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NTS GUIDE TO

https://www.nts.live/shows/in-focus/episodes/in-focus-15th-july-2022

In Focus: Missy Elliott 150722

Effortlessly cool French alternative sounds from the 1980s, selected by NTS.

https://www.nts.live/shows/the-nts-guide-to/episodes/french-coldwave-14th-october-2022

The NTS Guide To: French Coldwave, Post Punk, Synth & Other Oddities 1980 - 1989

Trailing down the dusty highway at dusk, soundtracked by Western-flavoured downtempo sounds. Lapsteels, anachronistic electronics, and deconstructed country ballads.

https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-ambient-americana-16th-february-2023

Dust To Dust: The NTS Guide to Ambient Americana 160223

In a vague coalescing of producers and scenes in the late 1990s, the worlds of fuzzy, reverb laden indie rock and drum & bass fused on projects by artists like Bowery Electric and Flying Saucer attack.

https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-drum-and-bliss-17th-february-2023

NTS Guide To Drum & Bliss 170223

Contemporary pieces of obsession intertwined with glimpses of reality.

https://www.nts.live/shows/ouri/episodes/ouri-7th-march-2023

Ouri 060323

First thing on Fridays - Jack Rollo's here to take care of things.

https://www.nts.live/shows/early-bird-show-jack-rollo/episodes/early-bird-show-jack-rollo-24th-march-2023

The Early Bird Show w/ Jack Rollo 240323

https://www.nts.live/shows/piper-durabo/episodes/piper-durabo-28th-march-2023

Kiss Cafe w/ Piper Durabo 280323

https://www.nts.live/shows/liquid-mirror/episodes/liquid-mirror-3rd-april-2023

Liquid Mirror w/ Olive Kimoto - Ryuichi Sakamoto Tribute 030423

Considered a reaction to the more lively bebop styles of jazz, the postwar era saw a rise in subdued styles, often referencing classical music. NTS selects two hours of cool jazz from Miles Davis, Chet Baker and more.

https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-cool-jazz-9th-april-2023

NTS Guide to: Birth of Cool - Postwar US Jazz 150423

www.giegling.net
http://www.residentadvisor.net/record-label.aspx?id=3485


Giegling Mix 05 I Traumprinz - this is not...

Discover the emotional world of Impressionist music with luminaries like Debussy, Satie, and Ravel.  
https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-impressionism-5th-february-2024

NTS Guide to: Impressionism 050224

A look back at that moment in the 2010s when underground club music, and experimental-leaning artists reached for the R&B palette - an influential period that birthed mainstream stars.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-2010s-underground-rnb-7th-may-2024

NTS Guide to: 2010s Underground R&B 070524

www.giegling.net
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www.discogs.com/label/144751-Giegling
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http://www.residentadvisor.net/record-label.aspx?id=3485

Giegling Mix 07 - DJ Metatron - This Is Not

Giegling Mix 02 - Prince of Denmark - this is not...

A 59:30 continuous mix of ambient/deep electronix/vaporwave musics recorded at Sweetpup Studios for the folks over at Libra Mix. Check out more interesting mixes from Vancouver and the world at http://www.libramix.org/

tracklist: https://mixesdb2.com/mixes/153969

Home Music (Libra Mix)

Traumprinz - Live At Planet Uterus

Sets

Prince Of Denmark - Live At Planet Uterus

This Friday @khotin came through smooth and covered for D.DEE and boy did he deliver. Please enjoy this special selection of interesting audio from the four corners of Planet E and be on the look out for Dylan's new 12" coming soon on Public Release. It's something else!

Originally broadcast on @nofunradio on Friday, April 13, 2018.

Tune into Pacific Spirit every Friday from 4-6pm PST on nofunradio.com

CIM - Warm Data
Inspired School Of Astral Music - Accent
Les Halles - Skies That Soar
Jason Kolàr - Clairvoyance
Cloudface - j p
Tess Roby - Glimpse
New Composers - Sirens Of Titan
Bugbus Piano - 300 Paintings
Khotin - ?
David Wise - Aquatic Ambience (Donkey Kong Country OST)
Khotin - ?
Cocteau Twins - Watchlar
Blithe Field - Grotto
Yu Su - I’ll Say When I Can
Black Sabbath - Planet Caravan
Dub Tractor - Pull Dub
Uon - J
Hysteric - Camino (Edit)
Satoshi & Makoto - Crepuscule Leger
V.D.B. Joel / M Monsen - Road 101
Khotin - ?
Project Pablo - Fine Match
Maciek Sienkiewicz - Song For Mohindar
Ludwig A.F. Röhrscheid - Exoplanet
Unknown Mobile - Oenology (ft. CFCF)
Pablo’s Eye - AMB 9
Roza Terenzi & DJ Zozi - World Off

Pacific Spirit 026 | Khotin

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

Ghostly with Khotin @ The Lot Radio 04 - 20 - 2020

Broadcast on WNYU 89.1FM in New York City on August 11th, 2020.
https://soundcloud.com/khotin
https://beatsinspace.net/playlists/1055/ 
Support BIS: https://www.patreon.com/beatsinspace 
https://beatsinspace.bandcamp.com
Leave a message on the BIS Hotline: 646-481-8189

beatsinspace.net

BIS Playlist

BIS Radio Show #1055 with Khotin

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

https://www.nts.live
https://www.instagram.com/nts_radio/

NTS Guide to: Impressionism 050224

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