Wisdom Teeth co-head Facta provides 50 minutes of looping grooves, tightly-woven broken beats, and shuffling garage to get you excited for the floor.

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GALA warm-up: Facta

"In honor of black music month, I created a mix of some of my favorite tracks, records, artists and labels from the 90s to present. The mix spans across different eras and subgenres of house music, keeping depth of rhythm and emotion at the forefront. It showcases my taste for deep cuts, off kilter sounds, and classic underground Chicago and Detroit themes, moving from low to high energy across 90 minutes.  Dedicated to all black music makers past and present. "

1. The Sun God - Show Me Love
2. Rick Wilhite & Jon Easley - Jada's Pain
3. Gemini - Counting Sheep
4. Felix da Housecat - Free Love
5. Howard Thomas - her song!!!!
6. Strong Souls - Twinkles
7. Lady Blacktronika - Black Girl 
8. Trus'me - Shakea Body (Terrence Dixon Remix)
9. Walt J - Feel What I Feel
10. H-Fusion feat. Marcellus Pittman - Wicked Bitch Witch
11. Specter - Body Blow
12. House of Jezebel - Love & Happiness
13. K.A. Posse - Our Love Stops & Goes 
14. K Hand - Do You Love Me
15. Leron Carson - Under The Conditions
16. Sweater on Polo - Computer Controlled Madness
17. Jack Master - One Trac Mind
18. House Factors - Freestyle 
19. Hieroglyphic Being - EARTH TO MICKEY (M3MB3RS 0NLY EDIT)
20. A Friend of Jackie - We Can Hang
21. Marcus Mixx - Salut The Noize With A Laugh
22. Traxx - Tribute

@jadalareign

Episode 65/w JADALAREIGN

Love Injection is a New York music and culture monthly fanzine in print since February 2015, founded by DJs, archivists, and audio enthusiasts Paul Raffaele and Barbie Bertisch. Their namesake record label launched in 2020. Avid record and audio enthusiasts, Paul is also an art director and Barbie writes and performs music with various projects.

https://www.instagram.com/loveinjection.nyc
https://www.instagram.com/barbiebertisch 
https://www.instagram.com/paulraffaele 
https://www.instagram.com/loveinjection.records

https://loveinjection.nyc

LOVE INJECTION WITH BARBIE & PAUL @ The Lot Radio 09-28-2024

Live from the ’save cosmic slop’  party on the sunflower soundsystem, Leeds. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/floating-points/episodes/floating-points-21st-october-2024

Floating Points w/ Cosmic Tom 211024

Expert selections all round: encompassing everything you know and love from Eclair Fifi. That's techno, electro, hip-hop, Latin Freestyle, early Warp Records material, and then a bunch of other stuff that's bound to surprise you. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/eclair-fifi/episodes/eclair-fifi-31st-october-2024

ECLAIR FIFI - Halloween Special 311024

Driven by an intense love for electronic music in all its shapes AliA is without a doubt one of the most promising deejays from Belgium. Still in her early twenties, she has a surprisingly thorough knowledge of club music and a mixing technique many envy. 

AliA @ Kiosk Radio 16.11.2024

enjoy the vibes //
DOWNLOAD: https://sinnersclub.bandcamp.com/album/-
FOLLOW:
https://www.instagram.com/sinnersclub_bandcamp/
https://sinnersclub.bandcamp.com
*i do not own this music nor am i affiliated with Sinners Club*

あなたのために // for you

Sinners Club - ベトナムの刑務所 / vietnam prisons

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.

➡️ More info, more music: www.refugeworldwide.com

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Bubble World - Ambien Baby - 28 Nov 2024

FART ON NTS l 6 DEC 2024

Scott Zacharias Live at Party Line 10/4/24 ☎️

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

MDC.303 DJ Plead

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Floating Points w/ Cosmic Tom 211024

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