
1) No.1 Triumph Over Tooth Decay
2) Acousmatic Interlude No.1
3) No.2 No Proper Breakfast
4) Acousmatic Interlude No.2
5) No.3 Because It’s More than Just Paper
6) Acousmatic Interlude No.3
7) No.4 Take a Shiny Object
8) Acousmatic Interlude No.4
9) No.5 Attracts Dust and Grime
10) Acousmatic Interlude No.5 
11) Ending 

This composition explore setting up a very simplistic ritual and then subverting it at the end of the composition. 

An Ontological Study of the Paradigms in Advertising Media within Capitalist Societies for string quartet

Samuel Pradalie is a composer whose musical output consists of naïve, witty pieces, focusing on an aesthetic of Brechtian Alienation and the uncanny. Drawing heavily from the surrealist tradition, particularly the anti-virtuosic approach of Erik Satie his aesthetic language consists of awkward interruptions, repetitious materials, surreal thematic dialogues, fragrantly sentimental harmonies and kitschy melodies as well as experimenting with endurance. His music draws also draws on a number of extra musical influences including Montage techniques from Soviet Cinema, and DIY aesthetics. Samuel has worked with a number of ensembles and organisations including the Amatis Trio, Birmingham Contemporary Music Group, Lietzeorchester Berlin, Tête á Tête opera Festival and Borough New Music and has been performed at such diverse venues as the Rundfunk Hall Berlin, Blackheath Halls London, West Road Theatre Cambridge, St Georges Bristol.