recorded live on feb 28 2022

NMQ-HYT pendant
everything I can’t be (brr mix) ben bondy forthcoming quiet time
not same sun ultrafog
A2 JJ+JS forthcoming daisart
barefeeter perila 
cloud cover (wet) ben bondy n mister water wet unreleased 
basin steppes stone aka mistareez forthcoming 3XL
millau with zoe darsee naemi forthcoming 3XL
nemorum incola zeiß m.e.s.h.
lingua sebastiano carghini
falling in the waves w james K parris
a.6 ulla forthcoming 3XL
b.9 ulla forthcoming 3XL

in the green room 4

meltdown 42 - nak

f062 - Eden Aurelius

Gassy’s NTS transmissions are radiophonic arrays of old and new soundwaves, spanning the psychedelic, bass dubs, synth odysseys and rave memories. Simply add a pinch of special herbs and spices and bring to the boil.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/totem/episodes/totem-27th-may-2024

GASSY w/ Lucas Dupuy 270524

Beyond / Below 51 by @itxpo. Received August 2024.
Photo by the mixer

"An idea formed about moving — place to place, sun to sunrise. Going from place to place, both can be a privilege or punishment.  The things we take for granted, the things we miss the most. The things we cherish and find to love in a new setting. Where do we go from here?"

Terre Thaemlitz - Piano Solo 
Nicolas Jaar - Garden 
Kara Lis Coverdale - Movable Fields 
My Bloody Valentine - she found now 
Mica Levi & Oliver Coates - Mob of Waters 
Harmonia & Eno - Mob of Waters 
Jonny Nash & Suzanne Kraft - Hanging Glass Structure 
Aphex Twin - #20 
nthng - In the City 
Geologist - ZoomBloom (Cassette) 
Maxime Denuc - Ouverture 
Oneohtrix Point Never - Describing Bodies 
Deepchord - Immersions I 
Monolake - Mass Transit Relay 
Skee Mask - Verdigris  
Kettenkarussell - Gate 
Bending - Dixie Cup Looper (Cassette) 
Thunderhead The Word by Eden -True Romance 
Bending - Earring Garden (Cassette) 
Cocteau Twins - Pitch the Baby 
Leafar Legov - Mit Dir 
Bluets - tear.shed 
Rhythm & Sound - Distance Range 
Leafar Legov - Never Ending Beginnings Side A (Cassette) 
The Last Bird Call of the Kauai ‘O’o (1987)  

Equipment Used: 2x Technic 1200s, 2x CDJ 900s, Panasonic Slim Line Cassette Player, Xone 92

51. IT-XPO

Credits : 
Spoken words - James Baldwin and bell hooks.
Chanting - Jan Blake.

dan nicholls (live) - Meakusma Festival 2024

OPEN HAND REAL FLAMES is a monthly show presented by Bass Clef. Each episode has a theme - usually a specific musical instrument or process, perhaps an artist or composer, sometimes a record label. Ranging wide over centuries and genres, looking for connections and joy. Always welcomes contributions, music, suggestions.

For old Floating World Music shows click [here](https://www.nts.live/shows/floatingworldmusic) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/open-hand-real-flames/episodes/open-hand-real-flames-12th-march-2025

Open Hand Real Flames: 6518 & 8580, a SID Chip Special 120325

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

Journal Entry #2—The Bloom and the Flutter : DiLasso, Schnittke, Goats, Ghosts

Noctelle track performer by Whilom at The Storeroom, Letchworth on 1st November 2025.  Noctelle is a collab between Whilom and Deafblind.

Pathetic Fruit - Live At The Storeroom

K G G - Burning Orb

Tracklisting available here: http://www.self-titledmag.com/2012/07/10/download-this-now-blackest-ever-blacks-dream-theory-in-haltemprice-mixtape/

Blackest Ever Black - 'Dream Theory In Haltemprice' Mixtape

now posting on https://soundcloud.com/user-202286394-991268468 
https://www.nts.live
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GASSY w/ Lucas Dupuy 270524

NTS 2024-2025