Vocals from Steinberg Soulful R&B Vocals

Crazy Love

Kit: uKORG, CS2x, Fluss, volca fm, Seaboard 5D, Logic Pro

Acknowledgements:
Audio:
Vocal Sampling from "As Seen on TV" (2022) by HoliznaCC0; track licenced under a CC0 1.0 Universal Licence (Public Domain).

4th World (ft. HoliznaCC0)

The Coast

Cumbianaut-derretir

the babies came this morning! 4 FOUR!!   :D    <3<3<3
i do not feed them but i feed Gary the stray and the birds, what happens after that is up to nature :D
https://soundcloud.com/fr0ggy5/fr0g-enjoys-a-gentle-spring-rain?in=fr0ggy5/sets/fr0g-based-tone-poems
remix of earlier work from before i had audio editing software
maDe with casio and zoom h1 handy
sorry for low quality, but i like so...

frog enjoys springtime rain tone poem merix--RACCOON BABIES ARRIVE

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Bob Mould ©1993 GRANARY MUSIC BMI, GEMA, PRS

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